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Cuando te invoqué, Señor (Lord, on the day I called for help)

Appears in 13 hymnals Topics: 17th Sunday in Ordinary Time C; 17º Domingo del Tiempo Ordinario C Scripture: Psalm 138 Used With Tune: [Cuando te invoqué, Señor]

[In the sight of the angels]

Appears in 1 hymnal Composer and/or Arranger: DCI Tune Key: E Flat Major Incipit: 55122 33 Used With Text: In the sight of the angels

Appears in 2 hymnals Composer and/or Arranger: J. Robert Carroll; Laurence Bevenot, OSB; Joseph Gelineau, SJ Tune Key: B Flat Major Incipit: 56713 27 Used With Text: Psalm 138: In the Sight of the Angels

[Lord, on the day I called for help]

Appears in 2 hymnals Composer and/or Arranger: Ralph C. Verdi, CPPs; Laurence Bevenot, OSB; Joseph Gelineau, SJ Tune Key: B Flat Major Incipit: 77717 121 Used With Text: Psalm 138: In the Sight of the Angels

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Instances

Published text-tune combinations (hymns) from specific hymnals

Psalm 138: In the Sight of the Angels

Hymnal: RitualSong #184a (1996) First Line: I thank you, Lord, with all my heart Refrain First Line: In the sight of the angels Topics: 17th Sunday in Ordinaty Time Year C; 21st Sunday in Ordinary Time Year A; 5th Sunday in Ordinary Time Year C; Angels; Faithfulness of God; Liberation; Love of God for Us; Majesty and Power; Pastoral Care of the Sick; Petition; Praise; Salvation; Song; Suffering; Sunday; Thanksgiving Scripture: Psalm 138 Languages: English Tune Title: [In the sight of the angels]

Psalm 138: In the Sight of the Angels

Hymnal: RitualSong #184b (1996) First Line: I thank you, Lord, with all my heart Refrain First Line: Lord, on the day I called for help Topics: 17th Sunday in Ordinaty Time Year C; 21st Sunday in Ordinary Time Year A; 5th Sunday in Ordinary Time Year C; Angels; Faithfulness of God; Liberation; Love of God for Us; Majesty and Power; Pastoral Care of the Sick; Petition; Praise; Salvation; Song; Suffering; Sunday; Thanksgiving Scripture: Psalm 138 Languages: English Tune Title: [Lord, on the day I called for help]

Psalm 138: In the Sight of the Angels

Hymnal: RitualSong #184c (1996) First Line: I thank you, Lord, with all my heart Refrain First Line: Lord, your love is eternal Topics: 17th Sunday in Ordinaty Time Year C; 21st Sunday in Ordinary Time Year A; 5th Sunday in Ordinary Time Year C; Angels; Faithfulness of God; Liberation; Love of God for Us; Majesty and Power; Pastoral Care of the Sick; Petition; Praise; Salvation; Song; Suffering; Sunday; Thanksgiving Scripture: Psalm 138 Languages: English Tune Title: [Lord, your love is eternal]

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People

Authors, composers, editors, etc.

Joseph Gelineau

1920 - 2008 Person Name: Joseph Gelineau, SJ Composer (Gelineau tone) of "[In the sight of the angels]" in RitualSong Joseph Gelineau (1920-2008) Gelineau's translation and musical settings of the psalms have achieved nearly universal usage in the Christian church of the Western world. These psalms faithfully recapture the Hebrew poetic structure and images. To accommodate this structure his psalm tones were designed to express the asymmetrical three-line/four-line design of the psalm texts. He collaborated with R. Tournay and R. Schwab and reworked the Jerusalem Bible Psalter. Their joint effort produced the Psautier de la Bible de Jerusalem and recording Psaumes, which won the Gran Prix de L' Academie Charles Cros in 1953. The musical settings followed four years later. Shortly after, the Gregorian Institute of America published Twenty-four Psalms and Canticles, which was the premier issue of his psalms in the United States. Certainly, his text and his settings have provided a feasible and beautiful solution to the singing of the psalms that the 1963 reforms envisioned. Parishes, their cantors, and choirs were well-equipped to sing the psalms when they embarked on the Gelineau psalmody. Gelineau was active in liturgical development from the very time of his ordination in 1951. He taught at the Institut Catholique de Paris and was active in several movements leading toward Vatican II. His influence in the United States as well in Europe (he was one of the founding organizers of Universa Laus, the international church music association) is as far reaching as it is broad. Proof of that is the number of times "My shepherd is the Lord" has been reprinted and reprinted in numerous funeral worship leaflets, collections, and hymnals. His prolific career includes hundreds of compositions ranging from litanies to responsories. His setting of Psalm 106/107, "The Love of the Lord," for assembly, organ, and orchestra premiéred at the 1989 National Association of Pastoral Musicians convention in Long Beach, California. --www.giamusic.com

Richard Proulx

1937 - 2010 Composer (antiphon) of "[Lord, your love is eternal]" in RitualSong Richard Proulx (b. St. Paul, MN, April 3, 1937; d. Chicago, IL, February 18, 2010). A composer, conductor, and teacher, Proulx was director of music at the Holy Name Cathedral in Chicago, Illinois (1980-1997); before that he was organist and choirmaster at St. Thomas' Episcopal Church in Seattle, Washington. He contributed his expertise to the Roman Catholic Worship III (1986), The Episcopal Hymnal 1982, The United Methodist Hymnal (1989), and the ecumenical A New Hymnal for Colleges and Schools (1992). He was educated at the University of Minnesota, MacPhail College of Music in Minneapolis, Minnesota, St. John's Abbey in Collegeville, Minnesota, and the Royal School of Church Music in England. He composed more than 250 works. Bert Polman