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The night is come: like to the day
Author: Sir Thomas Browne; George MacDonald Appears in 10 hymnals Hymnal Title: Worship Song Topics: Hours of the Day Evening Used With Tune: PENIEL
The night is come: like to the day
COLCHESTER
Appears in 23 hymnals Composer and/or Arranger: Samuel Sebastian Wesley (1810-1876) Hymnal Title: The Oxford Hymn Book Incipit: 35142 17151 76254 Used With Text: The night is come, like to the day
COLCHESTER
The night is come like to the day
Hymnal: Hymns and Anthems adapted for Jewish Worship #139 (1887) Hymnal Title: Hymns and Anthems adapted for Jewish Worship Languages: English
The night is come like to the day
The night is come, like to the day
Author: Thomas Browne Hymnal: Hymns of the Ages #d144 (1859) Hymnal Title: Hymns of the Ages Languages: English
The night is come, like to the day
The night is come like to the day
Author: Sir Thomas Browne (cento), 1605-82 Hymnal: Songs of Praise #41a (1925) Hymnal Title: Songs of Praise Languages: English Tune Title: OAKLEY
The night is come like to the day
Percy Whitlock
1903 - 1946 Person Name: P. W. Whitlock Hymnal Title: Songs of Praise Composer of "CHATHAM" in Songs of Praise
Percy Whitlock
Ralph Vaughan Williams
1872 - 1958 Person Name: R. Vaughan Williams, 1872-1958 Hymnal Title: The Cambridge Hymnal Composer of "OAKLEY" in The Cambridge Hymnal Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrangements of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928).
Bert Polman
Ralph Vaughan Williams
Thomas Browne
1605 - 1682 Person Name: Thomas Browne (1605-1682) Hymnal Title: The Oxford Hymn Book Author of "The night is come, like to the day" in The Oxford Hymn Book Browne, Sir Thomas, born in St. Michael's, Cheapside, London, Oct. 19, 1605, and educated at Winchester, and at the Hall now known as Pembroke College, Oxford, graduating B.A. in 1626. He practised as a physician in Oxfordshire, Shipden Hall, near Halifax, Yorkshire, and at Norwich. In 1671 he was knighted by Charles II. at Norwich, and died there, Oct. 10, 1682. He wrote numerous scientific, antiquarian, and other works, including Religio Medici, 1642, and others, republished in Bonn's Library. The Religio Medici has been edited in the Golden Treasury series, Macmillan, 1882, with great fulness of detail. He is known principally to hymnology through his fine hymn, "The night is come; like to the day."
-- John Julian, Dictionary of Hymnology (1907)
Thomas Browne
