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Ved al divino Salvador

Author: T. M. Westrup Appears in 2 hymnals Matching Instances: 2 First Line: Ved al divino Salvador en la cruz

[Ved al divino Salvador en la cruz]

Appears in 1 hymnal Matching Instances: 1 Composer and/or Arranger: Wayne H. Hooper Tune Key: F Major Incipit: 33333 34565 65235 Used With Text: Ved al divino Salvador

MERCY'S FREE

Appears in 62 hymnals Matching Instances: 1 Composer and/or Arranger: D. F. E. Auber Tune Key: F Major Incipit: 54333 33456 55432 Used With Text: Ved al divino Salvador

Instances

Published text-tune combinations (hymns) from specific hymnals

Ved al divino Salvador

Author: T. M. Westrup Hymnal: Himnario Adventista #98 (1962) First Line: Ved al divino Salvador en la cruz Languages: Spanish Tune Title: [Ved al divino Salvador en la cruz]

Ved al divino Salvador

Author: Richard Jukes; Tomás Westrup Hymnal: Himnos de la Iglesia #128 (1995) Scripture: Matthew 27:46 Languages: Spanish Tune Title: MERCY'S FREE

1804 - 1867 Author of "Ved al divino Salvador" in Himnos de la Iglesia Rv Richard Jukes United Kingdom 1804-1867. Born at Clungunford, Shropshire, England, his father a stone mason, he was a prankster when young. He followed his father’s trade and became a stone mason for awhile before becoming an itinerant preacher. In 1829 he was part of a team missioning in Wiltshire and Aldbourne. His preaching was sometimes disturbed by efforts to disband the crowd, he even at times had eggs thrown at him. However, a society was formed and a barn was obtained for a place of worship. He was known as “the bard of the poor”. Over time he became a popular Primitive Methodist minister and hymn writer. He married Phoebe Pardoe (1805-1826) in 1825, but she died of typhus after less than a year of marriage. Later, after her death, he married Charlotte Smith (1806-1873), and they had eight children: Mariam, Charlotte, Thomas, Joshua, Amelia, Rowland, Richmond, and Martha. He ministered from 1827 to 1859 at 17 different circuits.. He ministry was widely appreciated. It is noteworthy that several of his appointments were to significant circuits of that time: Tunstall, Staffordshire, Ramsor, and Darlaston in the Black Country, where he spent a large part of his active ministry, retiring there. One trait he had was when writing hymn lyrics, he would try to pair them with popular tunes of the day and sing them in the streets so others would do the same.. and many did. He died at West Bromwich, England. John Perry

Wayne Hooper

1920 - 2007 Person Name: Wayne H. Hooper Mel. arr. por of "[Ved al divino Salvador en la cruz]" in Himnario Adventista Born: July 4, 1920, Little Rock, Arkansas. Died: February 28, 2007, at his home in Thousand Oaks, California. Hooper sang baritone with the King’s Quartet group for 18 years, and arranged and composed music for the group for 33 years. He taught music at the Portland (Oregon) Academy and Union College, Lincoln, Nebraska; served as musical director of the Voice of Prophecy broadcast; directed development and marketing for Hosanna House; did arranging and orchestration for Chapel Records; was musical co-editor of the 1985 Seventh-day Adventist hymnal; and co-authored the Companion to the SDA Hymnal. Andrews and La Sierra Universities awarded honorary doctor of music degrees to him. --www.hymntime.com/tch/

D. F. E. Auber

1782 - 1871 Composer of "MERCY'S FREE" in Himnos de la Iglesia Daniel Francois Esprit Auber France 1782-1871, Born in Normandy, Auber's father was a printer, and expected his son to follow in that trade, but he also let Daniel learn how to play several musical instruments. His first teacher was a Tirolean composer, Josef Ladurner. Auber began composition, producing several concertos for violin, modeled after Lamare. They played at the Paris Conservatory by Masaz, and were given much praise. He did a resetting of an old comic opera, Julie, studying with the renowned Luigi Cherubini. His opera failed. His father also died. He turned again to music, producing another opera fairing no better. His third attempt , La Bergere Chatekaine, in three acts, was the first of a series of brilliant successes written with librettist Eugene Scribe, His Opera-comique had 525 performances. Two susequent operas were as successful. He was elected a member of the Institut de France. The following year he was named director of the court concerts. Two more operas were very successful.In 1842, under King Louis Philippe. He was named director of the conservatoire and a member of the Legion of Honor, eventually commander. Two more major successes followed. He was well-loved, witty, and personally generous. John Perry