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Text Identifier:come_be_my_hearts_beloved_guest

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Come, Be My Heart's Beloved Guest

Author: Lueder Mencken, 1658-1726 Appears in 3 hymnals Lyrics: 1 Come, be my heart’s beloved Guest, My joy beyond all telling; For only he on earth is blest With whom Thou hast Thy dwelling. 2 O keep Thy banquet, Lord, with me, A sinner poor and needy, Since Thou invitest graciously, “Come, all things now are ready.” 3 I open heart and soul to Thee, Lord Jesus, to receive Thee; For thee I long most ardently, O may I never leave Thee. Topics: The Church's Life and Work The Lord's Supper Used With Tune: DOMINUS REGIT Text Sources: M. tr., 1754. Recast M. 1808

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DOMINUS REGIT

Appears in 369 hymnals Composer and/or Arranger: Rev. J. B. Dykes, 1823-1876 Incipit: 35433 22155 67132 Used With Text: Come, be my heart's beloved guest
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ACH GOTT UND HERR

Meter: 8.7.8.7 Appears in 126 hymnals Composer and/or Arranger: J. S. Bach Tune Sources: As hymnodus sacer (1625) (from a melody in) Tune Key: A Major Incipit: 17655 67121 76765 Used With Text: Come, Be Our Hearts' Beloved Guest

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Come, Be My Heart's Beloved Guest

Author: Lueder Mencken, 1658-1726 Hymnal: Hymnal and Liturgies of the Moravian Church #278 (1969) Lyrics: 1 Come, be my heart’s beloved Guest, My joy beyond all telling; For only he on earth is blest With whom Thou hast Thy dwelling. 2 O keep Thy banquet, Lord, with me, A sinner poor and needy, Since Thou invitest graciously, “Come, all things now are ready.” 3 I open heart and soul to Thee, Lord Jesus, to receive Thee; For thee I long most ardently, O may I never leave Thee. Topics: The Church's Life and Work The Lord's Supper Languages: English Tune Title: DOMINUS REGIT
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Come, Be Our Hearts' Beloved Guest

Author: Lueder Mencken; Anonymous Hymnal: Rejoice in the Lord #535 (1985) Meter: 8.7.8.7 Lyrics: 1 Come, be our hearts' beloved guest, our joy beyond all telling, for only they on earth are blest with whom thou hast thy dwelling. 2 O keep thy banquet, Lord, with us, with sinners poor and needy, since graciously thou callest thus: "Come, all things now are ready." 3 We open hearts and souls to thee, Lord Jesus, to receive thee; for thee we long most ardently; O may we never leave thee! Topics: Worldwide Communion Scripture: Luke 14:17 Languages: English Tune Title: ACH GOTT UND HERR
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Come, be my heart's beloved guest

Author: Lueder Mencken, 1658-1726 Hymnal: Hymnal and Liturgies of the Moravian Church #295 (1920) Topics: Lord's Supper Languages: English Tune Title: DOMINUS REGIT

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John Bacchus Dykes

1823 - 1876 Person Name: J. B. Dykes, 1823-1876 Composer of "DOMINUS REGIT" in Hymnal and Liturgies of the Moravian Church As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

Anonymous

Translator of "Come, Be Our Hearts' Beloved Guest" in Rejoice in the Lord In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Johann Sebastian Bach

1685 - 1750 Person Name: J. S. Bach Arranger of "ACH GOTT UND HERR" in Rejoice in the Lord Johann Sebastian Bach was born at Eisenach into a musical family and in a town steeped in Reformation history, he received early musical training from his father and older brother, and elementary education in the classical school Luther had earlier attended. Throughout his life he made extraordinary efforts to learn from other musicians. At 15 he walked to Lüneburg to work as a chorister and study at the convent school of St. Michael. From there he walked 30 miles to Hamburg to hear Johann Reinken, and 60 miles to Celle to become familiar with French composition and performance traditions. Once he obtained a month's leave from his job to hear Buxtehude, but stayed nearly four months. He arranged compositions from Vivaldi and other Italian masters. His own compositions spanned almost every musical form then known (Opera was the notable exception). In his own time, Bach was highly regarded as organist and teacher, his compositions being circulated as models of contrapuntal technique. Four of his children achieved careers as composers; Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Brahms, and Chopin are only a few of the best known of the musicians that confessed a major debt to Bach's work in their own musical development. Mendelssohn began re-introducing Bach's music into the concert repertoire, where it has come to attract admiration and even veneration for its own sake. After 20 years of successful work in several posts, Bach became cantor of the Thomas-schule in Leipzig, and remained there for the remaining 27 years of his life, concentrating on church music for the Lutheran service: over 200 cantatas, four passion settings, a Mass, and hundreds of chorale settings, harmonizations, preludes, and arrangements. He edited the tunes for Schemelli's Musicalisches Gesangbuch, contributing 16 original tunes. His choral harmonizations remain a staple for studies of composition and harmony. Additional melodies from his works have been adapted as hymn tunes. --John Julian, Dictionary of Hymnology (1907)