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As the Deer Pants for the Water

Author: Greg Scheer Appears in 2 hymnals Topics: Broken-hearted Refrain First Line: Why should I let this sorrow fill my soul? Scripture: Psalm 42 Used With Tune: [As the deer pants for the water]
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O For a Thousand Tongues to Sing

Author: Charles Wesley Meter: 8.6.8.6 Appears in 1,729 hymnals Topics: Brokenness; Brokenness First Line: O for a thousand tongues, to sing Lyrics: 1 O for a thousand tongues to sing my great Redeemer's praise, the glories of my God and King, the triumphs of his grace, the triumphs of his grace! 2 My gracious Master and my God, assist me to proclaim, to spread through all the earth abroad the honors of thy name, the honors of thy name. 3 Jesus! the name that charms our fears, that bids our sorrows cease; 'tis music in the sinner's ears, 'tis life, and health, and peace, 'Tis life, and health, and peace. 4 He speaks, and listening to his voice, new life the dead receive; the mournful, broken hearts rejoice, the humble poor believe, the humble poor believe. 5 Hear him, ye deaf; his praise, ye dumb, your loosened tongues employ; ye blind, behold your Savior come, and leap, ye lame, for joy, and leap, ye lame, for joy. Scripture: Isaiah 42:5-7 Used With Tune: AZMON'S GHOST
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We Cannot Measure How You Heal

Author: John L. Bell Meter: 8.8.8.8 Appears in 28 hymnals Topics: Brokenness; Brokenness Scripture: Psalm 57:1-3 Used With Tune: CANDLER

Tunes

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AZMON'S GHOST

Meter: 8.6.8.6 Appears in 1 hymnal Composer and/or Arranger: Mark A. Miller Topics: Brokenness; Brokenness Tune Key: E Flat Major Incipit: 55555 55555 51765 Used With Text: O For a Thousand Tongues to Sing
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LASST UNS ERFREUEN

Meter: 8.8.3.4.8.8 with refrain Appears in 469 hymnals Topics: Brokenness; Brokenness Tune Sources: Geistliche Kirchengesänge, 1623 Tune Key: E Flat Major Incipit: 11231 34511 23134 Used With Text: When Words Alone Cannot Express
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HYFRYDOL

Meter: 8.7.8.7 D Appears in 540 hymnals Composer and/or Arranger: Rowland H. Prichard Topics: Brokenness; Brokenness Tune Sources: Harm. The English Hymnal Tune Key: F Major Incipit: 12123 43212 54332 Used With Text: Father, We Have Heard You Calling

Instances

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Published text-tune combinations (hymns) from specific hymnals

Redemption

Author: Josh Tinley Hymnal: Worship and Song #3111 (2011) Meter: Irregular with refrain Topics: Brokenness; Brokenness First Line: Deliver us from fear and sadness Refrain First Line: Lord, redeem our broken world Scripture: Isaiah 42:5-7 Languages: English Tune Title: REDEMPTION
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O For a Thousand Tongues to Sing

Author: Charles Wesley Hymnal: Worship and Song #3001 (2011) Meter: 8.6.8.6 Topics: Brokenness; Brokenness First Line: O for a thousand tongues, to sing Lyrics: 1 O for a thousand tongues to sing my great Redeemer's praise, the glories of my God and King, the triumphs of his grace, the triumphs of his grace! 2 My gracious Master and my God, assist me to proclaim, to spread through all the earth abroad the honors of thy name, the honors of thy name. 3 Jesus! the name that charms our fears, that bids our sorrows cease; 'tis music in the sinner's ears, 'tis life, and health, and peace, 'Tis life, and health, and peace. 4 He speaks, and listening to his voice, new life the dead receive; the mournful, broken hearts rejoice, the humble poor believe, the humble poor believe. 5 Hear him, ye deaf; his praise, ye dumb, your loosened tongues employ; ye blind, behold your Savior come, and leap, ye lame, for joy, and leap, ye lame, for joy. Scripture: Isaiah 42:5-7 Languages: English Tune Title: AZMON'S GHOST

Sing of the Lord's Goodness

Author: Ernest Sands Hymnal: Worship and Song #3010 (2011) Meter: 12.7.12.7 with refrain Topics: Brokenness; Brokenness Refrain First Line: Come then, all you nations Scripture: Psalm 92:1-4 Languages: English Tune Title: THE LORD'S GOODNESS

People

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Authors, composers, editors, etc.

Iona Community

Topics: Broken-hearted Author of "Psalm 43 (A Responsorial Setting)" in Psalms for All Seasons Iona Community, an ecumenical Christian group of men and women based on the small island of Iona off the coast of Scotland. The community began in 1938 when the Rev. George MacLeod of the Church of Scotland began a ministry among the unemployed poor who had been neglected by the church. He took a handful of men to the island to rebuild the ruins of a thousand-year-old abbey church. That rebuilding became a metaphor for the rebuilding of the common life, a return to the belief that daily activity is the stuff of godly service – work, and worship. The Community has since grown to include a group of members, associates, and friends all over the United Kingdom and many other countries. In addition to many conferences that attract people to Iona from around the world, the Community is known for its publishing of new songs and prayers for worship, both developed in community and gathered from around the world. For more information on the Iona Community, check their website: www.iona.org.uk. John Bell is probably the community’s most well-known member, having composed and arranged much of the community’s music. Sing! A New Creation

E. J. Hopkins

1818 - 1901 Person Name: Dr. E. J. Hopkins, 1818-1901 Topics: Heart Broken Composer of "CULFORD" in Methodist Hymn and Tune Book Dr Edward John Hopkins MusDoc United Kingdom 1818-1901. Born at Westminster, England, the son of a clarinetist with the Royal Opera House orchestra, he became an organist (as did two of his brothers) and a composer. In 1826 he became a chorister of the Chapel Royal and sang at the coronation of King William IV in Westminster Abbey. He also sang in the choir of St. Paul’s Cathedral, a double schedule requiring skill and dexterity. On Sunday evenings he would play the outgoing voluntary at St. Martin’s in-the-field. He left Chapel Royal in 1834 and started studying organ construction at two organ factories. He took an appointment at Mitcham Church as organist at age 16, winning an audition against other organists. Four years later he became organist at the Church of St. Peter, Islington. In 1841 he became organist at St. Luke’s, Berwick St., Soho. Two Years later he was organist at Temple Church, which had a historic organ (built in 1683). He held this position for 55 years. In 1845 he married Sarah Lovett, and they had four sons and five daughters. He was closely associated with the Bach Society and was organist for the first English performances of Bach’s St. Matthew Passion. In 1855 he collaborated with Edward Rimbault publishing “The organ, its history and construction” (3 editions 1855-70-77). In 1864 he was one of the founders of the “College of organists”. In 1882 he received an honorary Doctorate of Music from the Archbishop of Canterbury. He composed 30+ hymn tunes and some psalm chants, used by the Church of England. He died in London, England. John Perry

Richard Redhead

1820 - 1901 Topics: Heart Broken and Contrite Composer of "AJALON" in The Psalter Richard Redhead (b. Harrow, Middlesex, England, 1820; d. Hellingley, Sussex, England, 1901) was a chorister at Magdalen College, Oxford. At age nineteen he was invited to become organist at Margaret Chapel (later All Saints Church), London. Greatly influencing the musical tradition of the church, he remained in that position for twenty-five years as organist and an excellent trainer of the boys' choirs. Redhead and the church's rector, Frederick Oakeley, were strongly committed to the Oxford Movement, which favored the introduction of Roman elements into Anglican worship. Together they produced the first Anglican plainsong psalter, Laudes Diurnae (1843). Redhead spent the latter part of his career as organist at St. Mary Magdalene Church in Paddington (1864-1894). Bert Polman