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Tune Identifier:"^jesus_my_all_to_heaven_is_gone_hall$"

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[Jesus, my all, to heaven is gone]

Appears in 2 hymnals Composer and/or Arranger: J. H. Hall Incipit: 12343 21565 11233 Used With Text: I’m Happy on the Way

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I'm Happy on the Way

Author: John Cennick Appears in 796 hymnals First Line: Jesus, my all, to heav'n is gone Refrain First Line: Happy on the way Used With Tune: [Jesus, my all, to heav'n is gone]

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I’m Happy on the Way

Author: John Cennick Hymnal: Crowning Day No. 3 #117 (1898) First Line: Jesus, my all, to heav’n is gone Refrain First Line: Happy on the way, happy on the way Lyrics: 1 Jesus, my all, to heav’n is gone, Bless the Lord, I’m happy on the way; He whom I fix my hopes upon, Bless the Lord, I’m happy on the way. Refrain: Happy on the way, happy on the way, Bless the Lord, I’m happy on the way, Happy on the way, happy on the way, Bless the Lord, I’m happy on the way. 2 His track I see, and I’ll pursue, Bless the Lord, I’m happy on the way; The narrow way, till Him I view, Bless the Lord, I’m happy on the way. [Refrain] 3 The way the holy prophets went, Bless the Lord, I’m happy on the way; The road that leads from banishment, Bless the Lord, I’m happy on the way. [Refrain] 4 The King’s highway of holiness, Bless the Lord, I’m happy on the way; I’ll go, for all His paths are peace, Bless the Lord, I’m happy on the way. [Refrain] 5 This is the way I long have sought, Bless the Lord, I’m happy on the way; And mourn’d because I found it not, Bless the Lord, I’m happy on the way. [Refrain] Languages: English Tune Title: [Jesus, my all, to heaven is gone]
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I'm Happy on the Way

Author: John Cennick Hymnal: The Sacred Hymnal #152 (1899) First Line: Jesus, my all, to heav'n is gone Refrain First Line: Happy on the way Languages: English Tune Title: [Jesus, my all, to heav'n is gone]

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J. H. Hall

1855 - 1941 Arranger of "[Jesus, my all, to heaven is gone]" in Crowning Day No. 3 Jacob Henry Hall, 1855-1941 Born: Jan­u­a­ry 2, 1855, near Har­ris­on­burg, Vir­gin­ia. Died: De­cem­ber 22, 1941. Buried: Day­ton, Vir­gin­ia. Son of farm­er George G. Hall and Eliz­a­beth Thom­as Hall, Ja­cob at­tend­ed sing­ing schools taught by Tim­o­thy Funk when he was a boy. As his love of mu­sic pro­gressed, he earned mo­ney by trap­ping quail and bought a Ger­man ac­cor­di­on; he soon learned to play one part while sing­ing an­o­ther. Af­ter he and his bro­ther joint­ly pur­chased an or­gan, he taught him­self to play hymn tunes, Gos­pel songs, and an­thems. He went on to stu­dy mu­sic the­ory, har­mo­ny, and com­po­si­tion in Har­ris­on­burg and else­where, and in 1877 at­tend­ed a Nor­mal Mu­sic School in New Mar­ket, Vir­gin­ia, taught by Ben­ja­min Un­seld and P. J. Merges. Af­ter­ward, he par­tnered with H. T. Wart­man for two years to con­duct sing­ing schools and con­ven­tions. In 1890, Hall at­tend­ed Da­na’s Mu­sical In­sti­tute in War­ren, Ohio, and a nor­mal school run by George & F. W. Root at Sil­ver Lake, New York. He lat­er served as prin­ci­pal of the Na­tion­al Nor­mal School of Mu­sic. Hall’s works in­clude: Hall’s Songs of Home, 1885 The Star of Beth­le­hem (Day­ton, Vir­gin­ia: Rue­bush-Kief­fer Com­pa­ny) Musical Mil­lion (as­sis­tant ed­it­or) Spirit of Praise, with Will­iam Kirk­pat­rick & Charles Case (Day­ton, Vir­gin­ia: The Rue­bush-Kieff­er Com­pa­ny, 1911) Hall’s Quar­tettes for Men, 1912 Biography of Gos­pel Song and Hymn Writ­ers/em> (New York: Flem­ing H. Re­vell Com­pa­ny, 1914) Sources-- Hall, pp. 329-34 Lyrics-- Glorious Morn­ing Dawns, The O Thou Whose Match­less Pow­er Con­trols --hymntime.com/tch

John Cennick

1718 - 1755 Author of "I’m Happy on the Way" in Crowning Day No. 3 John Cennick was born at Reading, Berkshire, in the year 1717. He became acquainted with Wesley and Whitefield, and preached in the Methodist connection. On the separation of Wesley and Whitefield he joined the latter. In 1745, he attached himself to the Moravians, and made a tour in Germany to fully acquaint himself with the Moravian doctrines. He afterwards ministered in Dublin, and in the north of Ireland. He died in London, in 1755, and was buried in the Moravian Cemetery, Chelsea. He was the author of many hymns, some of which are to be found in every collection. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ======================= Cennick, John, a prolific and successful hymnwriter, was descended from a family of Quakers, but brought up in the Church of England. He assisted J. Wesley and then G. Whitefield in their labours for a time, and then passed over to, and died as a minister of, the Moravian Church. Born at Reading, Dec. 12, 1718, he was for some time a land surveyor at Reading, but becoming acquainted with the Wesleys in 1739, he was appointed by J. Wesley as a teacher of a school for colliers' children at Kingswood in the following year. This was followed by his becoming a lay preacher, but in 1740 he parted from the Wesleys on doctrinal grounds. He assisted Whitefield until 1745, when he joined the Mora¬vians, and was ordained deacon, in London, in 1749. His duties led him twice to Germany and also to the North of Ireland. He died in London, July 4, 1755. In addition to a few prose works, and some sermons, he published:— (1) Sacred Hymns, for the Children of God in the Days of their Pilgrimage, Lond., J. Lewis, n.d. (2nd ed. Lond., B. Milles, 1741), Pts. ii., iii., 1742; (2) Sacred Hymns for the Use of Religious Societies, &c, Bristol, F. Farley, 1743; (3) A Collection of Sacred Hymns, &c, Dublin, S. Powell, 3rd ed., 1749; (4) Hymns to the honour of Jesus Christ, composed for such Little Children as desire to be saved. Dublin, S. Powell, 1754. Additional hymns from his manuscripts were published by his son-in-law, the Rev. J. Swertner, in the Moravian Hymn Book, 1789, of which he was the editor. There are also 16 of his hymns in his Sermons, 2 vols., 1753-4, some being old hymns rewritten, and others new. Many of Cennick's hymns are widely known, as, "Lo, He cometh, countless trumpets;" “Brethren, let us join to bless;" "Jesus, my all, to heaven is gone;" "Children of the heavenly King;" "Ere I sleep, for every favour;" "We sing to Thee, Thou Son of God;" and the Graces: " Be present at our table, Lord;" and "We thank Thee, Lord;" &c. Some of the stanzas of his hymns are very fine, but the hymns taken as a whole are most unequal. Some excellent centos might be compiled from his various works. His religious experiences were given as a preface to his Sacred Hymns, 1741. In addition to the hymns named, and others annotated under their first lines, the following are in common use:— 1. Be with me [us] Lord, where'er I [we] go. Divine Protection. [1741.] 2. Cast thy burden on the Lord. Submission. [1743.] 3. Not unto us, but Thee alone. Praise to Jesus. [1743.] 4. Thou dear Redeemer, dying Lamb. Priesthood of Christ. [1743.] 5. We sing to Thee, Thou Son of God. Praise to Jesus. [1743.] 6. When, 0 dear Jesus, when shall I? Sunday Evening. [1743.] --John Julian, Dictionary of Hymnology (1907)
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