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Tune authorities

[When we meet together on the other shore] (Gabriel)

Appears in 2 hymnals Composer and/or Arranger: Chas. H. Gabriel Tune Key: E Flat Major Incipit: 56543 17123 44543 Used With Text: The Song of Triumph

Author: Ina Duley Ogdon Appears in 3 hymnals First Line: When we meet together on the other shore Refrain First Line: There's a song everybody will sing Used With Tune: [When we meet together on the other shore] (Gabriel)

Instances

Published text-tune combinations (hymns) from specific hymnals

The Song of Triumph

Author: Ina Duley Ogdon Hymnal: Rodeheaver's Gospel Songs for church, Sunday Schools and evangelistic services #2 (1922) First Line: When we meet together on the other shore Refrain First Line: There's a song ev'rybody will sing Lyrics: 1 When we meet together on the other shore, When the journey’s cares and its dangers shall be o’er; When our eyes behold our Savior, Lord and King— What a song of triumph we shall sing! Refrain: There’s a song everybody will sing, One of praise unto Jesus the King! With the ransomed host of Zion at Life’s eternal spring, What a song of triumph we shall sing! 2 Of His mercy shall our grateful anthem roll, On reunion day in the homeland of the soul; Heaven’s mighty arches with melody shall ring— What a song of triumph we shall sing! [Refrain] 3 When at last we know Him and His name shall own, When His kingdom cometh and He is on His throne, When the living treasures for His crown we bring— What a song of triumph we shall sing! [Refrain] Tune Title: [When we meet together on the other shore]

The Song of Triumph

Author: Ina Duley Ogdon Hymnal: Golden Bells #2 (1923) First Line: When we meet together on the other shore Refrain First Line: There's a song ev'rybody will sing Languages: English Tune Title: [When we meet together on the other shore] (Gabriel)

People

Authors, composers, editors, etc.

Ina Duley Ogdon

1872 - 1964 Author of "The Song of Triumph" Ogdon, Ina Duley. (Rossville, Illinois, 1872--May 18, 1964, Toledo, Ohio). Disciples of Christ. Granddaughter of a Methodist minister, she was the daughter of Mr. and Mrs. William W. Duley. Married James Ogdon. She wrote: "My father went with my mother to her church after his marriage to her, so I was brought up in the church of the Disciples of Christ." She wrote over three thousand hymns, anthems, cantatas, and miscellaneous verse. Her hymns include "Brighten the corner where you are," 1912; "Carry your cross with a smile," 1916; "My Lord abides;" "When you know Jesus too;" "Tell Jesus;" "Lighten the burden for someone;" "I have been saved," Her first hymn was "Open wide the window." Composer Charles Gabriel wrote, "Loved by thousands who have sung her hymns, she shrinks from celebrity in the knowledge that her songs are God-given and that without Him she could do nothing." See: Beattie, David J. (1931). The Romance of Sacred Song. London: Marshall, Morgan and Scott, Ltd. The Presbyterian Survey November 1952. The Toledo Blade, 19 May 1964. --Ernest K. Emurian, DNAH Archives Photo from Joseph Gardner collection from website "Ina Duly Ogdon Home" by Melissa Archibald (http://www.freewebs.com/marchi/inaphotosarticles.htm)

Chas. H. Gabriel

1856 - 1932 Composer of "[When we meet together on the other shore] (Gabriel)" in Golden Bells Pseudonyms: C. D. Emerson, Charlotte G. Homer, S. B. Jackson, A. W. Lawrence, Jennie Ree ============= For the first seventeen years of his life Charles Hutchinson Gabriel (b. Wilton, IA, 1856; d. Los Angeles, CA, 1932) lived on an Iowa farm, where friends and neighbors often gathered to sing. Gabriel accompanied them on the family reed organ he had taught himself to play. At the age of sixteen he began teaching singing in schools (following in his father's footsteps) and soon was acclaimed as a fine teacher and composer. He moved to California in 1887 and served as Sunday school music director at the Grace Methodist Church in San Francisco. After moving to Chicago in 1892, Gabriel edited numerous collections of anthems, cantatas, and a large number of songbooks for the Homer Rodeheaver, Hope, and E. O. Excell publishing companies. He composed hundreds of tunes and texts, at times using pseudonyms such as Charlotte G. Homer. The total number of his compositions is estimated at about seven thousand. Gabriel's gospel songs became widely circulated through the Billy Sunday-Homer Rodeheaver urban crusades. Bert Polman