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All Things Praise Thee
Author: George William Conder Meter: 7.7.7.7.7.7 Appears in 39 hymnals First Line: All things praise Thee, Lord most high
All Things Praise Thee
TE ALUDANT OMNIA
Meter: 7.7.7.7.7.7 Appears in 8 hymnals Composer and/or Arranger: James Frederick Swift, 1847-1931 Tune Key: G Major Incipit: 35121 71657 14323 Used With Text: All things praise you, Lord most high
TE ALUDANT OMNIA
[All things praise Thee, Lord most high]
Appears in 1 hymnal Composer and/or Arranger: Wayne S. Walker Tune Key: E Flat Major Incipit: 11234 54321 33345 Used With Text: All Things Praise Thee
[All things praise Thee, Lord most high]
HEATHLANDS
Meter: 7.7.7.7.7.7 Appears in 83 hymnals Composer and/or Arranger: Henry Thomas Smart Tune Sources: Psalms and Hymns for Divine Worship, 1866 Tune Key: E Flat Major Incipit: 51756 65423 45432 Used With Text: All Things Praise Thee
HEATHLANDS
All things praise thee, Lord most high
Author: Rev. George W. Conder Hymnal: The Hymnal #104 (1895) Lyrics: 1 All things praise Thee, Lord Most High,
Heaven and earth and sea and sky;
All were for Thy glory made,
That Thy greatness, thus displayed,
Should all worship bring to Thee.
All things praise Thee, All things praise Thee:
- Lord, may we!
2 All things praise Thee; night to night
Sings in silent hymns of light:
All things praise Thee; day to day
Chants Thy power in burning ray:
Time and space are praising Thee,
All things praise Thee, All things praise Thee:
- Lord, may we!
3 All things praise Thee; heaven's high shrine
Rings with melody Divine:
Lowly bending at Thy feet
Seraph and archangel meet;
This their highest bliss, to be
Ever praising, Ever praising:
- Lord, may we!
4 All things praise Thee; gracious Lord,
Great Creator, powerful Word,
Omnipresent Spirit, now
At Thy feet we humbly bow;
Lift our hearts in praise to Thee;
All things praise Thee, All things praise Thee:
- Lord, may we!
Amen.
All things praise thee, Lord most high
All things praise thee, Lord most high
Author: George William Codner, 1821-1874 Hymnal: CPWI Hymnal #362 (2010) Meter: 7.7.7.7.7.7 Lyrics: 1 All things praise thee, Lord most high,
heaven and earth and sea and sky,
all were for your glory made,
that thy greatness thus displayed,
should all worship bring to thee;
all things praise thee: Lord, may we.
2 All things praise thee: night to night
sings in silent hymns of light:
all things praise thee: day to day
chants thy power in burning ray;
time and space are praising thee:
all things praise thee: Lord, may we.
3 All things praise thee, high and low,
rain and dew, and seven-hued bow,
crimson sunset, fleecy cloud,
rippling stream, and tempest loud,
summer, winter – all to thee
glory render: Lord, may we.
4 All things praise thee, heaven's high shrine
rings with melody divine;
lowly bending at thy feet,
seraph and archangel meet;
this their highest bliss, to be
ever praising: Lord, may we.
5 All things praise thee, gracious Lord,
great Creator, powerful Word,
omnipresent Spirit, now
at thy feet we humbly bow,
lift our hearts in praise to thee;
all things praise thee: Lord, may we.
Topics: General Hymns Praise and Thanksgiving Languages: English Tune Title: TE LAUDANT OMNIA
All things praise thee, Lord most high
All Things Praise Thee, Lord Most High
Author: George W. Conder Hymnal: Songs for Juniors #15 (1953) Languages: English Tune Title: [All things praise Thee, Lord Most High]
All Things Praise Thee, Lord Most High
William Henry Monk
1823 - 1889 Person Name: William H. Monk Arranger of "DIX (Kocher)" in Redeeming Love William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851).
Bert Polman
William Henry Monk
Conrad Kocher
1786 - 1872 Composer of "DIX (Kocher)" in Redeeming Love Trained as a teacher, Conrad Kocher (b. Ditzingen, Wurttemberg, Germany, 1786; d. Stuttgart, Germany, 1872) moved to St. Petersburg, Russia, to work as a tutor at the age of seventeen. But his love for the music of Haydn and Mozart impelled him to a career in music. He moved back to Germany in 1811, settled in Stuttgart, and remained there for most of his life. The prestigious Cotta music firm published some of his early compositions and sent him to study music in Italy, where he came under the influence of Palestrina's music. In 1821 Kocher founded the School for Sacred Song in Stuttgart, which popularized four-part singing in the churches of that region. He was organist and choir director at the Stiftskirche in Stuttgart from 1827 to 1865. Kocher wrote a treatise on church music, Die Tonkunst in der Kirche (1823), collected a large number of chorales in Zions Harfe (1855), and composed an oratorio, two operas, and some sonatas. William H. Monk created the current form of DIX by revising and shortening Conrad Kocher's chorale melody for “Treuer Heiland, wir sind hier,” found in Kocher's Stimmen aus dem Reiche Gottes (1838).
Bert Polman
Conrad Kocher
Henry Thomas Smart
1813 - 1879 Composer of "HEATHLANDS" in The Cyber Hymnal Henry Smart (b. Marylebone, London, England, 1813; d. Hampstead, London, 1879), a capable composer of church music who wrote some very fine hymn tunes (REGENT SQUARE, 354, is the best-known).
Smart gave up a career in the legal profession for one in music. Although largely self taught, he became proficient in organ playing and composition, and he was a music teacher and critic. Organist in a number of London churches, including St. Luke's, Old Street (1844-1864), and St. Pancras (1864-1869), Smart was famous for his extemporizations and for his accompaniment of congregational singing. He became completely blind at the age of fifty-two, but his remarkable memory enabled him to continue playing the organ. Fascinated by organs as a youth, Smart designed organs for important places such as St. Andrew Hall in Glasgow and the Town Hall in Leeds. He composed an opera, oratorios, part-songs, some instrumental music, and many hymn tunes, as well as a large number of works for organ and choir. He edited the Choralebook (1858), the English Presbyterian Psalms and Hymns for Divine Worship (1867), and the Scottish Presbyterian Hymnal (1875). Some of his hymn tunes were first published in Hymns Ancient and Modern (1861).
Bert Polman
Henry Thomas Smart
