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Give Thanks, My Soul, For Harvest
Author: William Watkins Reid, 1890- Meter: 7.6.7.6 D Appears in 9 hymnals First Line: Give thanks, my soul for harvest Used With Tune: MUNICH
Give Thanks, My Soul, For Harvest
Give thanks, my soul, for harvest
Author: William Watkins Reid, 1890- Hymnal: The Book of Praise #805 (1997) Meter: 7.6.7.6 D Lyrics: 1 Give thanks, my soul, for harvest,
for store of fruit and grain,
but know the owner gives us
that we may share again;
where souls are lone and hungry,
where needy children cry,
with gifts from God’s rich bounty
may thankfulness reply.
2 Give thanks, my soul, for riches
of woodland, mine and hill,
but know that gold and timber
are the Creator's still,
and God's on loan to stewards
to fashion and to share,
providing all earth's children
the blessing of God's care.
3 Give thanks, my soul, for labours
that strength and days employ,
but know your Maker's purpose
brings toil as well as joy.
Where leads the path to error,
where justice lies in chain,
where hoarders cause new hunger,
there must we strive again.
4 Give thanks, my soul, for beauty,
for vision, hope and skill,
for Christ, divine revealer
of God's redeeming will.
Show forth, O God, your purpose;
direct our will and hand
to share your love and bounty
with all, in every land. Topics: God Will of; Harvest Thanksgiving; Hope; Social Concerns / Social Justice; Stewardship; Vision / Dream; Work Scripture: Psalm 50:10-11 Languages: English Tune Title: CRÜGER
Give thanks, my soul, for harvest
Give Thanks, My Soul, For Harvest
Author: William Watkins Reid, Sr. Hymnal: Voices United #522 (1996) Meter: 7.6.7.6 D First Line: Give thanks, my soul for harvest Lyrics: 1 Give thanks, my soul, for harvest,
for store of fruit and grain;
but know the owner gives so
that we may share again.
Where people suffer hunger,
or little children cry,
with gifts from God’s rich bounty
may thankfulness reply.
2 Give thanks, my soul, for riches
of woodland, mine, and hill;
but know that gold and timber
are the Creator's still.
God lends to us, as stewards,
abundance we might share,
and thus provide earth's children
the blessing of God's care.
3 Give thanks, my soul, for labours,
that strength and days employ;
but know the Maker's purpose
brings toil as well as joy.
Show forth, O God, your purpose;
direct our will and hand
to share your love and bounty
with all in every land. Topics: The Church at Worship Special Days, Seasons, Occasions: Thanksgiving; Ecology; God Providence; Jesus Christ Creator; Stewardship; Thankfulness; Thanksgiving Day; Work and Recreation; Youth; Proper 23 Year B; Thanksgiving Year B Tune Title: MUNICH
Give Thanks, My Soul, For Harvest
Give Thanks, My Soul, for Harvest
Author: William Watkins Reid Hymnal: My God Is There, Controlling, and Other Hymns and Poems #43 (1965) Meter: 7.6.7.6 D Languages: English
Give Thanks, My Soul, for Harvest
William Henry Monk
1823 - 1889 Person Name: William H. Monk, 1823-1889 Arranger of "CRÜGER" in The Book of Praise William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851).
Bert Polman
William Henry Monk
Felix Mendelssohn-Bartholdy
1809 - 1847 Person Name: Felix Mendelssohn Harmonizer of "MUNICH" in Voices United Felix Mendelssohn-Bartholdy (b. Hamburg, Germany, 1809; d. Leipzig, Germany, 1847) was the son of banker Abraham Mendelssohn and the grandson of philosopher Moses Mendelssohn. His Jewish family became Christian and took the Bartholdy name (name of the estate of Mendelssohn's uncle) when baptized into the Lutheran church. The children all received an excellent musical education. Mendelssohn had his first public performance at the age of nine and by the age of sixteen had written several symphonies. Profoundly influenced by J. S. Bach's music, he conducted a performance of the St. Matthew Passion in 1829 (at age 20!) – the first performance since Bach's death, thus reintroducing Bach to the world. Mendelssohn organized the Domchor in Berlin and founded the Leipzig Conservatory of Music in 1843. Traveling widely, he not only became familiar with various styles of music but also became well known himself in countries other than Germany, especially in England. He left a rich treasury of music: organ and piano works, overtures and incidental music, oratorios (including St. Paul or Elijah and choral works, and symphonies. He harmonized a number of hymn tunes himself, but hymnbook editors also arranged some of his other tunes into hymn tunes.
Bert Polman
Felix Mendelssohn-Bartholdy
Michael Haydn
1737 - 1806 Person Name: J. Michael Haydn, 1737-1806 Composer of "GREENLAND" in Hymns of the Twentieth Century Johann Michael Haydn Austria 1737-1806. Born at Rohrau, Austria, the son of a wheelwright and town mayor (a very religious man who also played the harp and was a great influence on his sons' religious thinking), and the younger brother of Franz Joseph Haydn, he became a choirboy in his youth at the Cathedral of St. Stephen in Vienna, as did his brother, Joseph, an exceptional singer. For that reason boys both were taken into the church choir. Michael was a brighter student than Joseph, but was expelled from music school when his voice broke at age 17. The brothers remained close all their lives, and Joseph regarded Michael's religious works superior to his own. Michael played harpsichord, violin, and organ, earning a precarious living as a freelance musician in his early years. In 1757 he became kapellmeister to Archbishop, Sigismund of Grosswardein, in Hungary, and in 1762 concertmaster to Archbishop, Hieronymous of Salzburg, where he remained the rest of his life (over 40 years), also assuming the duties of organist at the Church of St. Peter in Salzburg, presided over by the Benedictines. He also taught violin at the court. He married the court singer, Maria Magdalena Lipp in 1768, daughter of the cathedral choir-master, who was a very pious women, and had such an affect on her husband, trending his inertia and slothfulness into wonderful activity. They had one daughter, Aloysia Josepha, in 1770, but she died within a year. He succeeded Wolfgang Amadeus Mozart, an intimate friend, as cathedral organist in 1781. He also taught music to Carl Maria von Weber. His musical reputation was not recognized fully until after World War II. He was a prolific composer of music, considered better than his well-known brother at composing religious works. He produced some 43 symphonies,12 concertos, 21 serenades, 6 quintets, 19 quartets, 10 trio sonatas, 4 due sonatas, 2 solo sonatas, 19 keyboard compositions, 3 ballets, 15 collections of minuets (English and German dances), 15 marches and miscellaneous secular music. He is best known for his religious works (well over 400 pieces), which include 47 antiphons, 5 cantatas, 65 canticles, 130 graduals, 16 hymns, 47 masses, 7 motets, 65 offertories, 7 oratorios, 19 Psalms settings, 2 requiems, and 42 other compositions. He also composed 253 secular vocals of various types. He did not like seeing his works in print, and kept most in manuscript form. He never compiled or cataloged his works, but others did it later, after his death. Lothar Perger catalogued his orchestral works in 1807 and Nikolaus Lang did a biographical sketch in 1808. In 1815 Anton Maria Klafsky cataloged his sacred music. More complete cataloging has been done in the 1980s and 1990s by Charles H Sherman and T Donley Thomas. Several of Michael Haydn's works influenced Mozart. Haydn died at Salzburg, Austria.
John Perry
Michael Haydn
