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He That Doth In The Secret Place

Meter: 8.6.8.6 Appears in 12 hymnals Lyrics: 1 He that doth in the secret place Of the most High reside, Under the shade of Him that is Th’ Almighty shall abide. 2 I of the Lord my God will say, He is my refuge still, He is my fortress, and my God, And in Him trust I will. 3 Assuredly He shall thee save, And give deliverance From subtle fowler’s snare, and from The noisome pestilence. 4 His feathers shall thee hide; thy trust Under His wings shall be: His faithfulness shall be a shield And buckler unto thee. 5 Thou shalt not need to be afraid For terrors of the night; Nor for the arrow that doth fly By day, while it is light; 6 Nor for the pestilence, that walks In darkness secretly; Nor for destruction, that doth waste At noon-day openly. 7 A thousand at thy side shall fall, On thy right hand shall lie Ten thousand dead; yet unto thee It shall not once come nigh. 8 Only thou with thine eyes shalt look, And a beholder be; And thou therein the just reward Of wicked men shalt see. 9 Because the Lord, who constantly My refuge is alone, Ev’n the most High, is made by thee Thy stronghold and thy home. 10 No plague shall near thy dwelling come; No ill shall thee befall: For thee to keep in all thy ways His angels charge He shall. 11 They in their hands shall bear thee up, Still waiting thee upon; Lest thou at any time should’st dash Thy foot against a stone. 12 Upon the adder thou shalt tread, And on the lion strong; Thy feet on dragons trample shall, And on the lions young. 13 "Because on Me he set His love, I’ll save and set him free; Because My great name he hath known, I will him set on high. 14 "He’ll call on Me, I’ll answer him; I will be with him still In trouble, to deliver him, And honor him I will. 15 "With length of days unto his mind I will him satisfy; And I My great salvation will Then cause his eyes to see." Used With Tune: DUNDEE Text Sources: Scottish Psalter and Paraphrases, 1800, alt.

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DUNDEE

Meter: 8.6.8.6 Appears in 825 hymnals Tune Sources: Scottish Psalter, 1615 Tune Key: E Flat Major Incipit: 13451 23432 11715 Used With Text: He That Doth In The Secret Place
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FELIX

Meter: 8.6.8.6 Appears in 9 hymnals Composer and/or Arranger: Felix Mendelssohn, 1809-1847; Lowell Mason Tune Sources: From a phrase in Christus Tune Key: b minor Incipit: 34517 53451 231 Used With Text: He that doth in the secret place

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Psalm 91: He that doth in the secret place

Hymnal: Scottish Psalter and Paraphrases #P97 (1800) Meter: 8.6.8.6 First Line: He that doth in the secret place Lyrics: 1He that doth in the secret place of the most High reside, Under the shade of him that is th’ Almighty shall abide. 2I of the Lord my God will say, He is my refuge still, He is my fortress, and my God, and in him trust I will. 3Assuredly he shall thee save, and give deliverance From subtile fowler’s snare, and from the noisome pestilence. 4His feathers shall thee hide; thy trust under his wings shall be: His faithfulness shall be a shield and buckler unto thee. 5Thou shalt not need to be afraid for terrors of the night; Nor for the arrow that doth fly by day, while it is light; 6Nor for the pestilence, that walks in darkness secretly; Nor for destruction, that doth waste at noon-day openly. 7A thousand at thy side shall fall, on thy right hand shall lie Ten thousand dead; yet unto thee it shall not once come nigh. 8Only thou with thine eyes shalt look, and a beholder be; And thou therein the just reward of wicked men shalt see. 9Because the Lord, who constantly my refuge is alone, Ev’n the most High, is made by thee thy habitation; 10No plague shall near thy dwelling come; no ill shall thee befall: 11For thee to keep in all thy ways his angels charge he shall. 12They in their hands shall bear thee up, still waiting thee upon; Lest thou at any time should’st dash thy foot against a stone. 13Upon the adder thou shalt tread, and on the lion strong; Thy feet on dragons trample shall, and on the lions young. 14Because on me he set his love, I’ll save and set him free; Because my great name he hath known, I will him set on high. 15He’ll call on me, I’ll answer him; I will be with him still In trouble, to deliver him, and honour him I will. 16With length of days unto his mind I will him satisfy; I also my salvation will cause his eyes to see. Scripture: Psalm 91 Languages: English
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He That Doth In The Secret Place

Hymnal: The Cyber Hymnal #13021 Meter: 8.6.8.6 Lyrics: 1 He that doth in the secret place Of the most High reside, Under the shade of Him that is Th’ Almighty shall abide. 2 I of the Lord my God will say, He is my refuge still, He is my fortress, and my God, And in Him trust I will. 3 Assuredly He shall thee save, And give deliverance From subtle fowler’s snare, and from The noisome pestilence. 4 His feathers shall thee hide; thy trust Under His wings shall be: His faithfulness shall be a shield And buckler unto thee. 5 Thou shalt not need to be afraid For terrors of the night; Nor for the arrow that doth fly By day, while it is light; 6 Nor for the pestilence, that walks In darkness secretly; Nor for destruction, that doth waste At noon-day openly. 7 A thousand at thy side shall fall, On thy right hand shall lie Ten thousand dead; yet unto thee It shall not once come nigh. 8 Only thou with thine eyes shalt look, And a beholder be; And thou therein the just reward Of wicked men shalt see. 9 Because the Lord, who constantly My refuge is alone, Ev’n the most High, is made by thee Thy stronghold and thy home. 10 No plague shall near thy dwelling come; No ill shall thee befall: For thee to keep in all thy ways His angels charge He shall. 11 They in their hands shall bear thee up, Still waiting thee upon; Lest thou at any time should’st dash Thy foot against a stone. 12 Upon the adder thou shalt tread, And on the lion strong; Thy feet on dragons trample shall, And on the lions young. 13 "Because on Me he set His love, I’ll save and set him free; Because My great name he hath known, I will him set on high. 14 "He’ll call on Me, I’ll answer him; I will be with him still In trouble, to deliver him, And honor him I will. 15 "With length of days unto his mind I will him satisfy; And I My great salvation will Then cause his eyes to see." Languages: English Tune Title: DUNDEE
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He that doth in the secret place

Hymnal: The Irish Presbyterian Hymnbook #P91b (2004) Meter: 8.6.8.6 Lyrics: 1 He that doth in the secret place of the Most High reside, under the shade of him that is the Almighty shall abide. 2 I of the Lord my God will say, He is my refuge still, he is my fortress and my God, and in him trust I will. 3 Assuredly he shall thee save, and give deliverance both from the fowler’s snare and from the noisome pestilence. 4 His feathers shall thee hide; thy trust under his wings shall be: his faithfulness shall be a shield and buckler unto thee. 5 Thou shalt not need to be afraid for terrors of the night; nor for the arrow that doth fly by day, while it is light; 6 nor for the pestilence that walks in darkness secretly; nor for destruction that doth waste at noon-day openly. 7 A thousand at thy side shall fall, on thy right hand shall lie ten thousand dead; yet unto thee it shall not once come nigh. 8 Thou with thine eyes shalt only look, and a beholder be; and thou the merited reward of wicked men shalt see. 9 For thou, O Lord, art constantly my refuge and mine aid; thou hast the Lord who is most high thy habitation made. 10 No plague shall near thy dwelling come; no ill shall thee befall: 11 for thee to keep in all thy ways his angels charge he shall. 12 They in their hands shall bear thee up, still waiting thee upon; lest thou at any time should’st dash thy foot against a stone. 13 Upon the adder thou shalt tread, and on the lion strong; thy feet on dragons trample shall, and on the lions young. 14 Because on me he set his love, deliver him will I; because my great name he hath known, I will him set on high. 15 He’ll call on me, I’ll answer him; I will be with him still in trouble, to deliver him, and honour him I will. 16 And length of days to his desire I will on him bestow; and, in my love, I unto him will my salvation show. Scripture: Psalm 91 Languages: English Tune Title: FELIX

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Felix Mendelssohn-Bartholdy

1809 - 1847 Person Name: Felix Mendelssohn, 1809-1847 Composer of "FELIX" in The Irish Presbyterian Hymnbook Felix Mendelssohn-Bartholdy (b. Hamburg, Germany, 1809; d. Leipzig, Germany, 1847) was the son of banker Abraham Mendelssohn and the grandson of philosopher Moses Mendelssohn. His Jewish family became Christian and took the Bartholdy name (name of the estate of Mendelssohn's uncle) when baptized into the Lutheran church. The children all received an excellent musical education. Mendelssohn had his first public performance at the age of nine and by the age of sixteen had written several symphonies. Profoundly influenced by J. S. Bach's music, he conducted a performance of the St. Matthew Passion in 1829 (at age 20!) – the first performance since Bach's death, thus reintroducing Bach to the world. Mendelssohn organized the Domchor in Berlin and founded the Leipzig Conservatory of Music in 1843. Traveling widely, he not only became familiar with various styles of music but also became well known himself in countries other than Germany, especially in England. He left a rich treasury of music: organ and piano works, overtures and incidental music, oratorios (including St. Paul or Elijah and choral works, and symphonies. He harmonized a number of hymn tunes himself, but hymnbook editors also arranged some of his other tunes into hymn tunes. Bert Polman

Lowell Mason

1792 - 1872 Adapter of "FELIX" in The Irish Presbyterian Hymnbook Dr. Lowell Mason (the degree was conferred by the University of New York) is justly called the father of American church music; and by his labors were founded the germinating principles of national musical intelligence and knowledge, which afforded a soil upon which all higher musical culture has been founded. To him we owe some of our best ideas in religious church music, elementary musical education, music in the schools, the popularization of classical chorus singing, and the art of teaching music upon the Inductive or Pestalozzian plan. More than that, we owe him no small share of the respect which the profession of music enjoys at the present time as contrasted with the contempt in which it was held a century or more ago. In fact, the entire art of music, as now understood and practiced in America, has derived advantage from the work of this great man. Lowell Mason was born in Medfield, Mass., January 8, 1792. From childhood he had manifested an intense love for music, and had devoted all his spare time and effort to improving himself according to such opportunities as were available to him. At the age of twenty he found himself filling a clerkship in a banking house in Savannah, Ga. Here he lost no opportunity of gratifying his passion for musical advancement, and was fortunate to meet for the first time a thoroughly qualified instructor, in the person of F. L. Abel. Applying his spare hours assiduously to the cultivation of the pursuit to which his passion inclined him, he soon acquired a proficiency that enabled him to enter the field of original composition, and his first work of this kind was embodied in the compilation of a collection of church music, which contained many of his own compositions. The manuscript was offered unavailingly to publishers in Philadelphia and in Boston. Fortunately for our musical advancement it finally secured the attention of the Boston Handel and Haydn Society, and by its committee was submitted to Dr. G. K. Jackson, the severest critic in Boston. Dr. Jackson approved most heartily of the work, and added a few of his own compositions to it. Thus enlarged, it was finally published in 1822 as The Handel and Haydn Society Collection of Church Music. Mason's name was omitted from the publication at his own request, which he thus explains, "I was then a bank officer in Savannah, and did not wish to be known as a musical man, as I had not the least thought of ever making music a profession." President Winchester, of the Handel and Haydn Society, sold the copyright for the young man. Mr. Mason went back to Savannah with probably $500 in his pocket as the preliminary result of his Boston visit. The book soon sprang into universal popularity, being at once adopted by the singing schools of New England, and through this means entering into the church choirs, to whom it opened up a higher field of harmonic beauty. Its career of success ran through some seventeen editions. On realizing this success, Mason determined to accept an invitation to come to Boston and enter upon a musical career. This was in 1826. He was made an honorary member of the Handel and Haydn Society, but declined to accept this, and entered the ranks as an active member. He had been invited to come to Boston by President Winchester and other musical friends and was guaranteed an income of $2,000 a year. He was also appointed, by the influence of these friends, director of music at the Hanover, Green, and Park Street churches, to alternate six months with each congregation. Finally he made a permanent arrangement with the Bowdoin Street Church, and gave up the guarantee, but again friendly influence stepped in and procured for him the position of teller at the American Bank. In 1827 Lowell Mason became president and conductor of the Handel and Haydn Society. It was the beginning of a career that was to win for him as has been already stated the title of "The Father of American Church Music." Although this may seem rather a bold claim it is not too much under the circumstances. Mr. Mason might have been in the average ranks of musicianship had he lived in Europe; in America he was well in advance of his surroundings. It was not too high praise (in spite of Mason's very simple style) when Dr. Jackson wrote of his song collection: "It is much the best book I have seen published in this country, and I do not hesitate to give it my most decided approbation," or that the great contrapuntist, Hauptmann, should say the harmonies of the tunes were dignified and churchlike and that the counterpoint was good, plain, singable and melodious. Charles C. Perkins gives a few of the reasons why Lowell Mason was the very man to lead American music as it then existed. He says, "First and foremost, he was not so very much superior to the members as to be unreasonably impatient at their shortcomings. Second, he was a born teacher, who, by hard work, had fitted himself to give instruction in singing. Third, he was one of themselves, a plain, self-made man, who could understand them and be understood of them." The personality of Dr. Mason was of great use to the art and appreciation of music in this country. He was of strong mind, dignified manners, sensitive, yet sweet and engaging. Prof. Horace Mann, one of the great educators of that day, said he would walk fifty miles to see and hear Mr. Mason teach if he could not otherwise have that advantage. Dr. Mason visited a number of the music schools in Europe, studied their methods, and incorporated the best things in his own work. He founded the Boston Academy of Music. The aim of this institution was to reach the masses and introduce music into the public schools. Dr. Mason resided in Boston from 1826 to 1851, when he removed to New York. Not only Boston benefited directly by this enthusiastic teacher's instruction, but he was constantly traveling to other societies in distant cities and helping their work. He had a notable class at North Reading, Mass., and he went in his later years as far as Rochester, where he trained a chorus of five hundred voices, many of them teachers, and some of them coming long distances to study under him. Before 1810 he had developed his idea of "Teachers' Conventions," and, as in these he had representatives from different states, he made musical missionaries for almost the entire country. He left behind him no less than fifty volumes of musical collections, instruction books, and manuals. As a composer of solid, enduring church music. Dr. Mason was one of the most successful this country has introduced. He was a deeply pious man, and was a communicant of the Presbyterian Church. Dr. Mason in 1817 married Miss Abigail Gregory, of Leesborough, Mass. The family consisted of four sons, Daniel Gregory, Lowell, William and Henry. The two former founded the publishing house of Mason Bros., dissolved by the death of the former in 1869. Lowell and Henry were the founders of the great organ manufacturer of Mason & Hamlin. Dr. William Mason was one of the most eminent musicians that America has yet produced. Dr. Lowell Mason died at "Silverspring," a beautiful residence on the side of Orange Mountain, New Jersey, August 11, 1872, bequeathing his great musical library, much of which had been collected abroad, to Yale College. --Hall, J. H. (c1914). Biography of Gospel Song and Hymn Writers. New York: Fleming H. Revell Company.