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Text Identifier:"^jesus_my_lord_my_god_my_all_hear_me_bles$"

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Jesus, My Lord, My God, My All

Author: Henry Collins Meter: 8.8.8.8.8.8 Appears in 217 hymnals First Line: Jesus, my Lord, my God, my all, Hear me, blest Savior, when I call Refrain First Line: Jesus, my Lord, I Thee adore

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STELLA

Meter: 8.8.8.8 with refrain Appears in 125 hymnals Composer and/or Arranger: Henri Friedrich Hémy (1818-1888) Tune Sources: Melody possibly derived from a secular song; in Easy Hymn-tunes for Catholic Schools, c. 1851 Tune Key: D Major Incipit: 55355 11765 55432 Used With Text: Jesu, my Lord, I thee adore
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ST. FINBAR

Appears in 702 hymnals Tune Sources: English Incipit: 32117 12671 17651 Used With Text: Jesus, My Lord, My God, My All
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[Jesus, my Lord, my God, my All]

Appears in 221 hymnals Composer and/or Arranger: Joseph Barnby, 1838-1896 Tune Key: E Flat Major Incipit: 33332 12355 55434 Used With Text: Jesus, My Lord, My God, My All

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Jesus, My Lord, My God, My All

Author: Henry Collins, 1827-1919 Hymnal: Revival Hymns and Choruses #50 (1970) Refrain First Line: Jesus, my Lord, I Thee adore Lyrics: 1 Jesus my Lord, my God, my All, Hear me, blest Saviour, when I call; Hear me, and from Thy dwelling-place Pour down the riches of Thy grace: Jesus, my Lord, I Thee adore; O make me love Thee more and more. 2 Jesus, too late I Thee have sought, How can I love Thee as I ought? And how extol thy matchless fame, The glorious beauty of Thy Name? Jesus, my Lord, I Thee adore; O make me love Thee more and more. 3 Jesus, what didst Thou find in me, That Thou hast dealt so lovingly? How great the joy that Thou hast brought! Oh, far exceeding hope or thought! Jesus, my Lord, I Thee adore; O make me love Thee more and more. 4 Jesus, of Thee shall be my song; To Thee my heart and soul belong: All that I am or have is Thine, And Thou, my Saviour, Thou art mine. Jesus, my Lord, I Thee adore; Oh, make me love Thee more and more. Topics: Grace of God; Prayer; Worship of God Languages: English Tune Title: [Jesus, my Lord, my God, my All]
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Make Me Love Thee More and More

Author: P. P. Bliss; Paulina Hymnal: Minnetonka Songs #44 (1879) First Line: Jesus, my Lord, my God, my All Lyrics: 1 Jesus, my Lord, my God, my All, Hear me, blest Savior, when I call; Hear me, and from thy dwelling place Pour down the riches of thy grace. Jesus, my Lord, I thee adore, Oh, make me love thee more and more. 2 Lowly before thy mercy seat, Sitting, like Mary, at thy feet, Striving to learn thy gracious will, I take the good or seeming ill, Grateful for all thy hand may pour, Oh, make me love thee more and more. 3 Jesus, my Lord, this heart I bare, Casting on thee its ev'ry care; Coming in simple faith to plead For dear ones, knowing not their need. Save them, O Savior, I implore, And make me love thee more and more. Languages: English Tune Title: [Jesus, my Lord, my God, my All]
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Jesus, my Lord, my God, my all

Author: Henry Collins Hymnal: The Hymnal #228 (1916) Meter: 8.8.8.8.8.8 Lyrics: Jesus, my Lord, my God, my all, Hear me, blest Savior, when I call; Hear me, and from thy dwelling-place Pour down the riches of thy grace. Jesus, my Lord, I thee adore; O make me love thee more and more! Jesus, too late I thee have sought; How can I love thee as I ought? And how extol thy matchless fame, The glorious beauty of thy Name? Jesus, my Lord, I thee adore; O make me love thee more and more! Jesus, what didst thou find in me That thou hast dealt so lovingly? How great the joy that thou hast brought! O far exceeding hope or thought! Jesus, my Lord, I thee adore; O make me love thee more and more! Jesus, of thee shall be my song; To thee my heart and soul belong: All that I am or have is thine; And thou, my Savior, thou art mine. Jesus, my Lord, I thee adore; O make me love thee more and more! Amen. Topics: Sundays after Trinity The Divine Love; Sunday Schools General Use; Parochial Missions Languages: English Tune Title: ST. CHRYSOSTOM

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Jeremiah Ingalls

1764 - 1838 Composer of "COLLINS" in Evangelical Hymnal Jeremiah Ingalls USA 1764-1838. Born at Andover, MA, his father died of hardships from the American Revolutionary War when he was thirteen. In VT, he worked as a farmer, Cooper, Taverner, and choirmaster. He mastered the bass viol (similar to a cello) and became a composer. He moved to Newbury, VT, in 1787, and in 1791 he married Mary (Polly) Bigelow of Westminster, MA, and they had eleven children (nine living to adulthood): Smith, Jeremiah, Joshua, Jeremiah, Mary, Moses, Elizabeth, John, Almyra, Isaac, and Hannah. He taught singing and began leading the singing at the First Congregational Church there. The choir became well-known, and people came from miles around to hear them sing. In 1800 he built and operated a tavern. He also worked as a cooper. In 1803 he became a deacon, and in 1805 he published a song book, “Christian Harmony”, that contained folk and popular songs with tunes used in spiritual songs sung in early religious revivals and campmeetings, some becoming hymns in later song books. It was said that at times he would be so immersed in his music that his livelihood suffered as a result. He was removed and excommunicated from his church in 1810, having a falling out with the church due to marriage infidelity that he refused to repent of. He ran his tavern for a number of years, but finally sold it and moved to Rochester, VT, in 1819, where he became the first choirmaster of the Church of Christ. His tenure there was successful, and he was a signer of the document establishing construction of the first church building in Rochester (1812). Later, his son, John, succeeded him as choirmaster there. the family’s last move was to a farm near Hancock, VT. He was described as short, portly, good-humored, and absentminded, and having a high voice, but singing bass well. His family was musical, some noted for their musical abilities. A singing society in VT was named for him and promoted singing events. Some of his music became well-known around the world. He died at Hancock, VT. Note: It is said that he wrote a letter to the First Congregational Church in Westminster 18 years after departing repenting of his infidelity (allegedly after his illegitimate son, Thomas, was of age, but the letter was lost in church records, although the church said they had received it. John Perry

George C. Martin

1844 - 1916 Composer of "HOLY FAITH" in Hymns for the Living Church

Felix Mendelssohn-Bartholdy

1809 - 1847 Person Name: Felix Mendelssohn-Bartholdy (1809-1847) Composer of "PRINCE" in Songs of Praise Felix Mendelssohn-Bartholdy (b. Hamburg, Germany, 1809; d. Leipzig, Germany, 1847) was the son of banker Abraham Mendelssohn and the grandson of philosopher Moses Mendelssohn. His Jewish family became Christian and took the Bartholdy name (name of the estate of Mendelssohn's uncle) when baptized into the Lutheran church. The children all received an excellent musical education. Mendelssohn had his first public performance at the age of nine and by the age of sixteen had written several symphonies. Profoundly influenced by J. S. Bach's music, he conducted a performance of the St. Matthew Passion in 1829 (at age 20!) – the first performance since Bach's death, thus reintroducing Bach to the world. Mendelssohn organized the Domchor in Berlin and founded the Leipzig Conservatory of Music in 1843. Traveling widely, he not only became familiar with various styles of music but also became well known himself in countries other than Germany, especially in England. He left a rich treasury of music: organ and piano works, overtures and incidental music, oratorios (including St. Paul or Elijah and choral works, and symphonies. He harmonized a number of hymn tunes himself, but hymnbook editors also arranged some of his other tunes into hymn tunes. Bert Polman