Search Results

Text Identifier:"^o_what_their_joy_and_their_glory_must_be$"

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Texts

text icon
Text authorities
FlexScoreFlexPresent

O What Their Joy and Their Glory Must Be

Author: Peter Abelard; J. M. Neale Meter: 10.10.10.10 Appears in 137 hymnals Topics: All Saints Day; Ancient Hymns; Funeral Hymns; Historical

Tunes

tune icon
Tune authorities
Page scansFlexScoreAudio

O QUANTA QUALIA

Appears in 153 hymnals Tune Sources: Ancient Plain Song Incipit: 11231 14322 15314 Used With Text: O what their joy and their glory must be
Page scansFlexScoreAudio

QUEDLINBURG

Appears in 12 hymnals Composer and/or Arranger: J. C. Kittel, 1732 - 1809 Tune Key: F Major Incipit: 13455 16543 25432 Used With Text: O what their joy and their glory must be
Page scansFlexScore

THORNE

Appears in 5 hymnals Composer and/or Arranger: E. H. Thorne Incipit: 33454 36543 55676 Used With Text: O what their joy and their glory must be

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals
TextPage scan

O What Their Joy and Their Glory Must Be

Author: Peter Abelard (1079-1142); John Mason Neale (1818-1866) Hymnal: Common Praise (1998) #275 (1998) Meter: 10.10.10.10 Lyrics: 1 O what their joy and their glory must be, those endless sabbaths the blessed ones see: crown for the valiant, to weary ones rest: God shall be all and in all ever blest. 2 What are the monarch, the court, and the throne? What are the peace and the joy that they own? O that the blest ones, who in it have share, all that they feel could as fully declare! 3 Truly Jerusalem name we that shore, vision of peace, that brings joy evermore; wish and fulfillment can be severed ne'er, nor the thing prayed for come short of the prayer. 4 There, where no troubles distraction can bring, we the sweet anthems of Sion shall sing, while for thy grace, Lord, their voices of praise thy blessed people eternally raise. 5 Now, in the meantime, with hearts raised on high, we for that country must yearn and must sigh, seeking Jerusalem, dear native land, through our long exile on Babylon's strand. 6 Low before God with our praises we fall, of whom, and in whom, and through whom are all; praise to the Father, and praise to the Son, praise to the Spirit, with them ever one. Topics: Communion of Saints Scripture: Psalm 48 Languages: English Tune Title: O QUANTA QUALIA
TextPage scan

O what their joy and their glory must be

Author: Peter Abelard, 1079-1142; John Mason Neale, 1818-1866 Hymnal: Complete Anglican Hymns Old and New #550 (2000) Meter: 10.10.10.10 Lyrics: 1 O what their joy and their glory must be, those endless sabbaths the blesséd ones see; crown for the valiant, to weary ones rest; God shall be all, and in all ever blest. 2 What are the Monarch, his court, and his throne? What are the peace and the joy that they own? O that the blest ones, who in it have share, all that they feel could as fully declare. 3 Truly Jerusalem name we that shore, 'Vision of peace', that brings joy evermore. Wish and fufilment can severed be ne'er, nor the thing prayed for come short of the prayer. 4 There, where no troubles distraction can bring, we the sweet anthems of Sion shall sing, while for thy grace, Lord, their voices of praise thy blesséd people eternally raise. 5 There dawns no sabbath, no sabbath is o'er, those sabbath-keepers have one evermore; one and unending is that triumph-song which to the angels and us shall belong. 6 Now in the meanwhile, with hearts raised on high, we for that country must yearn and must sigh; seeking Jerusalem, dear native land, through our long exile on Babylon's strand. 7 Low before him with our praises we fall, of whom, and in whom, and through whom are all; of whom, the Father; and in whom, the Son; through whom, the Spirit, with them ever One. Topics: All Saints; Funerals Scripture: 1 Corinthians 15:28 Languages: English Tune Title: O QUANTA QUALIA
TextAudio

O What Their Joy and Their Glory Must Be

Author: Pierre Abélard; John M. Neale Hymnal: The Cyber Hymnal #5524 Meter: 10.10.10.10 Lyrics: 1. O what their joy and their glory must be, Those endless Sabbaths the blessèd ones see; Crown for the valiant, to weary ones, rest; God shall be all, and in all ever blessed. 2. What are the Monarch, His court, and His throne? What are the peace and the joy that they own? O that the blessed ones, who in it have share, All that they feel could as fully declare! 3. Truly, "Jerusalem" name we that shore, City of peace that brings joy evermore; Wish and fulfillment are not severed there, Nor do things prayed for come short of the prayer. 4. There, where no troubles distraction can bring, We the sweet anthems of Zion shall sing; While for Thy grace, Lord, their voices of praise Thy blessèd people eternally raise. 5. There dawns no Sabbath, no Sabbath is o’er, Those Sabbath keepers have one evermore; One and unending is that triumph song Which to the angels and us shall belong. 6. Now, in the meanwhile, with hearts raised on high, We for that country must yearn and must sigh; Seeking Jerusalem, dear native land, Through our long exile on Babylon’s strand. 7. Low before Him with our praises we fall, Of whom, and in whom, and through whom are all; Of whom, the Father; and in whom, the Son, Through whom, the Spirit, with Them ever One. Languages: English Tune Title: O QUANTA QUALIA

People

person icon
Authors, composers, editors, etc.

Anonymous

Person Name: Anon. Composer of "BAMPTON" in The Oxford Hymn Book In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Peter Abelard

1079 - 1142 Person Name: Peter Abelard, 1079-1142 Author (attributed to) of "O what the joy and the glory must be" in The Hymnal Abelard, Peter, born at Pailais, in Brittany, 1079. Designed for the military profession, he followed those of philosophy and theology. His life was one of strange chances and changes, brought about mainly through his love for Heloise, the niece of one Fulbert, a Canon of the Cathedral of Paris, and by his rationalistic views. Although a priest, he married Heloise privately. He was condemned for heresy by the Council of Soissons, 1121, and again by that of Sens, 1140; died at St. Marcel, near Chalons-sur-Saône, April 21, 1142. For a long time, although his poetry had been referred to both by himself and by Heloise, little of any moment was known except the Advent hymn, Mittit ad Virginem, (q.v.). In 1838 Greith published in his Spicihgium Vaticanum, pp. 123-131, six poems which had been discovered in the Vatican. Later on, ninety-seven hymns were found in the Royal Library at Brussels, and pub. in the complete edition of Abelard's works, by Cousin, Petri Abelardi Opp., Paris, 1849. In that work is one of his best-known hymns, Tuba Domini, Paule, maxima (q.v.). Trench in his Sacra Latina Poetry, 1864, gives his Ornarunt terram germina (one of a series of poems on the successive days' work of the Creation), from Du Meril's Poesies Popul. Lat. du Moyen Age, 1847, p. 444. -John Julian, Dictionary of Hymnology (1907)

John Bacchus Dykes

1823 - 1876 Person Name: John B. Dykes Harmonizer of "O QUANTA QUALIA" in The Hymnal As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman