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Author: Desconocido Appears in 5 hymnals First Line: ¿Temes que en la lucha no podrás vencer? Refrain First Line: Deja al Salvador entrar Used With Tune: [¿Temes que en la lucha no podrás vencer?]

Tunes

Tune authorities

[¿Temes que en la lucha no podrás vencer?]

Appears in 89 hymnals Composer and/or Arranger: Charles H. Gabriel (1856-1932) Tune Key: F Major or modal Incipit: 53322 11677 75443 Used With Text: ¿Temes que en la lucha?

Instances

Published text-tune combinations (hymns) from specific hymnals

¿Temes que en la lucha?

Author: Desconocido Hymnal: Himnario Adventista #216 (1962) First Line: ¿Temes que en la lucha no podrás vencer? Refrain First Line: Deja al Salvador entrar Languages: Spanish Tune Title: [¿Temes que en la lucha no podrás vencer?]

¿Temes que en la lucha?

Author: Anónimo; Ada Blenkhorn Hymnal: Himnario Adventista del Séptimo Día #234 (2010) First Line: ¿Temes que en la lucha no podrás vencer? Refrain First Line: Deja al Salvador entrar Topics: El evangelio Invitación; The gospel Invitation Scripture: John 14:23 Languages: Spanish Tune Title: [¿Temes que en la lucha no podrás vencer?]

¿Temes Que En La Lucha?

Hymnal: Himnos de la Vida Cristiana #262 (1939) First Line: ¿Temes que en la lucha no podrás vencer? Refrain First Line: Deja al Salvador entrar Languages: Spanish Tune Title: [¿Temes que en la lucha no podrás vencer?]

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People

Authors, composers, editors, etc.

Anonymous

Person Name: Desconocido Author of "¿Temes que en la lucha?" in Himnario Adventista In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Chas. H. Gabriel

1856 - 1932 Person Name: C. H. Gabriel Composer of "[¿Temes que en la lucha no podrás vencer?]" in Himnario Adventista Pseudonyms: C. D. Emerson, Charlotte G. Homer, S. B. Jackson, A. W. Lawrence, Jennie Ree ============= For the first seventeen years of his life Charles Hutchinson Gabriel (b. Wilton, IA, 1856; d. Los Angeles, CA, 1932) lived on an Iowa farm, where friends and neighbors often gathered to sing. Gabriel accompanied them on the family reed organ he had taught himself to play. At the age of sixteen he began teaching singing in schools (following in his father's footsteps) and soon was acclaimed as a fine teacher and composer. He moved to California in 1887 and served as Sunday school music director at the Grace Methodist Church in San Francisco. After moving to Chicago in 1892, Gabriel edited numerous collections of anthems, cantatas, and a large number of songbooks for the Homer Rodeheaver, Hope, and E. O. Excell publishing companies. He composed hundreds of tunes and texts, at times using pseudonyms such as Charlotte G. Homer. The total number of his compositions is estimated at about seven thousand. Gabriel's gospel songs became widely circulated through the Billy Sunday-Homer Rodeheaver urban crusades. Bert Polman

Ada Blenkhorn

1858 - 1927 Author of "¿Temes que en la lucha?" in Himnario Adventista del Séptimo Día Ada Jane Blenkhorn Canada 1858-1927 Born in Cobourg, Ontario, the 10th of 11 children, she emigrated with her family to the U.S. In 1884 and settled in Cleveland, OH.. She was raised a Methodist, and began writing hymn lyrics at age 34. A prolific writer of hymn lyrics, she was about to give it up when a friend encouraged her to continue, telling her some soul might be saved by a hymn she would write. She worked for many years as secretary to her brother, Henry's, real estate company. After his death in 1923, she became president of the company. She never married. John Perry