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Venite, Exultemus Domino
Appears in 453 hymnals First Line: O come, let us sing unto the Lord (Chant)
Venite, Exultemus Domino
[O come let us sing unto the Lord]
Appears in 120 hymnals Composer and/or Arranger: William Boyce Tune Key: C Major Incipit: 15433 25545 56716 Used With Text: Canticle of Praise to God (Venite Exultemus)
[O come let us sing unto the Lord]
[O come, let us sing unto the Lord]
Appears in 29 hymnals Composer and/or Arranger: E. J. Hopkins Tune Key: E Flat Major Incipit: 35511 23543 Used With Text: Venite, Exultemus Domino
[O come, let us sing unto the Lord]
[O come, let us sing unto the Lord]
Appears in 2 hymnals Tune Sources: Ancient theme, C. F. in Treble Tune Key: E Major Incipit: 55655 34321 Used With Text: Venite, Exultemus Domino
[O come, let us sing unto the Lord]
O Come, Let Us Sing!
Hymnal: Christ in Song #228 (1908) First Line: O come, let us sing unto the Lord Lyrics: 1 O come, let us sing unto the Lord;
Let us heartily rejoice in the Strength of our Salvation.
Let us come before his presence with thanksgiving,
And show ourselves glad in him with psalms.
2 For the Lord is a great God,
And a great King above all gods.
In his hand are all the corners of the earth,
And the strength of the hills is his also.
3 The sea is his, and he made it;
And his hands prepared the dry land.
O come, let us worship and fall down,
Let us kneel before the Lord, our Maker. Topics: God Praise to God; God Praise to God; God Praise to God; God Praise to God; God Praise to God; God Praise to God; God Praise to God; God Praise to God; God Praise to God; Special Selections Chants Languages: English Tune Title: [O come, let us sing unto the Lord]
O Come, Let Us Sing!
O Come, Let Us Sing Unto the Lord
Hymnal: The Hymnal #A47 (1950) Lyrics: 1 O come, let us sing unto the Lord:
let us heartily rejoice in the strength of our salvation.
2 Let us come before His presence with thanksgiving:
and show ourselves glad in Him with psalms.
3 For the Lord is a great God:
and a great King above all gods.
4 In His hand are all the corners of the earth:
and the strength of the hills is His also.
5 The sea is His, and He made it:
and His hands prepared the dry land.
6 O come, let us worship and fall down:
and kneel before the Lord our Maker.
7 For He is the Lord our God:
and we are the people of His pasture, and the sheep of His hand.
8 O worship the Lord in the beauty of holiness:
let the whole earth stand in awe of Him.
9 For He cometh, for He cometh to judge the earth:
and with righteousness to judge the world, and the people with His truth.
10 Glory be to the Father, and to the Son:
and to the Holy Ghost;
11 As it was in the beginning, is now and ever shall be:
world without end. Amen. Scripture: Psalm 95 Tune Title: [O come, let us sing unto the Lord]
O Come, Let Us Sing Unto the Lord
O Come, Let Us Sing Unto the Lord
Hymnal: The Hymnal #A48 (1950) Lyrics: 1 O come, let us sing unto the Lord:
let us heartily rejoice in the strength of our salvation.
2 Let us come before His presence with thanksgiving:
and show ourselves glad in Him with psalms.
3 For the Lord is a great God:
and a great King above all gods.
4 In His hand are all the corners of the earth:
and the strength of the hills is His also.
5 The sea is His, and He made it:
and His hands prepared the dry land.
6 O come, let us worship and fall down:
and kneel before the Lord our Maker.
7 For He is the Lord our God:
and we are the people of His pasture, and the sheep of His hand.
8 O worship the Lord in the beauty of holiness:
let the whole earth stand in awe of Him.
9 For He cometh, for He cometh to judge the earth:
and with righteousness to judge the world, and the people with His truth.
10 Glory be to the Father, and to the Son:
and to the Holy Ghost;
11 As it was in the beginning, is now and ever shall be:
world without end. Amen. Scripture: Psalm 95 Tune Title: [O come, let us sing unto the Lord]
O Come, Let Us Sing Unto the Lord
Joseph Barnby
1838 - 1896 Composer of "[O come let us sing unto the Lord]" in The Methodist Hymnal Joseph Barnby (b. York, England, 1838; d. London, England, 1896) An accomplished and popular choral director in England, Barby showed his musical genius early: he was an organist and choirmaster at the age of twelve. He became organist at St. Andrews, Wells Street, London, where he developed an outstanding choral program (at times nicknamed "the Sunday Opera"). Barnby introduced annual performances of J. S. Bach's St. John Passion in St. Anne's, Soho, and directed the first performance in an English church of the St. Matthew Passion. He was also active in regional music festivals, conducted the Royal Choral Society, and composed and edited music (mainly for Novello and Company). In 1892 he was knighted by Queen Victoria. His compositions include many anthems and service music for the Anglican liturgy, as well as 246 hymn tunes (published posthumously in 1897). He edited four hymnals, including The Hymnary (1872) and The Congregational Sunday School Hymnal (1891), and coedited The Cathedral Psalter (1873).
Bert Polman
Joseph Barnby
Thomas Tallis
1505 - 1585 Person Name: T. Tallis Composer of "[O come let us sing unto the Lord] (Tallis)" in The Church Hymnal Thomas Tallis (b. Leicestershire [?], England, c. 1505; d. Greenwich, Kent, England 1585) was one of the few Tudor musicians who served during the reigns of Henry VIII: Edward VI, Mary, and Elizabeth I and managed to remain in the good favor of both Catholic and Protestant monarchs. He was court organist and composer from 1543 until his death, composing music for Roman Catholic masses and Anglican liturgies (depending on the monarch). With William Byrd, Tallis also enjoyed a long-term monopoly on music printing. Prior to his court connections Tallis had served at Waltham Abbey and Canterbury Cathedral. He composed mostly church music, including Latin motets, English anthems, settings of the liturgy, magnificats, and two sets of lamentations. His most extensive contrapuntal work was the choral composition, "Spem in alium," a work in forty parts for eight five-voice choirs. He also provided nine modal psalm tunes for Matthew Parker's Psalter (c. 1561).
Bert Polman
Thomas Tallis
Henry Thomas Smart
1813 - 1879 Person Name: Henry Smart (1813-1879) Composer of "[O come, let us sing unto the Lord]" in The Pilgrim Hymnal Henry Smart (b. Marylebone, London, England, 1813; d. Hampstead, London, 1879), a capable composer of church music who wrote some very fine hymn tunes (REGENT SQUARE, 354, is the best-known).
Smart gave up a career in the legal profession for one in music. Although largely self taught, he became proficient in organ playing and composition, and he was a music teacher and critic. Organist in a number of London churches, including St. Luke's, Old Street (1844-1864), and St. Pancras (1864-1869), Smart was famous for his extemporizations and for his accompaniment of congregational singing. He became completely blind at the age of fifty-two, but his remarkable memory enabled him to continue playing the organ. Fascinated by organs as a youth, Smart designed organs for important places such as St. Andrew Hall in Glasgow and the Town Hall in Leeds. He composed an opera, oratorios, part-songs, some instrumental music, and many hymn tunes, as well as a large number of works for organ and choir. He edited the Choralebook (1858), the English Presbyterian Psalms and Hymns for Divine Worship (1867), and the Scottish Presbyterian Hymnal (1875). Some of his hymn tunes were first published in Hymns Ancient and Modern (1861).
Bert Polman
Henry Thomas Smart
