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Text Identifier:o_god_the_rock_of_ages

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O God, the Rock of Ages

Author: Edward Henry Bickersteth, 1825-1906 Meter: 7.6.7.6 D Appears in 200 hymnals Topics: Adoration and Praise; Rock Used With Tune: GREENLAND

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SCHUBERT

Meter: 7.6.7.6 D Appears in 29 hymnals Composer and/or Arranger: William W. Gilchrist; Schubert Tune Key: G Major Incipit: 53322 31122 44353 Used With Text: O God, the rock of ages
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MIRIAM

Appears in 94 hymnals Incipit: 55121 17655 64355 Used With Text: Everlasting
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MEIRIONYDD

Appears in 114 hymnals Tune Sources: Welsh Hymn Melody Incipit: 54332 12335 43432 Used With Text: O God, the Rock of ages

Instances

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Published text-tune combinations (hymns) from specific hymnals

O God, the Rock of Ages,

Author: Edward H. Bickersteth Hymnal: Union Hymnal, Songs and Prayers for Jewish Worship. 3rd ed. Revised and enlarged. #32 (1948) First Line: O God, the Rock of Ages Scripture: Psalm 90 Languages: English Tune Title: [O God, the Rock of Ages]
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O God, the Rock of Ages

Author: E. Bickersteth Hymnal: Select Songs No. 2 #39 (1893) Languages: English Tune Title: [O God, the Rock of Ages]
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O God, the Rock of Ages

Author: Edward H. B***ersteth Hymnal: The Cokesbury Hymnal #80 (1923) Languages: English Tune Title: [O God, the Rock of Ages]

People

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Authors, composers, editors, etc.

Joseph Barnby

1838 - 1896 Person Name: J. Barnby Composer of "ST. ANSELM" in University Hymns Joseph Barnby (b. York, England, 1838; d. London, England, 1896) An accomplished and popular choral director in England, Barby showed his musical genius early: he was an organist and choirmaster at the age of twelve. He became organist at St. Andrews, Wells Street, London, where he developed an outstanding choral program (at times nicknamed "the Sunday Opera"). Barnby introduced annual performances of J. S. Bach's St. John Passion in St. Anne's, Soho, and directed the first performance in an English church of the St. Matthew Passion. He was also active in regional music festivals, conducted the Royal Choral Society, and composed and edited music (mainly for Novello and Company). In 1892 he was knighted by Queen Victoria. His compositions include many anthems and service music for the Anglican liturgy, as well as 246 hymn tunes (published posthumously in 1897). He edited four hymnals, including The Hymnary (1872) and The Congregational Sunday School Hymnal (1891), and coedited The Cathedral Psalter (1873). Bert Polman

Henry J. Gauntlett

1805 - 1876 Person Name: Henry John Gauntlett Composer of "ST. ALPHEGE" in Hymns of the Living Church Henry J. Gauntlett (b. Wellington, Shropshire, July 9, 1805; d. London, England, February 21, 1876) When he was nine years old, Henry John Gauntlett (b. Wellington, Shropshire, England, 1805; d. Kensington, London, England, 1876) became organist at his father's church in Olney, Buckinghamshire. At his father's insistence he studied law, practicing it until 1844, after which he chose to devote the rest of his life to music. He was an organist in various churches in the London area and became an important figure in the history of British pipe organs. A designer of organs for William Hill's company, Gauntlett extend­ed the organ pedal range and in 1851 took out a patent on electric action for organs. Felix Mendelssohn chose him to play the organ part at the first performance of Elijah in Birmingham, England, in 1846. Gauntlett is said to have composed some ten thousand hymn tunes, most of which have been forgotten. Also a supporter of the use of plainchant in the church, Gauntlett published the Gregorian Hymnal of Matins and Evensong (1844). Bert Polman

John Stainer

1840 - 1901 Composer of "MAGDALENA" in Hymns of the Church