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[I'm pressing on the upward way]
Appears in 265 hymnals Composer and/or Arranger: Chas. H. Gabriel Incipit: 55133 21621 65131 Used With Text: Higher Ground
[I'm pressing on the upward way]
Higher Ground
Author: Johnson Oatman, Jr. Meter: 8.8.8.8 with refrain Appears in 339 hymnals First Line: I'm pressing on the upward way Refrain First Line: Lord, lift me up and let me stand Lyrics: 1 I’m pressing on the upward way,
New heights I’m gaining every day;
Still praying as I’m onward bound,
“Lord, plant my feet on higher ground.”
Refrain:
Lord, lift me up and let me stand
By faith on heaven’s tableland;
A higher plane than I have found–
Lord, plant my feet on higher ground.
2 My heart has no desire to stay
Where doubts arise and fears dismay;
Tho' some may dwell where these abound,
My prayer, my aim, is higher ground. [Refrain]
3 I want to live above the world,
Tho' Satan’s darts at me are hurled;
For faith has caught the joyful sound,
The song of saints on higher ground. [Refrain]
4 I want to scale the utmost height
And catch a gleam of glory bright;
But still I’ll pray till heav’n I’ve found,
“Lord, lead me on to higher ground.” [Refrain]
Topics: Walking with God Aspiration and Consecration; Aspiration and Consecration Used With Tune: HIGHER GROUND
Higher Ground
Upon Thy Precepts
Appears in 26 hymnals First Line: How shall the young direct their way? Refrain First Line: Upon Thy precepts and Thy ways Scripture: Psalm 119 Used With Tune: [How shall the young direct their way?]
Upon Thy Precepts
En la mansión de mi Señor
Appears in 17 hymnals Refrain First Line: Allá no habrá tribulación Used With Tune: [En la mansión de mi Señor]
En la mansión de mi Señor
Higher Ground
Author: Johnson Oatman, Jr. Hymnal: Timeless Truths #5 Meter: 8.8.8.8 D First Line: I'm pressing on the upward way Refrain First Line: Lord, lift me up and let me stand Lyrics: 1. I'm pressing on the upward way,
New height I'm gaining ev'ry day;
Still praying as I onward bound,
"Lord, plant my feet on higher ground."
Refrain:
Lord, lift me up and let me stand,
By faith, on heaven's table-land,
A higher plane than I have found;
Lord, plant my feet on higher ground.
2. My heart has no desire to stay
Where doubts arise and fears dismay;
Though some may dwell where these abound,
My prayer, my aim is higher ground. [Refrain]
3. I want to live above the world,
Though Satan's darts at me are hurled;
For faith has caught the joyful sound,
The song of saints on higher ground. [Refrain]
4. I want to scale the utmost height
And catch a gleam of glory bright;
But still I'll pray till heav'n I've found,
"Lord, lead me on to higher ground." [Refrain] Scripture: Micah 4:2 Tune Title: [I'm pressing on the upward way]
Higher Ground
Higher Ground
Author: Johnson Oatman, Jr., 1856-1922 Hymnal: Songs of Zion #39 (1981) First Line: I'm pressing on the upward way Refrain First Line: Lord, lift me up, and let me stand Lyrics: 1 I’m pressing on the upward way,
New heights I’m gaining every day;
Still praying as I onward bound,
“Lord, plant my feet on higher ground.”
Refrain:
Lord, lift me up, and let me stand
By faith, on heaven’s tableland;
A higher plane than I have found,
Lord, plant my feet on higher ground.
2 My heart has no desire to stay
Where doubts arise and fears dismay;
Though some may dwell where these abound,
My prayer, my aim is higher ground. [Refrain]
3 I want to live above the world,
Though Satan’s darts at me are hurled;
For faith has caught a joyful sound,
The song of saints on higher ground. [Refrain]
4 I want to scale the utmost height,
And catch a gleam of glory bright;
But still I’ll pray till heav’n I’ve found,
“Lord, lead me on to higher ground.” [Refrain] Topics: Hymns Languages: English Tune Title: HIGHER GROUND
Higher Ground
Higher Ground
Author: Johnson Oatman, Jr. Hymnal: The New National Baptist Hymnal (21st Century Edition) #222 (2001) First Line: I'm pressing on the upward way Refrain First Line: Lord, lift me up, and I shall stand Lyrics: 1 I’m pressing on the upward way,
New heights I’m gaining ev'ryday;
Still praying as I onward bound,
“Lord, plant my feet on higher ground.”
Refrain:
Lord, lift me up, and I shall stand
By faith, on heaven’s tableland;
A higher plane than I have found,
Lord, plant my feet on higher ground.
2 My heart has no desire to stay
Where doubts arise and fears dismay;
Tho' some may dwell where these abound,
My pray'r, my aim is higher ground. [Refrain]
3 I want to live above the world,
Tho' Satan’s darts at me are hurled;
For faith has caught a joyful sound,
The song of saints on higher ground. [Refrain]
4 I want to scale the utmost height,
And catch a gleam of glory bright;
But still I’ll pray till heav’n I’ve found,
“Lord, lead me on to higher ground.” [Refrain] Topics: Aspiration; Commitment; Prayer; Temptation Languages: English Tune Title: HIGHER GROUND
Higher Ground
Johnson Oatman, Jr.
1856 - 1922 Author of "Higher Ground" in Baptist Hymnal 1991 Johnson Oatman, Jr., son of Johnson and Rachel Ann Oatman, was born near Medford, N. J., April 21, 1856. His father was an excellent singer, and it always delighted the son to sit by his side and hear him sing the songs of the church.
Outside of the usual time spent in the public schools, Mr. Oatman received his education at Herbert's Academy, Princetown, N. J., and the New Jersey Collegiate Institute, Bordentown, N. J. At the age of nineteen he joined the M.E. Church, and a few years later he was granted a license to preach the Gospel, and still later he was regularly ordained by Bishop Merrill. However, Mr. Oatman only serves as a local preacher.
For many years he was engaged with his father in the mercantile business at Lumberton, N. J., under the firm name of Johnson Oatman & Son. Since the death of his father, he has for the past fifteen years been in the life insurance business, having charge of the business of one of the great companies in Mt. Holly, N. J., where he resides.
He has written over three thousand hymns, and no gospel song book is considered as being complete unless it contains some of his hymns.
In 1878 he married Wilhelmina Reid, of Lumberton, N.J. and had three children, Rachel, Miriam, and Percy.
Excerpted from Biography of Gospel Song and Hymn Writers by Jacob Henry Hall; Fleming H. Revell, Co. 1914
Johnson Oatman, Jr.
Chas. H. Gabriel
1856 - 1932 Person Name: Charles H. Gabriel Composer of "[I'm pressing on the upward way]" in Timeless Truths Pseudonyms: C. D. Emerson, Charlotte G. Homer, S. B. Jackson, A. W. Lawrence, Jennie Ree
=============
For the first seventeen years of his life Charles Hutchinson Gabriel (b. Wilton, IA, 1856; d. Los Angeles, CA, 1932) lived on an Iowa farm, where friends and neighbors often gathered to sing. Gabriel accompanied them on the family reed organ he had taught himself to play. At the age of sixteen he began teaching singing in schools (following in his father's footsteps) and soon was acclaimed as a fine teacher and composer. He moved to California in 1887 and served as Sunday school music director at the Grace Methodist Church in San Francisco. After moving to Chicago in 1892, Gabriel edited numerous collections of anthems, cantatas, and a large number of songbooks for the Homer Rodeheaver, Hope, and E. O. Excell publishing companies. He composed hundreds of tunes and texts, at times using pseudonyms such as Charlotte G. Homer. The total number of his compositions is estimated at about seven thousand. Gabriel's gospel songs became widely circulated through the Billy Sunday-Homer Rodeheaver urban crusades.
Bert Polman
Chas. H. Gabriel
Isaac Watts
1674 - 1748 Person Name: Isaac Watts Author of "Give Thanks To God, He Reigns Above" in The Cyber Hymnal Isaac Watts was the son of a schoolmaster, and was born in Southampton, July 17, 1674. He is said to have shown remarkable precocity in childhood, beginning the study of Latin, in his fourth year, and writing respectable verses at the age of seven. At the age of sixteen, he went to London to study in the Academy of the Rev. Thomas Rowe, an Independent minister. In 1698, he became assistant minister of the Independent Church, Berry St., London. In 1702, he became pastor. In 1712, he accepted an invitation to visit Sir Thomas Abney, at his residence of Abney Park, and at Sir Thomas' pressing request, made it his home for the remainder of his life. It was a residence most favourable for his health, and for the prosecution of his literary labours. He did not retire from ministerial duties, but preached as often as his delicate health would permit.
The number of Watts' publications is very large. His collected works, first published in 1720, embrace sermons, treatises, poems and hymns. His "Horae Lyricae" was published in December, 1705. His "Hymns" appeared in July, 1707. The first hymn he is said to have composed for religious worship, is "Behold the glories of the Lamb," written at the age of twenty. It is as a writer of psalms and hymns that he is everywhere known. Some of his hymns were written to be sung after his sermons, giving expression to the meaning of the text upon which he had preached. Montgomery calls Watts "the greatest name among hymn-writers," and the honour can hardly be disputed. His published hymns number more than eight hundred.
Watts died November 25, 1748, and was buried at Bunhill Fields. A monumental statue was erected in Southampton, his native place, and there is also a monument to his memory in the South Choir of Westminster Abbey. "Happy," says the great contemporary champion of Anglican orthodoxy, "will be that reader whose mind is disposed, by his verses or his prose, to imitate him in all but his non-conformity, to copy his benevolence to men, and his reverence to God." ("Memorials of Westminster Abbey," p. 325.)
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
=================================
Watts, Isaac, D.D. The father of Dr. Watts was a respected Nonconformist, and at the birth of the child, and during its infancy, twice suffered imprisonment for his religious convictions. In his later years he kept a flourishing boarding school at Southampton. Isaac, the eldest of his nine children, was born in that town July 17, 1674. His taste for verse showed itself in early childhood. He was taught Greek, Latin, and Hebrew by Mr. Pinhorn, rector of All Saints, and headmaster of the Grammar School, in Southampton. The splendid promise of the boy induced a physician of the town and other friends to offer him an education at one of the Universities for eventual ordination in the Church of England: but this he refused; and entered a Nonconformist Academy at Stoke Newington in 1690, under the care of Mr. Thomas Rowe, the pastor of the Independent congregation at Girdlers' Hall. Of this congregation he became a member in 1693.
Leaving the Academy at the age of twenty, he spent two years at home; and it was then that the bulk of the Hymns and Spiritual Songs (published 1707-9) were written, and sung from manuscripts in the Southampton Chapel. The hymn "Behold the glories of the Lamb" is said to have been the first he composed, and written as an attempt to raise the standard of praise. In answer to requests, others succeeded. The hymn "There is a land of pure delight" is said to have been suggested by the view across Southampton Water. The next six years of Watts's life were again spent at Stoke Newington, in the post of tutor to the son of an eminent Puritan, Sir John Hartopp; and to the intense study of these years must be traced the accumulation of the theological and philosophical materials which he published subsequently, and also the life-long enfeeblement of his constitution.
Watts preached his first sermon when he was twenty-four years old. In the next three years he preached frequently; and in 1702 was ordained pastor of the eminent Independent congregation in Mark Lane, over which Caryl and Dr. John Owen had presided, and which numbered Mrs. Bendish, Cromwell's granddaughter, Charles Fleetwood, Charles Desborough, Sir John Hartopp, Lady Haversham, and other distinguished Independents among its members. In this year he removed to the house of Mr. Hollis in the Minories. His health began to fail in the following year, and Mr. Samuel Price was appointed as his assistant in the ministry. In 1712 a fever shattered his constitution, and Mr. Price was then appointed co-pastor of the congregation which had in the meantime removed to a new chapel in Bury Street. It was at this period that he became the guest of Sir Thomas Abney, under whose roof, and after his death (1722) that of his widow, he remained for the rest of his suffering life; residing for the longer portion of these thirty-six years principally at the beautiful country seat of Theobalds in Herts, and for the last thirteen years at Stoke Newington. His degree of D.D. was bestowed on him in 1728, unsolicited, by the University of Edinburgh. His infirmities increased on him up to the peaceful close of his sufferings, Nov. 25, 1748. He was buried in the Puritan restingplace at Bunhill Fields, but a monument was erected to him in Westminster Abbey.
His learning and piety, gentleness and largeness of heart have earned him the title of the Melanchthon of his day. Among his friends, churchmen like Bishop Gibson are ranked with Nonconformists such as Doddridge. His theological as well as philosophical fame was considerable. His Speculations on the Human Nature of the Logos, as a contribution to the great controversy on the Holy Trinity, brought on him a charge of Arian opinions. His work on The Improvement of the Mind, published in 1741, is eulogised by Johnson. His Logic was still a valued textbook at Oxford within living memory. The World to Come, published in 1745, was once a favourite devotional work, parts of it being translated into several languages. His Catechisms, Scripture History (1732), as well as The Divine and Moral Songs (1715), were the most popular text-books for religious education fifty years ago. The Hymns and Spiritual Songs were published in 1707-9, though written earlier. The Horae Lyricae, which contains hymns interspersed among the poems, appeared in 1706-9. Some hymns were also appended at the close of the several Sermons preached in London, published in 1721-24. The Psalms were published in 1719. The earliest life of Watts is that by his friend Dr. Gibbons. Johnson has included him in his Lives of the Poets; and Southey has echoed Johnson's warm eulogy. The most interesting modern life is Isaac Watts: his Life and Writings, by E. Paxton Hood. [Rev. H. Leigh Bennett, M.A.]
A large mass of Dr. Watts's hymns and paraphrases of the Psalms have no personal history beyond the date of their publication. These we have grouped together here and shall preface the list with the books from which they are taken.
(l) Horae Lyricae. Poems chiefly of the Lyric kind. In Three Books Sacred: i.To Devotion and Piety; ii. To Virtue, Honour, and Friendship; iii. To the Memory of the Dead. By I. Watts, 1706. Second edition, 1709. (2) Hymns and Spiritual Songs. In Three Books: i. Collected from the Scriptures; ii. Composed on Divine Subjects; iii. Prepared for the Lord's Supper. By I. Watts, 1707. This contained in Bk i. 78 hymns; Bk. ii. 110; Bk. iii. 22, and 12 doxologies. In the 2nd edition published in 1709, Bk. i. was increased to 150; Bk. ii. to 170; Bk. iii. to 25 and 15 doxologies. (3) Divine and Moral Songs for the Use of Children. By I. Watts, London, 1715. (4) The Psalms of David Imitated in the Language of the New Testament, And apply'd to the Christian State and Worship. By I. Watts. London: Printed by J. Clark, at the Bible and Crown in the Poultry, &c, 1719. (5) Sermons with hymns appended thereto, vol. i., 1721; ii., 1723; iii. 1727. In the 5th ed. of the Sermons the three volumes, in duodecimo, were reduced to two, in octavo. (6) Reliquiae Juveniles: Miscellaneous Thoughts in Prose and Verse, on Natural, Moral, and Divine Subjects; Written chiefly in Younger Years. By I. Watts, D.D., London, 1734. (7) Remnants of Time. London, 1736.
454 Hymns and Versions of the Psalms, in addition to the centos are all in common use at the present time.
--Excerpts from John Julian, Dictionary of Hymnology (1907)
==================================
Watts, I. , p. 1241, ii. Nearly 100 hymns, additional to those already annotated, are given in some minor hymn-books.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
=================
Watts, I. , p. 1236, i. At the time of the publication of this Dictionary in 1892, every copy of the 1707 edition of Watts's Hymns and Spiritual Songs was supposed to have perished, and all notes thereon were based upon references which were found in magazines and old collections of hymns and versions of the Psalms. Recently three copies have been recovered, and by a careful examination of one of these we have been able to give some of the results in the revision of pp. 1-1597, and the rest we now subjoin.
i. Hymns in the 1709 ed. of Hymns and Spiritual Songs which previously appeared in the 1707 edition of the same book, but are not so noted in the 1st ed. of this Dictionary:—
On pp. 1237, L-1239, ii., Nos. 18, 33, 42, 43, 47, 48, 60, 56, 58, 59, 63, 75, 82, 83, 84, 85, 93, 96, 99, 102, 104, 105, 113, 115, 116, 123, 124, 134, 137, 139, 146, 147, 148, 149, 162, 166, 174, 180, 181, 182, 188, 190, 192, 193, 194, 195, 197, 200, 202.
ii. Versions of the Psalms in his Psalms of David, 1719, which previously appeared in his Hymns and Spiritual Songs, 1707:—
On pp. 1239, U.-1241, i., Nos. 241, 288, 304, 313, 314, 317, 410, 441.
iii. Additional not noted in the revision:—
1. My soul, how lovely is the place; p. 1240, ii. 332. This version of Ps. lxiv. first appeared in the 1707 edition of Hymns & Spiritual Songs, as "Ye saints, how lovely is the place."
2. Shine, mighty God, on Britain shine; p. 1055, ii. In the 1707 edition of Hymns & Spiritual Songs, Bk. i., No. 35, and again in his Psalms of David, 1719.
3. Sing to the Lord with [cheerful] joyful voice, p. 1059, ii. This version of Ps. c. is No. 43 in the Hymns & Spiritual Songs, 1707, Bk. i., from which it passed into the Ps. of David, 1719.
A careful collation of the earliest editions of Watts's Horae Lyricae shows that Nos. 1, 7, 9, 10, 11, 12, 14, 16, p. 1237, i., are in the 1706 ed., and that the rest were added in 1709. Of the remaining hymns, Nos. 91 appeared in his Sermons, vol. ii., 1723, and No. 196 in Sermons, vol. i., 1721. No. 199 was added after Watts's death. It must be noted also that the original title of what is usually known as Divine and Moral Songs was Divine Songs only.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
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See also in:
Hymn Writers of the Church
Isaac Watts
Christian Classics Ethereal Hymnary
Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library
Christian Classics Ethereal Hymnary
