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John Zundel

1815 - 1882 Composer of "[Saviour, who Thy flock art feeding]" in Joyful Lays John Zundel; b. 1815, near Stuttgart, Germany; organist in Brooklyn, N. Y., from 1847 to 1878; d. Cannstadt, Germany, 1882 Evangelical Lutheran Hymnal, 1908

William Boyce

1711 - 1779 Person Name: W. Boyce (1710-1779) Composer of "SHARON" in Hymns of Worship and Service William Boyce (baptised 1711 – d. 7 February 1779) was an English composer and organist. See also in: Wikipedia

Charlotte Alington Barnard

1830 - 1869 Person Name: Charlotte A. Barnard Composer of "BROCKLESBURY" in The New Christian Hymnal Mrs. Charles Barnard, usage: Clar­i­bel. See also Claribel, 1830-1869

John Stainer

1840 - 1901 Composer of "EVENING PRAYER" in The Hymnal

John Bacchus Dykes

1823 - 1876 Person Name: J. B. Dykes Composer of "SYCHAR" in The National Hymn Book of the American Churches As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

I. B. Woodbury

1819 - 1858 Person Name: Isaac B. Woodbury Composer of "TALMAR" in Book of Worship with Hymns and Tunes Woodbury, Isaac Baker. (Beverly, Massachusetts, October 23, 1819--October 26, 1858, Columbia, South Carolina). Music editor. As a boy, he studied music in nearby Boston, then spent his nineteenth year in further study in London and Paris. He taught for six years in Boston, traveling throughout New England with the Bay State Glee Club. He later lived at Bellow Falls, Vermont, where he organized the New Hampshire and Vermont Musical Association. In 1849 he settled in New York City where he directed the music at the Rutgers Street Church until ill-health caused him to resign in 1851. He became editor of the New York Musical Review and made another trip to Europe in 1852 to collect material for the magazine. in the fall of 1858 his health broke down from overwork and he went south hoping to regain his strength, but died three days after reaching Columbia, South Carolina. He published a number of tune-books, of which the Dulcimer, of New York Collection of Sacred Music, went through a number of editions. His Elements of Musical Composition, 1844, was later issued as the Self-instructor in Musical Composition. He also assisted in the compilation of the Methodist Hymn Book of 1857. --Leonard Ellinwood, DNAH Archives

Ithamar Conkey

1815 - 1867 Composer of "RATHBUN" in Evangelical Lutheran hymnal Ithamar D. Conkey USA 1815-1867. Born of Scottish ancestry in Shutesbury, MA, he became a wool merchant. He married Elizabeth Billings, and they had a daughter and two sons. He was organist at Central Baptist Church,Norwich, CN. After that, he went to NewYork City and served as bass soloist at Calvary Episcopal church and Grace Church. Later, he served as bass soloist and choir director of Madison Avenue Baptist Church. His famous hymn was written in 1849. Two years later, William Howard Doane was baptized in the same church. John Perry

Joseph Barnby

1838 - 1896 Composer of "GUTER HIRT" in Hymns of the Faith with Psalms Joseph Barnby (b. York, England, 1838; d. London, England, 1896) An accomplished and popular choral director in England, Barby showed his musical genius early: he was an organist and choirmaster at the age of twelve. He became organist at St. Andrews, Wells Street, London, where he developed an outstanding choral program (at times nicknamed "the Sunday Opera"). Barnby introduced annual performances of J. S. Bach's St. John Passion in St. Anne's, Soho, and directed the first performance in an English church of the St. Matthew Passion. He was also active in regional music festivals, conducted the Royal Choral Society, and composed and edited music (mainly for Novello and Company). In 1892 he was knighted by Queen Victoria. His compositions include many anthems and service music for the Anglican liturgy, as well as 246 hymn tunes (published posthumously in 1897). He edited four hymnals, including The Hymnary (1872) and The Congregational Sunday School Hymnal (1891), and coedited The Cathedral Psalter (1873). Bert Polman

Anonymous

Author of "Children commended to Christ" in The Gospel Psalmist In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Arthur Henry Brown

1830 - 1926 Person Name: Arthur H. Brown Composer of "S. MILDRED" in Hymns for the Children of the Church Born: Ju­ly 24, 1830, Brent­wood, Es­sex, Eng­land. Died: Feb­ru­a­ry 15, 1926, Brent­wood, Es­sex, Eng­land. Almost com­plete­ly self taught, Brown be­gan play­ing the or­gan at the age 10. He was or­gan­ist of the Brent­wood Par­ish Church, Es­sex (1842-53); St. Ed­ward’s, Rom­ford (1853-58); Brent­wood Par­ish Church (1858-88); St. Pe­ter’s Church, South Weald (from 1889); and Sir An­tho­ny Browne’s School (to 1926). A mem­ber of the Lon­don Gre­gor­i­an As­so­ci­a­tion, he helped as­sem­ble the Ser­vice Book for the an­nu­al fes­tiv­al in St. Paul’s Ca­thed­ral. He sup­port­ed the Ox­ford Move­ment, and pi­o­neered the res­tor­a­tion of plain­chant and Gre­gor­i­an mu­sic in Ang­li­can wor­ship. Brown ed­it­ed var­i­ous pub­li­ca­tions, in­clud­ing the Al­tar Hym­nal. His other works in­clude set­tings of the Can­ti­cles and the Ho­ly Com­mun­ion Ser­vice, a Child­ren’s Fes­tiv­al Serv­ice, an­thems, songs, part songs, and over 800 hymn tunes and car­ols. Music: Alleluia! Sing the Tri­umph Arthur Dale Ab­bey Fields of Gold Are Glow­ing Gerran Holy Church Holy Rood If An­gels Sang Our Sav­ior’s Birth Lammas O, Sing We a Car­ol Purleigh Redemptor Mun­di Ring On, Ye Joy­ous Christ­mas Bells Saffron Wal­den St. An­a­tol­i­us St. Aus­tell St. John Dam­as­cene St. Ma­byn St. So­phro­ni­us Story of the Cross Sweet Child Di­vine --www.hymntime.com/tch

Claribel

1830 - 1869 Person Name: Charlotte A. Barnard Composer of "BROCKLESBURY" in Psalter Hymnal (Blue) Barnard [nee Pye], Charlotte Alington [Claribel]; b. Louth, Lincs., Dec. 23, 1830, d. Dover, Jan. 30, 1869; English ballad composer. --Library of Congress Name Authority Record (see link)

Darius E. Jones

1815 - 1881 Composer of "STOCKWELL" in The Evangelical Hymnal

William Augustus Muhlenberg

1796 - 1877 Person Name: William A. Mühlenberg Author of "Saviour, Who Thy flock art feeding" in The Hymnal Mühlenberg, William Augustus, D.D., son of the Rev. Dr. Mühlenberg, and grandson of Henry Melchior Mühlenberg, the patriarch of Lutheranism in America, was born in Philadelphia Sept. 16, 1796. He graduated at the University of Pennsylvania in 1814. Entering Holy Orders in 1817, he was successively Assistant Rector of St. James's Lancaster, 1823; Rector of the Church of the Holy Communion, New York, 1843; St. Paul's College, Flushing (1828); St. Luke's Hospital, New York (1855); St. John's and Long Island (1865), were established by him. He died April 6, 1877. His poetical gift was genuine, but not largely used. In 1826 he contributed four hymns to the Prayer Book Collection (of which he was one of the Committee). His Poems appeared in 1859. He had previously published Church Poetry, 1823; and The People's Psalter, 1858. I would not live alway followed in 1859 (revised in 1871). This last contains 26 pieces, the hymns in the Prayer Book Collection, 1826, with the exception of "I would not live alway," being omitted. The following are his principal lyrics:— 1. Carol, brothers, carol. Christmas Carol. "Made for the boys of St. Paul's College—-the Chorus adapted from one of the Rev.[Bishop] A.C. Coxe's Christian Ballads"-—in 1840. 2. How short the race our friend has run. Death of a Young Person. Contributed to the Prayer Book Collection, 1826. 3. I would not live alway. Eternal rest desired. Four texts of this poem are extant: 1st the Original; 2nd the version given in the Prayer Book Collection, 1826; 3rd the author's revised version of 1859; and 4th his rewritten text of 1871, the second of these being that known to the hymnbooks. The history of the poem is somewhat complicated. We quote it here as given by us in the History of the American Episcopal Church, 1885, p.637, as we have nothing further to add thereto:-— "The most famous of these (Dr. Mühlenberg's hymns) was probably first written. 'I will not live alway' has an intricate history, which was not simplified by the author's lapse of memory in his later years. In his brief ‘story of the hymn,' printed with its ‘evangelized’ text in 1871, every date is wrong by two or three years; and his assertion, ‘The legend that it was written on an occasion of private grief is a fancy,' hardly agrees with the clear and minute recollections of persons of the highest character, still living, and who knew the circumstances thoroughly. The date of composition assigned, 1824, is probably (not certainly) correct; it was written at Lancaster, in a lady's album, and began:— I would not live alway; no, no, holy man, Not a day, not an hour, should lengthen my span.' In this shape it seems to have had six eight-line stanzas. The album was still extant in 1876, at Pottstown, Pa., and professed to contain the original manuscript. Said the owner's sister, ‘It was au impromptu. He had no copy, and, wanting it for some occasion, he sent for the album.' In 1826 he entrusted his copy to a friend, who called on him on the way from Harrisburg to Philadelphia, to carry to the Episcopal Recorder, and in that paper it appeared June 3, 1826 (not 1824). For these facts we have the detailed statement of Dr. John B. Clemson, of Claymont, Del., the Ambassador mentioned, who also chances to have preserved that volume of the paper. Thus appearing (without name) it was adopted by the sub-committee [of the Prayer Book Collection, 1826]. When their report was presented to the entire committee in 1826—-not 1829, as Dr. Mühlenberg had it—-'each of the hymns was passed upon. When this came up one of the members remarked that it was very sweet and pretty, but rather sentimental, upon which it was unanimously thrown out. Not suspected as the author, I voted against myself. That, I supposed, was the end of it.’ The committee, which sat until late at night at the house of Bishop White, agreed upon their report to the Convention, and adjourned. But the next morning Dr. Onderdonk (who was not one of their number, but who, on invitation, had acted with the sub-committee, which in fact consisted of him and myself), called on me to inquire what had been done. Upon my telling him that among the rejected hymns was this one of mine, he said, 'That will never do,' and went about among the members of the committee soliciting them to restore the hymn in their report, which accordingly they did; so that to him is due the credit of giving it to the Church.' As thus adopted it was a small and altered selection from the original lines, made by Dr. Onderdonk ‘with some revision' by the author. He was never satisfied with these texts, but revised the poem in 1859, and re¬wrote it in 1871….The authorship of this, as of many another popular lyric, has been disputed. The claim of Henry Ward, a printer of Lichfield, Conn., has been vehemently urged, and revived but a few years ago. Of course it is unsupported by adequate evidence. When Dr. Mühlenberg was asked to assure ‘some of his brethren, editors of Church papers,' of his paternity, his manly reply was, ‘If they thought I was capable of letting the work of another pass for so many years as my own, they would not be sure of anything I might say.'" 4. Jesus' Name shall ever be. The Holy Name, Jesus. This is entitled "The Blessed Name of Jesus. An Evangelical Rosary." It was written in 1842, and revised for Schaff's Christ in Song in Aug., 1868. 5. King of kings, and wilt Thou deign. Submission to Jesus. Appeared in his Poems, 1859. 6. Like Noah's weary dove. The Ark of the Church. Contributed to the Prayer Book Collection, 1826, No. 24, in 5 st. of 4 1. It sometimes begins with st. ii., "0 cease, my wandering soul;" and again with st. in., "Behold the Ark of God." 7. Saviour, Who Thy flock art feeding. Holy Baptism. This is the most widely known of Dr. Mühlenberg's hymns. It was contributed to the Prayer Book Collection, 1826, No. 86, in 4 st. of 4 1. It is sometimes given as "Jesus, Who Thy flock art feeding." 8. Shout the glad tidings, exultingly sing. Christmas. Contributed to the Prayer Book Collection, 1826, No. 46, in 3 st. of 4 1., with the chorus :— "Shout the glad tidings, exultingly sing, Jerusalem triumphs, Messiah is King;" the opening lines, followed by the first stanza, and a repetition of the chorus, and so on to the end. Sometimes the hymn opens with st. i.: "Zion, the marvellous story be telling," or as “Sion the marvellous story be telling," instead of the chorus. Dr. Mühlenberg says that the hymn was written— "at the particular request of Bishop Hobart, who wanted something that would go to the tune by Avison, then popular, to the words of Moore, ‘Sound the loud timbrel,' &c. He liked the verses I made so well that he had them struck off before the hymns (Prayer Book Collection] were published, and sung in Trinity Church on Christmas day." 9. Since o'er Thy footstool here below. Earth and Heaven. Appeared in the Episcopal Register, 1824, and in his Poems, 1859. 10. The mellow eve is gliding. Evening. Dated 1825 (?) and published in his Poems, 1859. 11. The throne of his glory—-as snow it is white. Advent. Dated 1839, and published in his Poems, 1859. 12. Thine handmaid,Saviour, can it be? Admission of a Nursing Sister. Written on the words, "Come, follow me," for the reception of a Sister at St. Luke's Hospital, New York, 1859. [Rev. F. M. Bird, M.A.] --John Julian, Dictionary of Hymnology (1907) See also in: Hymn Writers of the Church

Edmund S. Carter

1845 - 1923 Person Name: Rev. E. S. Carter Composer of "[Saviour, who Thy flock art feeding]" in Augsburg Songs No. 2 Born: Feb­ru­a­ry 3, 1845, New Mal­ton, York­shire, Eng­land. Died: May 23, 1923, Scar­bo­rough, York­shire, Eng­land. Carter at­tend­ed Wor­ces­ter Coll­ege, Ox­ford (BA & MA 1871). He was or­dained dea­con in 1871, and priest in 1872. He served as Cur­ate of Christ Church, Eal­ing, Mid­dle­sex (1871-75); Vi­car chor­al of York Min­ster (1875); Rec­tor of St. Mar­tin, Mic­kle­gate, York (1877-82); and Vi­car of St. Mi­chael Bel­fry, York (1882). Music: DAY BY DAY WREFORD --www.hymntime.com/tch/

John E. Roe

1838 - 1871 Person Name: J. E. Roe Composer of "[Saviour, Who Thy flock art feeding]" in The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892

John H. Spielman

Arranger of "RATHBUN" in Evangelical Lutheran hymnal John Henry Spielman, b. 1840, Lancaster, Ohio. Professor at Capital University, 1864-72. Editor of "Sunday-School Hymnal," "Psalterlust," and "Cantica Sacra." Public School Librarian, Columbus, Ohio; d. Columbus, Ohio, 1896

Walter Bond Gilbert

1829 - 1910 Person Name: Walter B. Gilbert Composer of "NEW JERSEY" in Christian Chorals Walter Bond Gilbert DMus United Kingdom 1829-1910. Born at Exeter, Devon, England, he studied music under Alfred Angel, Samuel Wesley and Henry Bishop. He attended New College, Oxford and the University of Toronto, Canada. He was organist in Devon at Topsham in 1847, Bideford in 1849, Kent at Tonbridge in 1854, Old Colliegiate Church, Maidstone in 1859, Lee in 1866, Boston, Lincolnshirein 1868, and Trinity Chapel in New York City in 1869-1897. He taught music at Tonbridge School, helped found the College of Organists, edited the America Episcopal Hymnal, and wrote a number of monographs, including “Antiquities of Maidstone”. He continued to write church music, producing services, oratorios (including “The Restoration of Israel and St. John, 1857), organ works, and anthems. He died at Headington, Oxford, England. John Perry

Ignaz Pleyel

1757 - 1831 Person Name: Pleyel Composer of "[Saviour! who thy flock art feeding]" in Juvenile Choir Ignaz Joseph Pleyel; b. Ruppertstahl, near Vienna, 1757; d. Parice France, 1831 Evangelical Lutheran Hymnal, 1908

Daniel Hughes

Person Name: D. H. Author (stanza 4) of "Saviour, who thy flock art feeding" in Mawl a chân = praise and song

Robert Brown-Borthwick

1840 - 1894 Person Name: R. Brown-Borthwick Composer of "SUNNYSIDE" in The Children's Hymn Book Brown-Borthwick, Robert, born at Aberdeen, May 18, 1840, and educated at St. Mary Hall, Oxford. Taking Holy Orders in 1865, he has been Curate of Sudeley (and Chaplain of the Winchcombs Union), Gloucestershire, 1865-6, and Evesham, 1866-8; Assistant Minister of Quebec Chapel, London, 1868-9; and Incumbent of Holy Trinity, Grange, near Keswick, 1869. He is now (1886) Vicar of All Saints, Scarborough. His publications, in addition to his prose works, are:— Supplemental Hymn and Tune Book, 1867 (4th edition, 1871); Sixteen Hymns for Church and Home, 1870; Select Hymns for Church and Home, 1871; and various Kyries, Hymn Tunes, Chants, &c. In addition he has rendered good service as one of the four Editors of the Society for Promoting Christian Knowledge Church Hymns. In this last work three of his best hymns are found: “Come, O Jesu, to Thy Table"; "O Holy Jesu, Prince of Peace”; "Let us raise our grateful voices." Canon Westcott in his Paragraph Psalter acknowledges Mr. Brown-Borthwick's assistance in preparing that work for the press as of great value thereto. He died March 17, 1894. Of Mr. Brown-Borthwick's hymns the following appeared in his Sixteen Hymns, &c, 1870:— 1. Come, O Jesus, to Thy Table. Holy Communion. 2. Lord, in the watches of the night. Midnight. 3. O Holy Jesu, Prince of Peace. Holy Communion. The author's note to this hymn is, "This is not a congregational hymn, but a meditation, to be read while non-communicants are retiring, or to be sung by the choir alone, anthem-wise, kneeling." These hymns were repeated in his Select Hymns, &c, 1871-85. The following is also in that collection:— 4. Let us raise our grateful [gladsome] voices . Flower Services, or Thanksgiving. "Written in Borrowdale, on a summer morning in 1870," and published in the S. P. C. K. Church Hymns, 1871, &c. -- John Julian, Dictionary of Hymnology (1907)

Daniel Protheroe

1866 - 1934 Composer of "GLAN-Y-NANT" in Cân a Mawl

S. V. R. Ford

1835 - 1910 Composer of "[Saviour, who Thy flock art feeding]" in Melodies for Little People Born: 1835, Greenville, New York. Died: June 5, 1910, New York City. Son of Cyrus Earle and Amanda Hedden Ford, Stephen wrote several battle hymns during the American civil war which were sung by Union soldiers. He was a partner in a shirt and collar making company, Ide & Ford, in Troy, New York (1865-72). In his later years, he was known as an author, editor, composer and critic. He was living in Schenectady, New York, in 1908. His works include: Sunday-School Teaching (Hitchcock & Walden, 1868) Melodies for Little People (New York: Hunt and Eaton, 1891) The King’s Birthday: A Carol Service for Christmas (New York: Hunt and Eaton, 1893) The Stone Rolled Away: An Easter Missionary Service (Curts & Jennings, 1897) Recitations, Song and Story for Sunday and Day Schools, Primary and Intermediate Departments (Eaton & Mains, 1900) The Junior League Songster Bible Wonders and Aids to Bible Study (New York: Bible Wonders Company) Methodist Year Book, 1902 (editor) --www.hymntime.com/tch/

S. M. Bixby

1833 - 1912 Composer of "MUHLENBERG" in Gloria Deo Samuel M. Bixby was born on May 27, 1833 in Ha­ver­hill, New Hamp­shire. His com­pa­ny, S. M. Bixby & Company, man­u­factured shoe black­ings and shoe dress­ings, but mu­sic was his pas­sion. He was al­so a Sun­day school su­per­in­ten­dent and choir lead­er. He died on March 11, 1912 in Ford­ham, New York. His works in­clude: Church and Home Hym­nal, cir­ca 1893 Evangel Songs, cir­ca 1894 Gloria Deo: A Col­lec­tion of Hymns and Tunes for Pub­lic Wor­ship in All De­part­ments of the Church (New York: Funk & Wag­nalls Com­pa­ny, 1901) NN, Hymnary. Source: http://www.hymntime.com/tch/bio/b/i/x/bixby_sm.htm

S. B. Ball

Composer of "MINER" in The Gospel Psalmist

Robert M. Williams

Composer of "MORGAN" in Mawl a chân = praise and song

Margaret MacMillan

1863 - 1903 Person Name: Margaret MacMillan, 1863-1903 Composer of "ROSLYN" in The Book of Praise

H. S. Hering

Composer of "[Saviour, who Thy flock art feeding]" in The New Hosanna

S. J. Dalton

Composer of "[Saviour, who thy flock art feeding]" in Good Tidings

Shadwell Morley Barkworth

1819 - 1891 Person Name: S.M. Barkworth Composer of "" in Hymnal Rev. S. M. Barkworth, D.D., collector of tunes published as Original Tunes to Favourite Hymns. (Novello, Ewer, & Co.), and publisher of The Church of England Hymn Book, with music.

John Heathcote

Composer of "[Saviour, who Thy flock art feeding]" in The Children's Hymnal

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