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Through the Love of God Our Savior
Author: Mary Peters Meter: 8.4.8.4.8.8.8.4 Appears in 191 hymnals Refrain First Line: All must be well
Through the Love of God Our Savior
AR HYD Y NOS
Meter: 8.4.8.4.8.8.8.4 Appears in 286 hymnals Tune Sources: Welsh traditional; Jones' Relics of the Welsh Bards, 1784 Tune Key: G Major Incipit: 17612 17567 71176 Used With Text: Through the Love of God Our Father
AR HYD Y NOS
Through the Love of God Our Savior
Author: Mary Peters Hymnal: The Worshiping Church #610 (1990) Meter: 8.4.8.4.8.8.8.4 Lyrics: 1 Through the love of God our Savior,
all will be well;
free and changeless is his favor,
all, all is well;
precious is the blood that healed us,
perfect is the grace that sealed us,
strong the hand stretched out to shield us,
all must be well.
2 Though we pass through tribulation,
all will be well;
ours is such a full salvation,
all, all is well;
happy, still in God confiding,
fruitful, if in Christ abiding,
holy through the Spirit’s guiding,
all must be well.
3 We expect a bright tomorrow,
all will be well;
faith can sing through days of sorrow,
all, all is well;
on our Father’s love relying,
Jesus every need supplying,
or in living or in dying,
all must be well.
Topics: Encouragement; Holiness of Life; Love God’s Love for Us; Serenity; Trials Scripture: Romans 8:28 Languages: English Tune Title: AR HYD Y NOS
Through the Love of God Our Savior
Through the Love of God Our Savior
Author: Mary B. Peters Hymnal: The Cyber Hymnal #6805 Meter: 8.4.8.4.8.8.8.4 Lyrics: 1. Through the love of God our Savior,
All will be well;
Free and changeless is His favor;
All, all is well.
Precious is the blood that healed us;
Perfect is the grace that sealed us;
Strong the hand stretched out to shield us;
All must be well.
2. Though we pass through tribulation,
All will be well;
Ours is such a full salvation;
All, all is well.
Happy still in God confiding,
Fruitful, if in Christ abiding,
Holy through the Spirit’s guiding,
All must be well.
3. We expect a bright tomorrow;
All will be well;
Faith can sing through days of sorrow,
All, all is well.
On our Father’s love relying,
Jesus every need supplying,
Or in living, or in dying,
All must be well. Languages: English Tune Title: AR HYD Y NOS
Through the Love of God Our Savior
Through the Love of God Our Savior
Author: Mrs. Mary B. Peters Hymnal: Inspiring Hymns #358 (1951) First Line: Thro' the love of God our Savior Languages: English Tune Title: [Through the love of God our Savior]
Through the Love of God Our Savior
Joseph Barnby
1838 - 1896 Composer of "ALL'S WELL" in College Hymnal Joseph Barnby (b. York, England, 1838; d. London, England, 1896) An accomplished and popular choral director in England, Barby showed his musical genius early: he was an organist and choirmaster at the age of twelve. He became organist at St. Andrews, Wells Street, London, where he developed an outstanding choral program (at times nicknamed "the Sunday Opera"). Barnby introduced annual performances of J. S. Bach's St. John Passion in St. Anne's, Soho, and directed the first performance in an English church of the St. Matthew Passion. He was also active in regional music festivals, conducted the Royal Choral Society, and composed and edited music (mainly for Novello and Company). In 1892 he was knighted by Queen Victoria. His compositions include many anthems and service music for the Anglican liturgy, as well as 246 hymn tunes (published posthumously in 1897). He edited four hymnals, including The Hymnary (1872) and The Congregational Sunday School Hymnal (1891), and coedited The Cathedral Psalter (1873).
Bert Polman
Joseph Barnby
Ralph Vaughan Williams
1872 - 1958 Person Name: Ralph Vaughan Williams, 1872-1958 Harmonizer of "AR HYD Y NOS" in Singing the Sacred Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrangements of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928).
Bert Polman
Ralph Vaughan Williams
E. J. Hopkins
1818 - 1901 Composer of "TEMPLE" in The Church Hymnal Dr Edward John Hopkins MusDoc United Kingdom 1818-1901. Born at Westminster, England, the son of a clarinetist with the Royal Opera House orchestra, he became an organist (as did two of his brothers) and a composer. In 1826 he became a chorister of the Chapel Royal and sang at the coronation of King William IV in Westminster Abbey. He also sang in the choir of St. Paul’s Cathedral, a double schedule requiring skill and dexterity. On Sunday evenings he would play the outgoing voluntary at St. Martin’s in-the-field. He left Chapel Royal in 1834 and started studying organ construction at two organ factories. He took an appointment at Mitcham Church as organist at age 16, winning an audition against other organists. Four years later he became organist at the Church of St. Peter, Islington. In 1841 he became organist at St. Luke’s, Berwick St., Soho. Two Years later he was organist at Temple Church, which had a historic organ (built in 1683). He held this position for 55 years. In 1845 he married Sarah Lovett, and they had four sons and five daughters. He was closely associated with the Bach Society and was organist for the first English performances of Bach’s St. Matthew Passion. In 1855 he collaborated with Edward Rimbault publishing “The organ, its history and construction” (3 editions 1855-70-77). In 1864 he was one of the founders of the “College of organists”. In 1882 he received an honorary Doctorate of Music from the Archbishop of Canterbury. He composed 30+ hymn tunes and some psalm chants, used by the Church of England. He died in London, England.
John Perry
E. J. Hopkins
