Psalms for All Seasons ‎#106A

106A. It Is Good to Give Thanks to You, Lord

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Text Information

• First Line: It is good to give thanks to you, Lord
• Title: It Is Good to Give Thanks to You, Lord
• Author: John L. Bell, b. 1949
• Meter: 9.9.9.9 with refrain
• Language: English
• Publication Date: 2012
• Scripture:
  Psalm 106
• Topic: Biblical Names and Places: Aaron; Biblical Names and Places: Abiram; Biblical Names and Places: Baal; Biblical Names and Places: Canaan; Biblical Names and Places: Dathan; Biblical Names and Places: Egypt; Biblical Names and Places: Exodus; Biblical Names and Places: Ham; Biblical Names and Places: Horeb; Biblical Names and Places: Israel; Biblical Names and Places: Meribah; Biblical Names and Places: Moses; Biblical Names and Places: Phinehas; Biblical Names and Places: Red Sea; Bitterness; Blessing; Doxologies; Elements of Worship: Sending; Forgiveness; God's: Goodness; God's: Love; God's: People (flock, sheep); God's: Promise of Redemption; Historical Psalms; Idols and Idolatry; Mercy; Obedience; Occasional Services: New Year; Prayer; Ten Commandments: 2nd Commandment (do not make graven emages); The Fall; Year A, Ordinary Time after Pentecost, October 9-15
• Copyright: © 1988 Wild Goose Resources Group, Iona Community, Scotland, GIA Publications, Inc., exclusive North American agent

Tune Information

• Name: NEW 106TH
• Composer: John L. Bell, b. 1949
• Arranger: Marcus Hong
• Meter: 9.9.9.9 with refrain
• Key: F Major
• Copyright: © 1989 Wild Goose Resource Group, Iona Community, Scotland, GIA Publications, Inc., exclusive North American agent ; Arr. © 2011 Wild Goose Resource Group, Iona Community, Scotland, GIA Publications, Inc., exclusive North American agent
• Notes: When accompanying on piano or finger picking on guitar, continue with an arpeggiated chord pattern under the part-singing of the refrain. Conversely, the accompaniment of the stanzas may be interpreted as sustained chords to match the harmony of the refrain. If a contrast is desired between the stanzas and the refrain, consider allowing the refrain to be sung unaccompanied. Another possibility would be to have the stanzas sung by different solo voices, with all joining on the refrain. This may be sung unaccompanied throughout.