Perfect Purification

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For ever here my rest shall be

Author: Charles Wesley
Published in 490 hymnals

Printable scores: PDF, MusicXML
Audio files: MIDI

Piano/Organ
	Festival Hymns for Organ, Brass, and Tim…

Choral
	ACCLAMATION ON "AZMON"

Instrumental
	Worship the King

Representative Text

1 Forever here my rest shall be,
Close to Thy bleeding side.
This all my hope, and all my plea.
"For me the Saviour died."

2 My dying Saviour, and my God,
Fountain for guilt and sin,
Sprinkle me ever with Thy blood,
And cleanse, and keep me clean.

3 Wash me, and make me thus Thine own;
Wash me, and mine Thou art;
Wash me, but not my feet alone—-
My hands, my head, my heart.

4 The atonement of Thy blood apply,
Till faith to sight improve;
Till hope in full fruition die,
And all my soul be love.

Source: Praise and Worship: hymnal #51

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Author: Charles Wesley

Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepene… Go to person page >

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First Line:	For ever here my rest shall be
Title:	Perfect Purification
Author:	Charles Wesley
Meter:	8.6.8.6
Language:	English
Copyright:	Public Domain

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Tune

MARTYRDOM (Wilson)

MARTYRDOM was originally an eighteenth-century Scottish folk melody used for the ballad "Helen of Kirkconnel." Hugh Wilson (b. Fenwick, Ayrshire, Scotland, c. 1766; d. Duntocher, Scotland, 1824) adapted MARTYRDOM into a hymn tune in duple meter around 1800. A triple-meter version of the tune was fir…

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AZMON

Lowell Mason (PHH 96) adapted AZMON from a melody composed by Carl G. Gläser in 1828. Mason published a duple-meter version in his Modern Psalmist (1839) but changed it to triple meter in his later publications. Mason used (often obscure) biblical names for his tune titles; Azmon, a city south of C…

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