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444

Nada te turbe (Nothing Can Trouble)

Scripture References

Confessions and Statements of Faith References

Further Reflections on Confessions and Statements of Faith References

Difficult times occur in the lives and communities of God’s people because this is a fallen world. The confessions demonstrate this perspective:

  • Belgic Confession, Article 15 teaches that “…by the disobedience of Adam original sin has been spread through the whole human race…a corruption of the whole human nature...” As a result, God’s people are “guilty and subject to physical and spiritual death, having become wicked, perverse, and corrupt in all [our] ways” (Article 14). In addition, “The devils and evil spirits are so corrupt that they are enemies of God and of everything good. They lie in wait for the church and every member of it like thieves, with all their power, to destroy and spoil everything by their deceptions” (Article 12).
  • Our World Belongs to God continues to affirm that “God has not abandoned the work of his hands,” nevertheless “our world, fallen into sin, has lost its first goodness...” (paragraph 4). And now “all spheres of life—family and friendship, work and worship school and state, play and art—bear the wounds of our rebellion” (paragraph 16).

Yet, in a fallen world, God’s providential care is the source of great assurance, comfort and strength. Through these thoughts, our trust in God is inspired.

  • Belgic Confession, Article 13 is a reminder that God’s providence reassures us that God leads and governs all in this world “according to his holy will…nothing happens in this world without his orderly arrangement.” Further, this Confession identifies that this “gives us unspeakable comfort since it teaches us that nothing can happen to us by chance but only by the arrangement of our gracious heavenly Father, who watches over us with fatherly care...in this thought we rest.”
  • Belgic Confession, Article 13, is a reminder that much is beyond human understanding and so “we do not wish to inquire with undue curiosity into what God does that surpasses human understanding and is beyond our ability to comprehend.”
  • In Heidelberg Catechism, Lord’s Day 9, Question and Answer 26 we testify that we “trust God so much that [we] do not doubt that he will provide whatever [we] need for body and soul and will turn to [our] good whatever adversity he sends upon [us] in this sad world.”
  • In Heidelberg Catechism, Lord’s Day 10, Question and Answer 28, we are assured that through our trust in the providence of God we can have “good confidence in our faithful God and Father that nothing in creation will separate us from his love.”
  • When we pray the Lord’s Prayer we ask not to be brought into the time of trial but rescued from evil. In doing so we ask that the Lord will “uphold us and make us strong with the strength of your Holy Spirit so that we may not go down to defeat in this spiritual struggle...” (Heidelberg Catechism, Lord’s Day 52, Question and Answer 127)

Belgic Confession, Article 26 speaks about the intercession of Christ as the ascended Lord. “We have no access to God except through the one and only Mediator and Intercessor, Jesus Christ the Righteous.” We, therefore, do not offer our prayers as though saints could be our intercessor, nor do we offer them on the “basis of our own dignity but only on the basis of the excellence and dignity of Jesus Christ, whose righteousness is ours by faith.” Because Jesus Christ is our sympathetic High Priest, we approach the throne “in full assurance of faith.”

 

No greater assurance can be found than that expressed in Heidelberg Catechism, Lord’s Day 1, Question and Answer 1: “I am not my own by I belong—body and soul, in life and in death—to my faithful Savior, Jesus Christ.”

 
In all difficult times, we eagerly await the final day when God “will set all things right, judge evil, and condemn the wicked” (Our World Belongs to God, paragraph 57).

444

Nada te turbe (Nothing Can Trouble)

Tune Information

Name
NADA TE TURBE
Key
a minor

Musical Suggestion

This serene song of trust and comfort from the Taizé community could be effectively paired with other peace-themed songs such as “Salaam/Peace.” 
— Global Songs for Worship
444

Nada te turbe (Nothing Can Trouble)

Hymn Story/Background

For an increasing number of North Americans, the name Taizé evokes a certain style of singing that has become popular in more and more churches, retreat centers, and campus parishes. Taizé is in fact an ecumenical community of brothers located in the small village of that name in the Burgundy region of eastern France.
 
Taizé began with one man, Brother Roger. In 1940 he came to what was then a semi-abandoned village in Burgundy, his mother’s native region. He was twenty-five years old, and he had come there to offer a welcome to Jews fleeing the Nazi persecution and to work out a call to follow Christ in community, a community that would attempt to live out the Gospel call to reconciliation day by day. Today, the Taizé Community is composed of around a hundred brothers. They come from different Christian traditions and from over twenty-five different countries, and make a life commitment to live together in joy, simplicity, and mercy as a “parable of community,” a sign of the Gospel’s call to reconciliation at the heart of the world. Tens of thousands of people, mainly between the ages of 17 and 30, come throughout each year from around the world to spend a week going to the roots of the Christian faith. They join in the community’s worship three times a day, listen to Bible introductions on the sources of the faith, spend time reflecting in silence, and meet in small sharing-groups. The community encourages participants, when they return home, to take back what they have discovered and put it into practice in the concrete conditions of their life – in their parishes, their place of work or study, their families.
 
Life at Taizé, following the monastic tradition, has always turned around three main poles – prayer, work, and hospitality. The three times of worship create the basic rhythm of the day, with a very meditative form of prayer in which singing and silence have always played a large part. When the number of visitors to Taizé began to increase, and more and more young people started arriving, the brothers felt the need to find a way for everyone to join in the prayer and not simply be observers. At the same time, they felt it was essential to maintain the meditative quality of the prayer, to let it be an authentic encounter with the mystery of God revealed in Jesus Christ. Finally, it was found that chants made up of a few words repeated over and over again made possible a prayer that was both meditative and yet accessible to all. They were happy to develop a form of sung music that can be used just as well by a small group of students who meet weekly in a dorm to pray as in a celebration that fills the cathedral of a large city. The “songs of Taizé” thus make it possible for hundreds of thousands of people throughout the world to be linked in common praise of God.
 
With the help of the musician Jacques Berthier, friend of Taizé, different methods were tried out, and a solution was found in the use of repetitive structures, namely, short musical phrases with melodic units that could be readily memorized by everybody. The use of some very simple words in basic Latin to support the music and the theme of prayer was also dictated by pastoral needs. From practical experience it was the only way of solving the unavoidable problem of languages that arouse at international gatherings. On the other hand, living languages are widely used. Increasingly, song collections around the world, Protestant and Catholic, include songs from Taizé for congregational worship.
 
GIA Publications is the North American publisher of the many recordings and song collections from the Community of Taizé.
-from http://www.giamusic.com/bios/taize.cfm
— GIA Publications, Inc. (http://www.giamusic.com)

Author and Composer Information

A son of musical parents, Jacques Berthier (b. Auxerre, Burgundy, June 27, 1923; d. June 27, 1994) studied music at the Ecole Cesar Franck in Paris. From 1961 until his death he served as organist at St. Ignace Church, Paris. Although his published works include numerous compositions for organ, voice, and instruments, Berthier is best known as the composer of service music for the Taizé community near Cluny, Burgundy. Influenced by the French liturgist and church musician Joseph Gelineau, Berthier began writing songs for equal voices in 1955 for the services of the then nascent community of twenty brothers at Taizé. As the Taizé community grew, Berthier continued to compose most of the mini-hymns, canons, and various associated instrumental arrangements, which are now universally known as the Taizé repertoire. In the past two decades this repertoire has become widely used in North American church music in both Roman Catholic and Protestant traditions.
— Bert Polman
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