1 Break now the bread of life, dear Lord, to me,
as once you broke the loaves beside the sea.
Beyond the sacred page I seek you, Lord;
my spirit waits for you, O living Word.
2 Bless your own word of truth, dear Lord, to me,
as when you blessed the bread by Galilee.
Then shall all bondage cease, all fetters fall;
and I shall find my peace, my All in all!
3 You are the bread of life, dear Lord, to me,
your holy word the truth that rescues me.
Give me to eat and live with you above;
teach me to love your truth, for you are love.
4 O send your Spirit now, dear Lord, to me,
that he may touch my eyes and make me see.
Show me the truth made plain within your Word,
for in your book revealed I see you, Lord.
|First Line:||Break now the bread of life|
|Title:||Break Now the Bread of Life|
|Author (st. 1-2):||Mary Artemesia Lathbury (1877, alt.)|
|Author (st. 3-4):||Alexander Groves, 1842-1909|
|Meter:||64 64 D|
|Topic:||Biblical Names & Places: Galilee/Galilean; Bread of Life; Illumination(3 more...)|
|Name:||BREAD OF LIFE|
|Composer:||William F. Sherwin (1877)|
|Meter:||64 64 D|
st. 1-2 = Matt. 14:13-21
st. 3 = John 6:33-35
st. 4 = Matt. 9:27-30, Matt. 20:30-34
Mary A. Lathbury (b. Manchester, NY, 1841; d. East Orange, 1913) is known primarily for two hymns: this one (originally "Break Thou the Bread of Life") and "Day Is Dying in the West." She wrote both at the request of Bishop John H. Vincent for use in the services of the Chautauqua Assembly, well-known in the late nineteenth and early twentieth centuries as a conference center that offered a rich fare of Bible study, Sunday school teaching methods, concerts, and plays. Vincent, the secretary of the Methodist Sunday School Union, founded the Chautauqua Institution on Chautauqua Lake in upper New York State in an effort to educate Sunday school teachers. An assistant to Vincent at the camp, Lathbury was also a well-known writer, editor, and illustrator of children's books. Her literary skills earned her the nickname "Poet Laureate of Chautauqua."
Lathbury wrote stanzas 1 and 2 in 1877; they were first published in Chautauqua Carols (1878). Alexander Groves (b. Newport, Isle of Wight, England, 1842; d. Henleyon-Thames, Oxfordshire, England, 1909) added stanzas 3 and 4 later, and they were first published in the Wesleyan Methodist Magazine (London, Sept. 1913). Groves's career included being a grocer and accountant as well as a trustee, auditor, and actuary for the Henley Savings Bank. He served as organist of the Henley Wesleyan Chapel but later in life became a member of the Anglican Church in Henley.
Some expressions in "Break Now the Bread of Life" may not satisfy everyone in the Reformed community, but these verses were not written to define doctrine in sharp detail. They were intended to be used as a simple prayer for illumination for Bible study groups and in the meetings of the Chautauqua Literary and Scientific Circle. Tradition also calls for the hymn's use during Sunday-evening vespers at the Lake Chautauqua' assembly grounds.
The hymn text draws on biblical images to depict Scripture's role in our lives. Stanzas 1 and 2 recall the breaking and the blessing of the bread at Jesus' feeding of the five thousand. Stanza 3 confesses Christ as the bread of life. Stanza 4 calls for the Spirit's presence and alludes to Christ's healings of various blind people.
A simple prayer for illumination; vespers. (Though it uses the "bread of life" image, this is not ordinarily a hymn for the Lord's Supper.)
--Psalter Hymnal Handbook
William F. Sherwin (PHH 8) composed BREAD OF LIFE in 1877 for the stanzas by Lathbury when he was the music director for the Chautauqua Institution.
A good fit for the hymn text, BREAD OF LIFE is a quiet tune, meditative in tone but with a fine climax in its final phrase. Sing this tune in harmony at a firm tempo.
--Psalter Hymnal Handbook
|MIDI file:||MIDI Preview|
(Faith Alive Christian Resources)
|BREAK NOW THE BREAK OF LIFE (Gray Psalter 282)|
PowerPoint Presentation for Projection
|Ring New Songs to the Lord, Vol. 2 (easy settings of praise and worship songs blended with traditional hymns)||PIANO PRELUDES ON HYMNS AND CHORALES||The Art of Hymn Playing Volume II - Introductions, Preludes, Free Accompaniments, and Alternate Harmonizations|