37. When Evil People Sin

Text Information
First Line: When evil people sin
Title: When Evil People Sin
Versifier: Bert Polman (1985)
Meter: SMD
Language: English
Publication Date: 1987
Scripture:
Topic: Doubt; Trust in God; Afflictions (2 more...)
Source: Christopher Idle, based on a text by
Copyright: Text © 1987, CRC Publications
Tune Information
Name: DINBYCH
Composer: Joseph Parry, 1841-1903
Meter: SMD
Key: c minor


Text Information:

A contrast of the way of the righteous and the way of the ungodly; the wages of the one and the hope of the other.

Scripture References:
st. 1 = vv. 1-6
st. 2 =vv. 7-11
st. 3 = vv. 12-20
st.4=vv.21-26
st. 5 = vv. 27-33
st. 6 = vv. 34-40

In Old Testament wisdom style, Psalm 37 contrasts the way of the wicked and the way of the righteous (see also 1, 34, 49, 73, and 112). Even though the wicked, by their scheming and violence, appear to prosper, it is the righteous, those trusting in the LORD, who will possess the (promised) land. In a series of images, the psalm portrays the wicked in their apparent power and wealth and repeatedly overrides their folly with an image of the lasting salvation of the faithful. Do not envy the wicked; trust in God, says the psalmist (st. 1). Do not fret when wickedness succeeds; wait patiently for the LORD (st. 2). God frustrates the wicked but blesses the righteous (st. 3). The wicked are miserly, but the righteous are generous; God will surely help the righteous (st. 4). The righteous live godly lives, and the LORD will always protect them (st. 5). God's blessing and salvation are reserved for those who trust and obey (st. 6). Reworking an earlier text of Christopher M. Idle (originally prepared for Psalm Praise, 1973), Bert Polman versified this psalm in 1985 for the Psalter Hymnal.

Bert Frederick Polman (b. Rozenburg, Zuid Holland, the Netherlands, 1945) immigrated to Canada in 1955. Trained in hymnology, he was a member of the revision committee that produced the 1987 Psalter Hymnal and is primary author of this companion volume. He was also a member of the editorial committees for The Worshiping Church (1990), Songs for LiFE (1994), and Amazing Grace, Hymn Texts for Devotional Use (1994). Educated at Dordt College, Sioux Center, Iowa, and the University of Minnesota (Ph.D. 1981; dissertation "Church Music and Liturgy in the Christian Reformed Church of North America"), he did postgraduate work at the Institute for Christian Studies in Toronto. Polman has served as organist and choirmaster at Oakland United Methodist Church, Minneapolis (1968-1972), and St. John's Anglican Church, Mississauga, Ontario (1972-1974). He was liturgist of the Campus Worship Community at the University of Toronto and organist at Fellowship Christian Reformed Church, Rexdale, Toronto (1977-1985) while teaching music at Ontario Bible College in Toronto (1975-1985). From 1985 to 1991 Polman was organist at Immanuel Christian Reformed Church in Hamilton, Ontario, and currently holds a similar position at Bethel Christian Reformed Church in nearby Waterdown. Since 1985 he has also taught music at Redeemer College in Ancaster, Ontario. He has served on the editorial council of Reformed Worship, the executive committee of the Hymn Society in the United States and Canada, and the denominational worship committee of the Christian Reformed Church. Despite partial vocal paralysis, Polman is a frequent conference speaker.

Liturgical Use:
Occasions of wisdom teaching contrasting the righteous with the wicked.

--Psalter Hymnal Handbook

Tune Information:

Joseph Parry (PHH 18) composed DINBYCH and named it after the city of Dinbych in northern Wales. The tune first appeared in Llyfr Tonau Cynulleidfaol Cenedlaethol Cymru (The Welsh National Book of Congregational Tunes) which was edited by Parry and published in several parts from 1887 to 1892. DINBYCH appears in the Psalter Hymnal in an abridged form, as found in other English hymnals. This anthem-like tune features a well-designed mix of small and larger intervals and short and longer phrases and is supported by a colorful harmony. Part singing and optional antiphonal performance are appropriate.

--Psalter Hymnal Handbook


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