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Monastery of Our Lady of the Rosary (Summit, N.J.)

Person Name: DNS Harmonizer of "HUNGARIAN TUNE" in The Summit Choirbook The Monastery of Our Lady of the Rosary is a Dominican convent in Summit, New Jersey. It was founded in 1919.

Robert C. Marquis

Person Name: Rev. Robt. C. Marquis Composer of "[Sing, with all the sons of glory]" in The School Hymnal

Kenneth Mackenzie

1853 - 1943 Person Name: K. Mackenzie, Jr. Composer of "[Sing with all the sons of glory]" in The Church School Hymnal with Tunes Mackenzie, Kenneth. (1853--1943). Scholarly Episcopal clergyman and close friend of A.B. Simpson throughout his entire ministry. Was one of the first to stand on his platform in 1883. Author of a number of books and instructor at Nyack over the years. Paid high tribute to Captain R. Kelso Carter and May Agnew Stephens for their aid to Simpson in his musical ministry. Was himself talented in music. Wrote words and music for two hymns in 1908 edition of Hymns of the Christian Life and music for four others. Some favorites: Behold I Stand at the Door and Knock Here Am I, O Lord I Choose Thee, Blessed Will of God Oh Come, Emanuel Rise Crowned with Light Sing with All the Sons of Glory --Paul Milburn, DNAH Archives

Alexander Campbell Mackenzie

1847 - 1935 Person Name: A. C. Mackenzie Composer of "[Sing, with all the sons of glory]" in The Westminster Abbey Hymn-Book

H. Elliot Button

1861 - 1925 Composer of "SURSUM VOCES" in Church Hymns and Tunes Born: August 8, 1861, Clevedon, Somerset, England. Died: Circa August 1925, Hampstead, England. Button’s father was master of a private school, and excelled as an organist. Elliot was a self taught musician, and besides being solo alto at Holy Trinity Church, Upper Chelsea, was a pianist, organist, and violinist. He was also at one time was an editor for the Novello publishing company. He harmonized a number of tunes in The Primitive Meth­od­ist Hymnal Supplement with Tunes (London: Primitive Methodist Publishing House, 1912), and edited the third series of the Bristol Tune Book. Sources: Cowan, p. 201 © The Cyber Hymnal™. Used by permission. (www.hymntime.com)

Albert Lowe

Composer of "PRAISE" in The Hymnal for Young People

Joseph Irons

1785 - 1852 Person Name: J. Irons Author of "Sing, with all the sons of glory" in The Westminster Abbey Hymn-Book Irons, Joseph, son of William Irons, of Ware, was born at Ware, Nov. 1785, and was for some years the friend of John Newton when the latter was Rector of St. Mary, Woolnoth, and an attendant upon his ministry. On the death of Newton, Irons joined the Nonconformists, and was for some time Pastor of a Nonconformist Chapel at Sawston, and then of the Grove Chapel, Camber well, London. He died April 3, 1852. J. Irons's reputation as a preacher amongst the Nonconformists was very great. His sermons were intensely Calvinistic and very powerful; and the perorations, not unfrequently in poetical blank verse, were most striking and effective. His hymns are powerful, and at times poetical, but from their strong Calvinistic teaching have failed to become popular. They were published for use by his own congregation, and until several were adopted by Spurgeon in his Our Own Hymn Book, 1866, and Snepp in his Songs of Grace & Glory, 1872, were seldom found in any other collection for congregational use. J. Irons's poetical works, including those in which his hymns appeared, were:— (1) Zion's Hymns intended as a Supplement to Dr. Watts's Psalms and Hymns. Printed for the Author by G. Youngman, Saffron Walden, 1816. This edition contained 247 hymns. It was enlarged, 2nd ed., 1819,; 3rd ed., 1825; 5th ed., 1827 (611 hymns). The title was afterwards changed to Zion's Hymns, for the use of Zion's Sons and Daughters. (2) Nymphas. Bride and Bridegroom communing. A Paraphrastic Exposition of The Song of Solomon, in Blank Verse, 1840; (3) Judah. The Book of Psalms Paraphrased in Spiritual Songs for Public Worship, 1847; and (4) Calvary. A Poem in Blank Verse. From his Zion's Hymns, the following hymns, in addition to a few annotated under their respective first lines, are in common use:— i. From the 1st edition, 1816:-— 1. Hark, 'tis the Shepherd's voice. The Good Shepherd. 2. Holy Spirit, heavenly Dove. Before Sermon. 3. Jehovah's love first chose His Saints. The Father's Love. 4. Precious Bible, what a store. Holy Scriptures. 5. See from Zion's fountain rises. The Water of Life. 6. Zion, beloved of God. The Church the Bride of Christ. ii. From the 2nd edition, 1819 :— 7. In yonder realms where Jesus reigns. The heavenly Mansions. 8. O the happiness arising. Happiness in Christ. 9. What boundless and unchanging love. The Father's Love. iii. From the 3rd edition, 1825:— 10. Are the saints predestinated? Predestination. 11. Arise, my soul, with songs to own. Praise for Covenanting grace. 12. Aspire, my soul, to yonder throne. The Father Infinite. 13. Awake, awake, ye saints of God. Holiness of the Church desired. 14. Father, we glory in Thy choice. Holy Trinity. 15. For ever, 0 delightful word. Praise of God everlasting. 16. Hark, how the choir around the throne. Triumphs of Grace. 17. Hark, how the glorious hosts above. The Church Triumphant. 18. Holy Father, let Thy love. Holy Trinity. 19. How safe are all the chosen race. Final Perseverance. 20. I sing the gracious, fixed decree. Predestination. 21. Jesus saw His Church elected. The Church the Bride of Christ. 22. Let party names no more be known. Unity desired. 23. Now let Jehovah's covenant love. Saints precious to Jesus. 24. O my Lord, how great Thy wonders. Praise for Redemption. 25. Of Israel's covenant I boast. Praise for Covenanting Grace, 26. One with Christ, 0 blissful thought. Union with Christ. 27. Praying soul, dismiss thy fear. Christ the Intercessor. 28. Rising on the One Foundation. The Church the Temple of the Holy Spirit. 29. We sing the Father's Love. Holy Trinity. His paraphrases of the Psalms given in his Judah, &c, 1847, are almost unknown to modern hymn-books. The following are in common use:- 30. My heart expands with good enditing. Ps. xlv. This is given in Spurgeon's Our Own Hymn Book., 1866, as "Warm with love my heart's inditing." 31. My soul lies grovelling low. Ps. cxix. 32. O give thanks unto the Lord. Ps. cvii. Although the use of these hymns is mainly confined to Spurgeon and Snepp, a few are found in other collections both in Great Britain and America. --John Julian, Dictionary of Hymnology (1907)

Joseph W. Lerman

1865 - 1935 Person Name: J. W. Lerman Author (Refrain) of "Our Redeemer Lives Again" in Hymns We Love, for Sunday Schools and All Devotional Meetings Born: December 23, 1865, London (possibly Bethnal Green), England. Died: October 24, 1935, Brooklyn, New York. Lerman emigrated to America as a child (he does not appear in the 1871 British census), and was a member of the Olivet Memorial Church in New York City. He played the organ there (1880-1908), and later at the Sixth Avenue Baptist Church, Borough Park Christian Church, and Fourth Avenue Methodist Church, all in Brooklyn. He wrote a considerable amount of church and Sunday School music, and served as musical editor for the Tullar-Meredith Company of New York City, and the Theodore Pressure Company of Philadelphia, Pennsylvania. Sources-- Hughes, p. 472 Reynolds, p. 336 --www.hymntime.com/tch

S. M. Bixby

1833 - 1912 Composer of "IRONS" in Gloria Deo Samuel M. Bixby was born on May 27, 1833 in Ha­ver­hill, New Hamp­shire. His com­pa­ny, S. M. Bixby & Company, man­u­factured shoe black­ings and shoe dress­ings, but mu­sic was his pas­sion. He was al­so a Sun­day school su­per­in­ten­dent and choir lead­er. He died on March 11, 1912 in Ford­ham, New York. His works in­clude: Church and Home Hym­nal, cir­ca 1893 Evangel Songs, cir­ca 1894 Gloria Deo: A Col­lec­tion of Hymns and Tunes for Pub­lic Wor­ship in All De­part­ments of the Church (New York: Funk & Wag­nalls Com­pa­ny, 1901) NN, Hymnary. Source: http://www.hymntime.com/tch/bio/b/i/x/bixby_sm.htm

William Bradley Roberts

b. 1947 Person Name: William B. Roberts, b. 1947 Composer of "MISSISSIPPI " in With One Voice William Bradley Roberts is currently Professor Emeritus of Church Music at Virginia Theological Seminary and Director of Chapel Music. He retired in December 2019. He received the Bachelor of Arts degree from Houston Baptist University with double majors in Voice and Music Education. He received the degrees Master of Church Music and Doctor of Musical Arts from Southern Seminary (Louisville, Ky.) with an emphasis in Conducting and Voice. His doctoral dissertation is entitled Darius Milhaud, His Life and Choral Works with Biblical Texts: A Conductor’s Study. Roberts was ordained in the Baptist Church in 1971. Prior to his coming to Virginia Seminary, he was an Episcopal church musician for thirty-three years, the most recent position being St. John’s, Lafayette Square, Washington, D.C. Before coming to St. John’s, he held similar posts in Tucson, Ariz., Newport Beach, Calif., Louisville, Ky., and Houston, Tex. He has taught on the music faculties of Indiana University Southeast, Southern Seminary, Mars Hills College and Louisville Presbyterian Seminary. Roberts is a composer with works published by Augsburg-Fortress, G.I.A., Hope, Paraclete, St. James Music Press and Selah. His hymns and other music for worship appear in several volumes including the hymnals of the Evangelical Lutheran Church and the Lutheran Church, Missouri Synod and various collections of Church Publishing Inc. He has composed on commissions from a number of schools, churches and individuals. Dr. Roberts has had articles published in the Journal of the Association of Anglican Musicians(AAM), the Journal of the Association of Diocesan Liturgy and Music Commissions, (ADLMC) and The Living Church. An upcoming book, Rise Up, Shepherd: Clergy Building Vibrant Congregations Through Music, will be released by Church Publishing Inc. in the summer of 2009. Roberts was chair of the Episcopal Church’s Standing Commission on Church Music and a founding board member and chair of the Leadership Program for Musicians. Currently he is a member of the boards of the Seminary Music Initiative, the Anglican Musicians’ Mentoring Project, and Melodious Accord, a non-profit organization that promotes the work of composer Alice Parker. He was on the New Music Commissions Committee for the 2010 national convention of the American Guild of Organists. Active as a leader at conferences and workshops, Roberts has made presentations in the Episcopal dioceses of Dallas, East Carolina, Los Angeles, Maryland, Massachusetts, Mississippi, Nebraska, Pennsylvania, Southern Virginia, Texas, Utah, Vermont, Virginia and Western New York. William Bradly Roberts

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