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Person Results

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Hymnal, Number:ehie1931
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Showing 231 - 240 of 335Results Per Page: 102050

Charles J. L. Clark

Person Name: C. J. Clark Hymnal Number: 466 Composer of "JESUCRISTO DESCENDIO" in El Himnario para el uso de las Iglesias Evangelicas de Habla Espanola en Todo el Mundo

Frederick H. Cheeswright

Person Name: F. H. Cheeswright Hymnal Number: 81 Composer of "SHACKELFORD" in El Himnario para el uso de las Iglesias Evangelicas de Habla Espanola en Todo el Mundo Late 19th Century "Mr. Frederick H. Cheeswright, a prominent musician in New York, and better known to us locally as director of the North Shore Choral Club..." --www2.portnet.k12.ny.us/schreibertimes/1927-1928

Robert Schumann

1810 - 1856 Person Name: R. Schumann Hymnal Number: 242 Arreg. de of "CANONBURY" in El Himnario para el uso de las Iglesias Evangelicas de Habla Espanola en Todo el Mundo Robert Alexander Schumann DM Germany 1810-1856. Born at Swickau, Saxony, Germany, the last child of a novelist, bookseller, and publisher, he began composing music at age seven. He received general music instruction at the local high school and worked to create his own compositions. Some of his works were considered admirable for his age. He even composed music congruent to the personalities of friends, who took note of the anomaly. He studied famous poets and philosophers and was impressed with the works of other famous composers of the time. After his father’s death in 1826, he went to Leipzig to study law (to meet the terms of his inheritance). In 1829 he continued law studies in Heidelberg, where he became a lifelong member of Corps Saxo-Borussia Heidelberg. In 1830 he left the study of law to return to music, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, assured him he could become the finest pianist in Europe, but an injury to his right hand (from a practicing method) ended that dream. He then focused his energies on composition, and studied under Heinrich Dorn, a German composer and conductor of the Leipzig opera. Schumann visited relatives in Zwickau and Schneeberg and performed at a concert given by Clara Wieck, age 13 at the time. In 1834 he published ‘A new journal for music’, praising some past composers and deriding others. He met Felix Mendelssohn at Wieck’s house in Leigzig and lauded the greatness of his compositions, along with those of Johannes Brahms. He also wrote a work, hoping to use proceeds from its sale towards a monument for Beethoven, whom he highly admired. He composed symphonies, operas, orchestral and chamber works, and also wrote biographies. Until 1840 he wrote strictly for piano, but then began composing for orchestra and voice. That year he composed 168 songs. He also receive a Doctorate degree from the University of Jena that year. An aesthete and influential music critic, he was one of the most regarded composers of the Romantic era. He published his works in the ‘New journal for music’, which he co-founded. In 1840, against the wishes of his father, he married Clara Wieck, daughter of his former teacher, and they had four children: Marie, Julie, Eugenie, and Felix. Clara also composed music and had a considerable concert career, the earnings from which formed a substantial part of her father’s fortune. In 1841 he wrote 2 of his 4 symphonies. In 1843 he was awarded a professorship in the Conservatory of Music, which Mendelssohn had founded in Leipzig that same year, When he and Clara went to Russia for her performances, he was questioned as to whether he also was a musician. He harbored resentment for her success as a pianist, which exceeded his ability as a pianist and reputation as a composer. From 1844-1853 he was engaged in setting Goethe’s Faust to music, but he began having persistent nervous prostration and developed neurasthenia (nervous fears of things, like metal objects and drugs). In 1846 he felt he had recovered and began traveling to Vienna, Prague, and Berlin, where he was received with enthusiasm. His only opera was written in 1848, and an orchestral work in 1849. In 1850 he succeeded Ferdinand Hiller as musical director at Dusseldorf, but was a poor conductor and soon aroused the opposition of the musicians, claiming he was impossible on the platform. From 1850-1854 he composed a wide variety of genres, but critics have considered his works during this period inferior to earlier works. In 1851 he visited Switzerland, Belgium, and returned to Leipzig. That year he finished his fourth symphony. He then went to Dusseldorf and began editing his complete works and making an anthology on the subject of music. He again was plagued with imaginary voices (angels, ghosts or demons) and in 1854 jumped off a bridge into the Rhine River, but was rescued by boatmen and taken home. For the last two years of his life, after the attempted suicide, Schumann was confined to a sanitarium in Endenich near Bonn, at his own request, and his wife was not allowed to see him. She finally saw him two days before he died, but he was unable to speak. He was diagnosed with psychotic melancholia, but died of pneumonia without recovering from the mental illness. Speculations as to the cause of his late term maladies was that he may have suffered from syphilis, contracted early in life, and treated with mercury, unknown as a neurological poison at the time. A report on his autopsy said he had a tumor at the base of the brain. It is also surmised he may have had bipolar disorder, accounting for mood swings and changes in his productivity. From the time of his death Clara devoted herself to the performance and interpretation of her husband’s works. John Perry

V. de Castro G.

Hymnal Number: 298 Author of "A Ti, nuestro Padre, dador de mercedes" in El Himnario para el uso de las Iglesias Evangelicas de Habla Espanola en Todo el Mundo

Henri F. Hemy

1818 - 1888 Person Name: H. F. Hemy Hymnal Number: 144 Composer of "SANTA CATALINA" in El Himnario para el uso de las Iglesias Evangelicas de Habla Espanola en Todo el Mundo Henri F. Hemy, born in the United Kingdom. Hemy spent time at sea as a young man, emigrating to Australia in 1850 with his family. Unable to make a decent living in Melbourne, he returned to Newcastle England. He was organist at St. Andrews Roman Catholic Church in Newcastle, later teaching professor of music at Tynemouth and at St. Cuthbert's College in Durham. He was pianist to Lord Ravensworth, Music Director of Ushaw College, and his orchestra played at fashionable venues in the region. He sang baritone as well. He composed waltzes, polkas, quadrilles, and galops. 3 music works: Easy Hymn Tunes for Catholic Schools; Royal Modern Tutor for Pianoforte; Crown of Jesus. He was active in local politics and published a manifesto in the daily newspaper. He lost a ward election. He also painted artwork. He set most of Longfellow's works to music. John Perry

F. Ambresin

1822 - 1899 Hymnal Number: 182 Composer of "VICTORIA" in El Himnario para el uso de las Iglesias Evangelicas de Habla Espanola en Todo el Mundo

Frank G. Ilsley

1831 - 1887 Person Name: F. A. Ilsley Hymnal Number: 164 Composer of "ILSLEY" in El Himnario para el uso de las Iglesias Evangelicas de Habla Espanola en Todo el Mundo Born: Circa 1831, Maine. As of 1880, Ilsley was teaching music in Newark, New Jersey. --www.hymntime.com/tch

Ramón Bon

Person Name: R. Bon Hymnal Number: 380 Author of "Prontamente corre a El" in El Himnario para el uso de las Iglesias Evangelicas de Habla Espanola en Todo el Mundo

Julian Castro

Person Name: J. Castro Hymnal Number: 415 Author of "Con cariño sin igual" in El Himnario para el uso de las Iglesias Evangelicas de Habla Espanola en Todo el Mundo

Lewis H. Redner

1831 - 1908 Person Name: L. H. Redner Hymnal Number: 90 Composer of "SAN LUIS" in El Himnario para el uso de las Iglesias Evangelicas de Habla Espanola en Todo el Mundo Lewis Henry Redner (1831-1908) was born in Philadelphia, where he became a real estate agent and served on weekends as an organist and Sunday School Superintendent. He spent nineteen years at Holy Trinity church where Phillips Brooks was rector, and is credited with increasing attendance at the Sunday School from thirty-one to more than a thousand. In 1868 Brooks asked him to write a tune for his new text for children inspired by his recent trip to Bethlehem. Redner composed the tune the night before it was to be sung in worship on Sunday morning. The text and tune were first published in 1894 in The Church Porch, where the tune was named ST. LOUIS, possibly after the composer’s name. Redner is remembered today because of this one tune that has remained a Christmas favorite. Emily Brink

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