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RESPITE

Meter: 7.7.7.7 Appears in 1 hymnal Composer and/or Arranger: Jenny McLeod, 1941- Topics: Alienation Tune Key: C Major Incipit: 13555 65154 44543 Used With Text: In the Quiet of This Day

[In my weekness I have strayed]

Appears in 23 hymnals Composer and/or Arranger: Antonin Dvorak, 1841-1904; Lori True, b. 1961 Topics: Alienation Tune Key: C Major Incipit: 35532 12353 23553 Used With Text: Quietly, Peacefully

LESLIE

Meter: 8.7.8.7 D Appears in 4 hymnals Composer and/or Arranger: Franklyn S. Weddle, 1905-1992; Evan A. Fry, 1902-1959 Topics: Alienation Tune Key: G Major or modal Incipit: 17651 43323 51432 Used With Text: Arabs, Romans, Jews, and Gentiles

[Day and night I cry to you, my God]

Appears in 5 hymnals Composer and/or Arranger: Joseph Gelineau, SJ; Chysogonus Waddell, OCSO; Suzanne Toolan, SM Topics: Alienation Tune Key: C Major Incipit: 11212 33 Used With Text: Psalm 88: Day and Night

DREAM ANGUS

Meter: Irregular Appears in 9 hymnals Composer and/or Arranger: John L. Bell, b. 1949 Topics: Alienation Tune Sources: Scottish folk song Tune Key: G Major or modal Incipit: 56132 16532 35532 Used With Text: A Touching Place

[We long to play our harps]

Appears in 2 hymnals Composer and/or Arranger: Paul A. Tate, b. 1968 Topics: Alienation Tune Key: A Major Incipit: 17154 43171 57121 Used With Text: By the Waters of Babylon

[When Jesus worked here on earth]

Appears in 11 hymnals Composer and/or Arranger: Almaz Belihu Topics: Alienation Tune Sources: Yemissrach Dimts Literature Program, Ethiopia Tune Key: F Major or modal Incipit: 56123 11562 16556 Used With Text: Good News