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Abraham Reincke Beck

1833 - 1928 Person Name: Abraham Reinke Beck, 1833-1928 Composer of "BECK" in Hymnal and Liturgies of the Moravian Church Abraham Reincke Beck (1833–1928) was an educator and prominent community member in Lititz, Pennsylvania. He ran the Beck Family School for boys in Lititz from 1865 to 1895. He was the author of The Moravian Graveyards of Lititz, Pa., 1744–1905 published by Penn State University Press in 1905. NN, Hymnary editor. Source: www.psupress.org/books/

Joseph Barnby

1838 - 1896 Composer of "JUST AS I AM" in The Hymnal Joseph Barnby (b. York, England, 1838; d. London, England, 1896) An accomplished and popular choral director in England, Barnby showed his musical genius early: he was an organist and choirmaster at the age of twelve. He became organist at St. Andrews, Wells Street, London, where he developed an outstanding choral program (at times nicknamed "the Sunday Opera"). Barnby introduced annual performances of J. S. Bach's St. John Passion in St. Anne's, Soho, and directed the first performance in an English church of the St. Matthew Passion. He was also active in regional music festivals, conducted the Royal Choral Society, and composed and edited music (mainly for Novello and Company). In 1892 he was knighted by Queen Victoria. His compositions include many anthems and service music for the Anglican liturgy, as well as 246 hymn tunes (published posthumously in 1897). He edited four hymnals, including The Hymnary (1872) and The Congregational Sunday School Hymnal (1891), and coedited The Cathedral Psalter (1873). Bert Polman

Thomas Levi

1825 - 1916 Person Name: Parch Thomas Levi Translator of "Fel, fel yr wyf, 'n awr atat Ti (Just as I am, without one plea)" in Cân a Mawl LEVI,THOMAS (1825-1916), Calvinistic Methodist minister, editor of Trysorfa y Plant, and author; born 12 Oct. 1825 at Penrhos near Ystradgynlais, son of John and Prudence Levi. He received his early education at a school kept by an old soldier at Ystradgynlais, and later, while still a boy, worked at Ynyscedwyn iron works. About 1846 he began to preach at Cwmgïedd chapel, Ystradgynlais. He was minister of Capel yr Ynys, Ystradgynlais, about 1855-60, of Philadelphia, Morriston, 1860-76, and of Tabernacle, Aberystwyth, 1876-1901. He married (1), Elizabeth Daniel of Cwmgïedd (d. 1871), and (2), 1873, Margaret, youngest daughter of Hugh and Catherine Jones of Coedmadoc, Tal-y-sarn, Caerns. He began his literary labours in 1853 and wrote thirty books. Today, the best known are: Hanes Prydain Fawr, 1862; Bywyd a Theithiau Livingstone, 1857; Gweddiau Teuluaidd, 1863; Hanesion y Beibl, 1870; Casgliad o Hen Farwnadau, 1872; Hanes y Beibl Cymraeg, 1876; Traethodau Bywgraffyddol, 1882 and after, published in a single volume entitled Cedyrn Cymru; Canmlwyddiant yr Ysgol Sabbothol, 1885. He also translated sixty books from English into Welsh, including Yr Anianydd Cristionogol1859; Crist a Gwroniaid y Byd Paganaidd, 1887. He co-operated with Dr. Joseph Parry in the production of ‘Cantata yr Adar,’ 1873; ‘Cantata Joseph,’ 1885; Hymnau a Thonau yr Ysgol Sabbothol, 1887, etc. But his chief literary achievement was the starting of Trysorfa y Plant, and its regular production every month for half a century- 1862-1911. Although this periodical was produced under the patronage of the Calvinistic Methodists, it was popular with every denomination. The circulation of Trysorfa y Plant, which ultimately reached 44,000 a month, was greater than had ever been known in Wales before. Its income was so great that it paid the entire cost of production of Y Drysorfa and Y Traethodydd. It was read by Welshmen all over the world and in it were published some of the earliest poems of Islwyn, Ceiriog, and others. Levi was moderator of the C.M. General Assembly in 1883 and of the South Wales Association in 1887. He played a prominent part in the setting up of monuments to Daniel Rowland, Thomas Charles, Williams of Pantycelyn, and bishop Morgan. He continued to preach until 1910 and to edit Trysorfa y Plant until 1911. He was nearly 91 when he d. 16 June 1916. A list of his original works and of his translations of hymns was prepared at the request of the N.L.W., and this list will be found in that Library. Bibliography: Personal knowledge. Thomas Arthur Levi, M.A., B.C.L., Ll.B., (1875-1954), Aberystwyth http://wbo.llgc.org.uk/en/s-LEVI-THO-1825.html

H. W. Fairbank

Composer of "CLARK" in Hymn and Tune Book Late 19th Century Fairbank’s works include: Hymn and Tune Book for Schools and Colleges (editor) (Chicago, Illinois: S. R. Winchell & Company, 1888) The Sunlight of Song (editor) (Chicago, Illinois: Lyon & Healy, 1890) The Sunday School Musical Quarterly (editor) (Chicago, Illinois: Fairbank & Rolison, 1894) Hymn and Tune Book (editor) (Chicago, Illinois: H. W. Fairbank Publishing Company, 1903) The Message in Song (editor) (Chicago, Illinois: Hope Publishing Company, 1903 Music: EASTER OFFERINGS --www.hymntime.com/tch

J. Summers

1843 - 1916 Composer of "ST. FABIAN" in Hymns of Consecration and Faith

Evelyn Simpson-Curenton

b. 1953 Person Name: Evelyn Simpson-Curenton, b. 1953 Adapter of "JUST AS I AM" in African American Heritage Hymnal Evelyn Simpson Curenton (born 1953) is a leading African-American composer, pianist, organist, and vocalist. Simpson Curenton began piano lessons at age 5, began to perform with the Singing Simpsons of Philadelphia, a family group, and earned a B.M., Music Education and Voice from Temple University. She has been commissioned to write works for the American Guild of Organists, George Shirley, the late Duke Ellington, and her sister, the late Joy Simpson, arranged music for Kathleen Battle, Jessye Norman, and the Porgy and Bess Chorus of the New York Metropolitan Opera, and has performed with musical organizations such as Philadelphia's National Opera Ebony (later renamed Opera North). Based in the Washington, D.C., area, Curenton is Music Director of the Washington Performing Arts Society's Men and Women of the Gospel and an associate of the Smithsonian Institution. She has given lectures and participated in workshops on early 18th-century black religious music and the music of African-Americans during the Civil Rights era. --en.wikipedia.org

Anonymous

Person Name: Anon. Translator (Korean) of "Just as I Am, without One Plea" in Glory to God In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Edward G. Taylor

1830 - 1887 Person Name: E. G. T. Composer of "[Just as I am, without one plea]" in Our Song Book Taylor, Edward G. (Fox Chase, Philadelphia, Pennsylvania, November 25, 1830--April 10, 1887, Buffalo, New York). University of Lewisburgh, 1854; Rochester Theological Seminary, 1856. Pastorates at Terre Haute, Indiana, 1857-1860; Cincinnati, Ohio, 1860-1864; Chicago, Illinois, 1864-1870; New Orleans, Louisiana, 1870-1875; Providence, Rhode Island, 1875-1881; New York, 1881-1882; Newark, New Jersey, ?; Buffalo, N.Y., 1885-1887. Taylor was the author of a large number of hymns for use in Sunday schools. In the Service of Song for Social Meetings (1881) is one of his hymns that begins "Deal kindly with my master," with music by George W. Stebbins. Stebbins also composed music for Taylor's "Not saved are we by trying." For most of his hymns, Taylor composed the music as well as the words. Among these are the following: Able to save the uttermost is he All my trust is in Thee, Jesus Arise and be doing, the Lord be with Thee Calleth the Savior in tones of love Glad the ransomed of Jehovah O Lord from thy dwelling place hear our hearts say One thing I know, I was blind but now see Serve the Lord with willing mind Thank God for the Bible, more precious than gold The happy morn has dawned at last Trust him sinner, trust him now Why sit we here until we die Wine is a mocker, and strong drink is raging One hymn is a rendering into verse of Samuel 2:9, "At the King's table the kindness of God." --Alan Wingard, DNAH Archives

Edmund S. Lorenz

1854 - 1942 Person Name: E. S. Lorenz Composer of "[Just as I am, without one plea]" in Women's New Gospel Quartets Pseudonymns: John D. Cresswell, L. S. Edwards, E. D. Mund, ==================== Lorenz, Edmund Simon. (North Lawrence, Stark County, Ohio, July 13, 1854--July 10, 1942, Dayton, Ohio). Son of Edward Lorenz, a German-born shoemaker who turned preacher, served German immigrants in northwestern Ohio, and was editor of the church paper, Froehliche Botschafter, 1894-1900. Edmund graduated from Toledo High School in 1870, taught German, and was made a school principal at a salary of $20 per week. At age 19, he moved to Dayton to become the music editor for the United Brethren Publishing House. He graduated from Otterbein College (B.A.) in 1880, studied at Union Biblical Seminary, 1878-1881, then went to Yale Divinity School where he graduated (B.D.) in 1883. He then spent a year studying theology in Leipzig, Germany. He was ordained by the Miami [Ohio] Conference of the United Brethren in Christ in 1877. The following year, he married Florence Kumler, with whom he had five children. Upon his return to the United States, he served as pastor of the High Street United Brethren Church in Dayton, 1884-1886, and then as president of Lebanon Valley College, 1887-1889. Ill health led him to resign his presidency. In 1890 he founded the Lorenz Publishing Company of Dayton, to which he devoted the remainder of his life. For their catalog, he wrote hymns, and composed many gospel songs, anthems, and cantatas, occasionally using pseudonyms such as E.D. Mund, Anna Chichester, and G.M. Dodge. He edited three of the Lorenz choir magazines, The Choir Leader, The Choir Herald, and Kirchenchor. Prominent among the many song-books and hymnals which he compiled and edited were those for his church: Hymns for the Sanctuary and Social Worship (1874), Pilgerlieder (1878), Songs of Grace (1879), The Otterbein Hymnal (1890), and The Church Hymnal (1934). For pastors and church musicians, he wrote several books stressing hymnody: Practical Church Music (1909), Church Music (1923), Music in Work and Worship (1925), and The Singing Church (1938). In 1936, Otterbein College awarded him the honorary D.Mus. degree and Lebanon Valley College the honorary LL.D. degree. --Information from granddaughter Ellen Jane Lorenz Porter, DNAH Archives