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John Campbell Shairp

1819 - 1885 Person Name: John C. Shairp Author of "'Twixt gleams of joy and clouds of doubt" in Hymns of the Spirit for Use in the Free Churches of America Shairp, John Campbell, LL.D., s. of Major Norman Shairp, was b. at Houstoun, West Lothian, July 30, 1819; student at the Univ. of Glasgow 1836-9; Snell Exhib., Balliol College Ox., 1840, and Newdigate Prize 1842. For a time he was assistant master at Rugby, then Professor of Latin at St. Andrews 1861; Principal of the United Coll., St Andrews, 1868, and Prof, of Poetry, Oxford, 1877. He died at Ormsary, Argyllshire, Sept. 18, 1885. The LL.D. was conferred upon him by the University of Edinburgh in 1884. His hymn:— Twixt gleams of joy and clouds of doubt. [God the Unchangeable.] Appeared in his Glen Desseray and other Poems, 1888, p. 265, and marked as having been written in 1871. It is in several collections, especially in America (e.g. The Pilgrim Hymnal, 1904). Also in Horder's Worship Song, 1905. The cento, "Let me no more my comfort draw," in Sursum Corda, 1898, is from this hymn. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Flossette Du Pasquier

Person Name: Flossete Du Pasquier Translator (French) of "The head that once was crowned with thorns" in Cantate Domino

M. M. Bridges

1863 - 1949 Person Name: M. M. B. Arranger of "[Hark the glad sound! the Saviour comes]" in Hymns

J. Clark

Composer of "NOTTINGHAM" in Laudes Domini

Wilhelm Horkel

Translator (German) of "The head that once was crowned with thorns" in Cantate Domino

James E. Clarkes

Person Name: J. Clarke, 1670—1707 Composer of "[Hark the glad sound!]" in The Lutheran Hymnary

David Mowbray

b. 1938 Person Name: David Mowbray, b. 1938 Paraphraser of "Psalm 90: God Everlasting" in Sing! A New Creation David Mowbray (b. 1938) was born in Wallington, Surrey, England. He attended Dulwich College, Fitzwilliam, Cambridge where he read English. He gained an MA at Trinity in Bristol and a BD at London (External). Ordained in the Church of England, he was a curate at St. Giles in Northampton and at St. Mary's in Walford. Appointed Vicar of Broxborne, Herts in 1970 in 1984, he became Vicar of All Saints, Hertfordshire. In 1991 he became Vicar of St. Matthew's Darley Abbey, Derby, where he serves to this day. He has been writing hymns since 1977 and most of his texts are represented by Jubilate Hymns. Three of his hymn texts have been included in Hope's new hymnal Worship & Rejoice (2001). --www.hopepublishing.com

Alexander Pope

1688 - 1744 Author of "To Thee, whose temple is all space" in Hymns of the Kingdom of God Alexander Pope was born in London, in 1688. His parents were Roman Catholics. He had a feeble constitution, was deformed in person, and attained the age of only fifty-six. He early acquired the means of independence by his literary gifts, and purchased his celebrated villa at Twickenham, whither he went to reside at the age of thirty. Of his many published works, his translation of the "Iliad" and "Odyssey" of Homer has given him the greatest reputation. As an English satirist, also, he stands very high. Nearly all his works, however, are imitations. He died at Tickenham, in 1744. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872 ======== Pope, Alexander, the poet, son of a wholesale linen merchant in Lombard Street, London, was born in Plough Court, Lombard Street, May 21, 1688. His father being a Roman Catholic, he was first placed under the charge of Father Taverner, who taught him the rudiments of Greek and Latin. Later he attended a school at Winchester, and then at Hyde Park Corner. When about twelve he retired with his parents to Binfield, in Windsor Forest, and from thenceforth his education was mainly in his own hands. His subsequent success as a writer and poet is a matter of history, and has been dealt with in detail by Dr. Johnson in his Lives of the Poets, and by others. He died May 30, 1744, and was buried in a vault in Twickenham Church. For distinct public use, so far as we are aware, Pope wrote no hymns. His "Messiah"; his "Universal Prayer"; and his "Vital Spark" (q.v.), have been made use of for congregational purposes, but as a Roman Catholic he had no object in writing a hymn in a language which, at that time, his Church would refuse to use. In modern hymn-books his name is identified with the following pieces:-- 1. Father of all, in every age. Universal Prayer. The Lord's Prayer. This Prayer was published in 1738, as a conclusion to his Essay on Man, in 13 st. of 4 1. Warburton in his Advertisement of the 1748 ed. of the Essay, says:— "Concerning the Universal Prayer which concludes the Essay, it may be proper to observe that some pas¬sages in the Essay having been unjustly suspected of a tendency towards Fate and Naturalism, the author composed that Prayer as the sum of all, to show that hi a system was founded in Freewill, and terminated in Piety: that the First Cause was as well the Lord and Governor as the Creator of the Universe; and that by submission to His will (the great principle enforced throughout the Essay) was not meant the suffering ourselves to be carried along with a blind determination; but a religious acquiescence, and confidence full of hope and immortality. To give all this the greater weight and reality, the Poet chose for his model The Lord's Prayer, which of all others best deserves the title prefixed to his Paraphrase." The title here referred to is "The Universal Prayer, Deo Opt. Max." The hymn is found in common use in the following forms:— (1.) Father of all in every age. This is an abbreviated form, and has been in use, especially in Unitarian hymnbooks, from an early date. (2.) Father of all, [and] Thou God of love. This cento was given in 6 st. of 4 1. in the 1815 edition of Cotterill's Selections, No. 2; again in the 1819 ed., 141; in Stowell's Psalms & Hymns, 1831, No. 179; and again in later collections. (3.) Not to this earth's contracted span. In Collyer's Collection 1812, No. 629, in 4 st. of 4 1., and others. (4.) Teach me to feel another's woe. Also in Collyer's Collection, 1812, No. 630, in 4 st. of 4 1., and others. (5.) Thou Great First Cause, least understood. Also in Collyer's Collection, 1812, No. 628, in 4 st. of 4 1., and later hymnals. (6.) When I am right Thy grace impart. Given in Kennedy, 1863, No. 1166. 2. Ye nymphs of Solyma! begin the song. The Messiah. In No. 378 of the Spectator for Wednesday, May 14, 1712, Addison gave this poem with the introduction :— "I will make no apology for entertaining the reader with the following poem, which is written by a great genius, a friend of mine, in the country, who is not ashamed to employ his wit in the praise of his Maker." Then follows the poem with the heading, “Messiah. A Sacred Eclogue, composed of several passages of Isaiah the Prophet. Written in imitation of Virgil's Pollio." It consists of 107 lines. When republished by Pope this heading was expanded into a paragraph as an "Advertisement." As a poem it is unknown to the hymn-book; but from it the following centos have passed into common use:-- (1.) As the Good Shepherd tends his fleecy care. This was given in Collyer's Collection, 1812, No. 626, in 6 st. of 4 1., and has been repeated in later hymnals, but usually in an abridged form. (2.) From Jesse's root, behold a branch arise No. 624 in Collyer's Collection, 1812, in 5 st. of 4 1.; and again in later hymnals. (3.) Hark! a glad voice the lonely desert cheers. No. 625 in Collyer's Collection, 1812, in 4 st. of 4 1.; in Bishop Heber's posthumous Hymns, &c, 1827, p. 106; and again in later collections. (4.) Rise crowned with light, imperial Salem rise. In the Leeds Hymn Book, 1853, No. 687, in 3 st. of 8 1., and several later collections. (5.) The Saviour comes! by ancient seers foretold. In Mercer's Church Psalm & Hymn Book, 1864, and others. It may be noted that 1. 46 of The Messiah reads in the original "He wipes the tears for ever from our eyes." This was altered by Pope at the suggestion of Steele, made to Pope in a letter dated June 1, 1712, to "From every face He wipes off every tear." This latter is the poet's authorized reading, is given in his Works, and is found also in the book form reprints of the Spectator. -- John Julian, Dictionary of Hymnology (1907)

Judith O'Neill

1930 - 2006 Person Name: Judith B. O'Neill, b. 1930 Author of "We Praise You, Lord" in Lutheran Book of Worship

Joseph Anstice

1808 - 1836 Person Name: Joseph Anstice (1808-1836) Author of "When came in flesh the incarnate Word" in The Oxford Hymn Book Anstice, Joseph , M.A., son of William Anstice of Madeley, Shropshire, born 1808, and educated at Enmore, near Bridgwater, Westminster, and Ch. Church, Oxford, where he gained two English prizes and graduated as a double-first. Subsequently, at the ago of 22, he became Professor of Classical Literature at King's College, London; died at Torquay, Feb. 29, 1836, aged 28. His works include Richard Coeur de Lion, a prize poem, 1828; The Influence of the Roman Conquest upon Literature and the Arts in Rome (Oxford prize Essay); Selections from the Choice Poetry of the Greek Dramatic Writers, translated into English Verse, 1832, &c. His hymns were printed a few months after his death, as:— Hymns by the late Joseph Anstice, M.A., formerly Student of Christ Church, Oxford, and Professor of Classical Literature, King’s College, London, Bridgwater, 1836, and thus introduced:— "As none of the following Hymns had the advantage of being corrected and prepared for the press by their lamented Author, his family have not considered themselves at liberty to bring them before the public; but, having reason to believe that a large circle of surviving friends will be gratified by possessing a memorial of the manner in which some of his leisure hours were employed, and of the subjects which chiefly occupied his thoughts, during the last few months of his life, they have consented to their being printed for private distribution.—-Bridgwater, June, 1836." This work contains 52 hymns on various subjects, together with a poem "To my Hymn Book." The circumstances under which they were written are thus detailed by Mrs. Anstice in a communication to the Rev. Josiah Miller, author of Singers and Songs of the Church:— "The hymns were all dictated to his wife during the last few weeks of his life, and were composed just at the period of the day (the afternoon) when he felt the oppression of his illness—all his brighter morning hours being given to pupils up to the very day of his death."-—S. & S., p. 495. A few of the hymns are of a joyful character, but the circumstances under which they were written account for the prevailing tone of sadness by which they are chiefly characterized. About one half of these hymns were included by Mrs. Yonge in her Child's Christian Year, 1841. Being thus brought before the public, many soon came into common use. Those in most extensive use are: "Father, by Thy love and power;" "In all things like “Thy brethren, Thou;" "Lord of the harvest, once again;" and, "O Lord, how happy should we be." -- John Julian, Dictionary of Hymnology (1907)