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REDEEMED

Meter: 9.8.9.8 with refrain Appears in 153 hymnals Composer and/or Arranger: William J. Kirkpatrick Tune Key: G Major Incipit: 55555 67151 22221 Used With Text: Redeemed, How I Love to Proclaim It

NOW

Meter: Irregular Appears in 28 hymnals Composer and/or Arranger: Carl F. Schalk (1929-) Incipit: 55111 14223 32122 Used With Text: Now the Silence

IT WAS THE BLOOD

Meter: 6.6.8 with refrain Appears in 8 hymnals Composer and/or Arranger: Evelyn Simpson-Curenton, b. 1953 Tune Sources: African-American traditional Tune Key: F Major Incipit: 51122 15112 21511 Used With Text: I Know It Was the Blood

AZMON

Meter: 8.6.8.6 Appears in 1,064 hymnals Composer and/or Arranger: Carl Gotthoelf Gläser Tune Key: G Major Incipit: 51122 32123 34325 Used With Text: O For a Thousand Tongues to Sing

GETHSEMANE

Meter: 7.7.7.7.7.7 Appears in 482 hymnals Composer and/or Arranger: Richard Redhead, 1820-1901 Tune Key: E Flat Major Incipit: 11234 43112 32211 Used With Text: Chief of Sinners Though I Be

KENOSIS

Meter: 6.6.6.6.8.6 Appears in 265 hymnals Composer and/or Arranger: Phillip P. Bliss, 1838-1876 Tune Key: B Flat Major Incipit: 55535 61765 55535 Used With Text: I Gave My Life for Thee

DENNIS

Meter: 6.6.8.6 Appears in 1,433 hymnals Composer and/or Arranger: Johann G. Nägeli, 1768-1836¨; Lowell Mason, 1792-1872 Tune Key: F Major or modal Incipit: 33132 72111 61151 Used With Text: Hark! How the Watchmen Cry

TOPLADY

Meter: 7.7.7.7.7.7 Appears in 1,200 hymnals Composer and/or Arranger: Thomas Hastings Tune Key: B Flat Major Incipit: 56531 65123 21717 Used With Text: Rock of Ages, Cleft for Me

NETTLETON

Meter: 8.7.8.7 D Appears in 879 hymnals Tune Sources: Wyeth's Repository of Sacred Music, Part Second, 1813 Tune Key: E Flat Major Incipit: 32113 52235 65321 Used With Text: Come, Thou Fount of Every Blessing

MY SAVIOR'S LOVE

Meter: 8.7.8.7 with refrain Appears in 175 hymnals Composer and/or Arranger: Charles H. Gabriel Tune Key: A Flat Major Incipit: 55351 23177 71215 Used With Text: I Stand Amazed in the Presence

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