Search Results

Hymnal, Number:ch1995

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Hymnals

hymnal icon
Published hymn books and other collections
Page scans

Chalice Hymnal

Publication Date: 1995 Publisher: Chalice Press Publication Place: St. Louis Editors: Daniel B. Merrick; David P. Polk; Stephen T. Benner

Texts

text icon
Text authorities
TextPage scansFlexScore

His Eye Is on the Sparrow

Author: Civilla D. Martin Appears in 100 hymnals First Line: Why should I feel discouraged Lyrics: 1 Why should I feel discouraged, why should the shadows come, why should my heart be lonely, and long for heaven and home, when Jesus is my portion? My constant Friend is he: his eye is on the sparrow, and I know he watches me; his eye is on the sparrow, and I know he watches me. Refrain: I sing because I’m happy, I sing because I’m free, for his eye is on the sparrow, and I know he watches me. 2 “Let not your heart be troubled,” his tender word I hear, and resting on his goodness, I lose my doubts and fears; though by the path he leadeth, but one step I may see; his eye is on the sparrow, and I know he watches me; his eye is on the sparrow, and I know he watches me. [Refrain] 3 Whenever I am tempted, whenever clouds arise, when songs give place to sighing, when hope within me dies, I draw the closer to him, from care he sets me free; his eye is on the sparrow, and I know he watches me; his eye is on the sparrow, and I know he watches me. [Refrain] Topics: God Beyond All Name and Form Providence and Care; Comfort; God; God: Providence; Jesus Christ: Presence Scripture: Luke 12:6-7 Used With Tune: SPARROW
TextFlexScoreFlexPresent

There Is a Balm in Gilead

Meter: Irregular Appears in 108 hymnals First Line: Sometimes I feel discouraged Lyrics: There is a balm in Gilead to make the wounded whole; there is a balm in Gilead to heal the sin-sick soul. 1 Sometimes I feel discouraged, and think my work’s in vain, but then the Holy Spirit revives my soul again. There is a balm in Gilead to make the wounded whole; there is a balm in Gilead to heal the sin-sick soul. 2 If you cannot preach like Peter, if you cannot pray like Paul, you can tell the love of Jesus, and say "He died for all!" There is a balm in Gilead to make the wounded whole; there is a balm in Gilead to heal the sin-sick soul. 3 Don't ever feel discouraged, for Jesus is your friend; and if you lack for knowledge he'll ne'er refuse to lend. There is a balm in Gilead to make the wounded whole; there is a balm in Gilead to heal the sin-sick soul. Topics: God's Church Healing and Wholeness; God's Church Healing and Wholeness; Adversity; Comfort; Healing; Spirituals Scripture: Jeremiah 8:22 Used With Tune: BALM IN GILEAD Text Sources: African-American spiritual
TextFlexScoreFlexPresent

If You Will Trust in God to Guide You

Author: Georg Neumark; Catherine Winkworth; Jaroslav Vajda Meter: 9.8.9.8.8.8 Appears in 182 hymnals Lyrics: 1 If you will trust in God to guide you and hope in God through all your ways, God will give strength, whate'er betide you, and bear you through the evil days. Who trusts in God's unchanging love builds on the rock that will not move. 2 [Copyrighted] 3 Sing, pray, and keep God's ways unswerving; so do your own part faithfully, and trust God's word; though undeserving, you'll find God's promise true to be. God never will forsake in need the soul that trusts in God indeed. Topics: God's Church Life of Discipleship: Trust and Assurance; Assurance; Christian Year: Lent; Comfort; Courage; Empowerment; Funerals and Memorial Services; God: Faithfulness; Grief; Guidance; Hope; Trust Scripture: Psalm 55:22-23 Used With Tune: WER NUR DEN LIEBEN GOTT

Tunes

tune icon
Tune authorities
FlexScoreAudio

AZMON

Meter: 8.6.8.6 Appears in 1,003 hymnals Composer and/or Arranger: Carl Gotthelf Gläser; Lowell Mason Tune Key: G Major Incipit: 51122 32123 34325 Used With Text: O for a Thousand Tongues to Sing
FlexScoreAudio

O STORE GUD

Meter: 11.10.11.10 with refrain Appears in 149 hymnals Composer and/or Arranger: Stuart K. Hine Tune Sources: based on a Swedish folk melody Tune Key: B Flat Major Incipit: 55535 55664 66665 Used With Text: How Great Thou Art
Page scansFlexScoreAudio

REDHEAD 76

Meter: 7.7.7.7.7.7 Appears in 465 hymnals Composer and/or Arranger: Richard Redhead Tune Key: E Flat Major Incipit: 11234 43112 32211 Used With Text: Go to Dark Gethsemane

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals
Text

Joyful, Joyful, We Adore Thee

Author: Henry van Dyke Hymnal: CH1995 #2 (1995) Meter: 8.7.8.7 D Lyrics: Joyful, joyful, we adore thee, God of glory, Lord of love; hearts unfold like flowers before thee, opening to the sun above. Melt the clouds of sin and sadness, drive our fear and doubt away; giver of immortal gladness, fill us with the light of day. All thy works with joy surround thee, earth and heaven reflect thy rays, stars and angels sing around thee, center of unbroken praise. Field and forest, vale and mountain, flowery meadow, flashing sea, chanting bird and flowing fountain call us to rejoice in thee. Thou art giving and forgiving, ever blessing, ever blest, well-spring of the joy of living, ocean depth of happy rest! Thou the Father, Christ our Brother, all who live in love are thine; teach us how to love each other, lift us to the joy divine. Mortals, join the happy chorus; stars of morning, take your part; love divine is reigning o'er us, binding those of tender heart. Ever singing, move we onward, victors in the midst of strife, joyful music lifts us sunward in the triumph song of life. Topics: God Beyond All Name and Form Praise to God; Descants; Funerals and Memorial Services; God; God: Love; Joy; Music and Singing; Nature; Praise; Processional Hymns Languages: English Tune Title: HYMN TO JOY

The Sun Is on the Sea and Shore

Author: Louis F. Benson; Austin C. Lovelace Hymnal: CH1995 #3 (1995) Meter: 8.6.8.6.8.6 Topics: God Beyond All Name and Form Praise to God; God; God: Love; Morning; Praise Languages: English Tune Title: BROTHER JAMES' AIR
Text

Holy, Holy, Holy! Lord God Almighty!

Author: Reginald Heber Hymnal: CH1995 #4 (1995) Meter: 11.12.12.10 Lyrics: 1 Holy, holy, holy! Lord God Almighty! Early in the morning our song shall rise to thee: holy, holy, holy! Merciful and mighty, God in three persons, blessed Trinity! 2 Holy, holy, holy! all the saints adore thee; casting down their golden crowns around the glassy sea; cherubim and seraphim falling down before thee, God ever-living, through eternity. 3 Holy, holy, holy! though the darkness hide thee, though the sinful human eye thy glory may not see; only thou art holy; there is none beside thee, perfect in power, in love, and purity. 4 Holy, holy, holy! Lord God Almighty! All thy works shall praise thy Name, in earth and sky and sea; Holy, holy, holy! Merciful and mighty, God in three persons, blessed Trinity! Topics: God Beyond All Name and Form Praise to God; Descants; God; God: Majesty; God: Trinity; Praise; Processional Hymns Scripture: Revelation 4:8-11 Languages: English Tune Title: NICAEA

People

person icon
Authors, composers, editors, etc.

Richard Proulx

1937 - 2010 Hymnal Number: 253 Harmonizer of "PLEADING SAVIOR" in Chalice Hymnal Richard Proulx (b. St. Paul, MN, April 3, 1937; d. Chicago, IL, February 18, 2010). A composer, conductor, and teacher, Proulx was director of music at the Holy Name Cathedral in Chicago, Illinois (1980-1997); before that he was organist and choirmaster at St. Thomas' Episcopal Church in Seattle, Washington. He contributed his expertise to the Roman Catholic Worship III (1986), The Episcopal Hymnal 1982, The United Methodist Hymnal (1989), and the ecumenical A New Hymnal for Colleges and Schools (1992). He was educated at the University of Minnesota, MacPhail College of Music in Minneapolis, Minnesota, St. John's Abbey in Collegeville, Minnesota, and the Royal School of Church Music in England. He composed more than 250 works. Bert Polman

Samuel Francis Smith

1808 - 1895 Hymnal Number: 721 Author of "My Country, 'Tis of Thee" in Chalice Hymnal Smith, Samuel Francis, D.D., was born in Boston, U.S.A., Oct. 21, 1808, and graduated in arts at Harvard, and in theology at Andover. He entered the Baptist ministry in 1832, and became the same year editor of the Baptist Missionary Magazine. He also contributed to the Encyclopaedia Americana. From 1834 to 1842 he was pastor at Waterville, Maine, and Professor of Modern Languages in Waterville College. In 1842 he removed to Newton, Massachusetts, where he remained until 1854, when he became the editor of the publications of the Baptist Missionary Union. With Baron Stow he prepared the Baptist collection known as The Psalmist, published in 1843, to which he contributed several hymns. The Psalmist is the most creditable and influential of the American Baptist collections to the present day. Dr. Smith also published Lyric Gems, 1854, Rock of Ages, 1870, &c. A large number of his hymns are in use in America, and several have passed into some of the English collections. Taking his hymns in common use in alphabetical order, we have the following:— 1. And now the solemn deed is done. Ordination. Given in The Psalmist, 1843, No. 954. In Dr. Hatfield's Church Hymn Book, N. Y., 1872, it is altered to "The solemn service now is done." 2. As flows the rapid river. Life Passing Away. In Christian Psalmody, 1833, No. 33; the Hymns for the Vestry and Fireside, Boston, 1841; and The Psalmist, 1843, No. 1059. Found in a few English hymn-books, and in Lyra Sacra Americana, 1868. 3. Auspicious morning, hail. American National Anniversary. Written for July 4th, 1841, and published in The Psalmist, 1843, No. 1007. 4. Beyond where Cedron's waters flow. Gethsemane. In L. Bacon's Appendix, 1833; the Psalmist, 1843, No. 220, and later collections. 5. Blest is the hour when cares depart. Divine Worship. In The Psalmist, 1843, No. 947, and others. 6. Constrained by love we follow where. Holy Baptism. Appeared in the Baptist edition of the Plymouth Hymn Book, 1857. 7. Down to the sacred wave. Holy Baptism. Contributed to Winchell's Additional Hymns added to his Collection of 1817, in 1832, No. 510; repeated in The Psalmist, 1843, No. 818, and in several collections. Also in Lyra Sacra Americana, 1868. 8. Hail! ye days of solemn meeting. Public Worship. An altered form of No. 26 below, in Spurgeon's Our Own Hymn Book, 1866, as an "American Hymn, 1840." 9. How blest the hour when first we gave. Holy Baptism. Appeared in the Baptist edition of thePlymouth Hymn Book, 1857, No. 1468. 10. How calmly wakes the hallowed morn. Holy Baptism. Given in The Psalmist, 1843, No. 810, in later collections, and in Lyra Sacra Americana, 1868. 11. Jesus, Thou hast freely saved us. Salvation. In Winchell's Additional Hymns, 1832, No. 503, and others. 12. Meekly in Jordan's Holy Stream. Holy Baptism. Contributed to The Psalmist, 1843, No. 808. 13. My country, 'tis of thee. National Hymn. "Written in 1832, and first sung at a children's Fourth of July celebration in Park Street church, Boston." Included in The Psalmist, 1843, No. 1000, and found in a large number of American hymn-books, but not in use in Great Britain. It is one of the most popular of Dr. Smith's compositions. Text, with note in Lyra Sacra Americana, 1868. 14. 0 not my own these verdant hills. Bought with a Price. Appeared in Nason's Congregational Hymn Book, 1857, and given inLaudes Domini, 1884. 15. Onward speed thy conquering flight. Missions. Appeared in The Psalmist, 1843, No. 892, and is found in several modern collections in Great Britain and America. Also in Lyra Sac. Americana, 1868. 16. Planted in Christ, the living Vine. Christian Fellowship; or, For Unity. Given in The Psalmist, 1843, No. 929, inLyra Sacra Americana, 1868, and several hymn-books. Of the hymns contributed by Dr. Smith to The Psalmist this is the best, and one of the most popular. 17. Remember thy Creator. Youthful Piety Enforced. In Christian Psalmody, 1832, No. 32; the Hymns for the Vestry and Fireside, 1841; The Psalmist, 1843, No. 778; Lyra Sac. Americana, 1868, and other collections. 18. Sister, thou wast mild and lovely. Death and Burial. Written on the death of Miss J. M. C. of Mount Vernon School, Boston, July 13,1833, and published in The Psalmist, 1843, No. 1096. 19. Softly fades the twilight ray. Sunday Evening. Written in 1832, and included in The Psalmist, 1843, No. 56. Also in Lyra Sacra Americana, and several hymn-books. 20. Spirit of holiness, descend. Whitsuntide. Appeared in the Hymns for the Vestry and Fireside, 1841, No. 295, and again in The Psalmist, 1843, No. 384. In the Unitarian Hymns for the Church of Christ, Boston, 1853. St. ii., iii., iv. were given as "Spirit of God, Thy churches wait." This form of the text and the original are both in modern hymn-books. 21. Spirit of peace and holiness. Institution of a Minister. Appeared in The Psalmist, 1843, No. 953, and Hatfield's Church Hymn Book, 1872. 22. The morning light is breaking. Missions. Written in 1832, and included in Hastings's Spiritual Songs, 1832-33, No. 253; and The Psalmist, 1843, No. 912. This hymn is very popular and has been translated into several languages. Dr. Smith says of it that “it has been a great favourite at missionary gatherings, and I have myself heard it sung in five or six different languages in Europe and Asia. It is a favourite with the Burmans, Karens, and Telegus in Asia, from whose lips I have heard it repeatedly.” 23. The Prince of Salvation in triumph is riding. Missions. Given in Hastings and Mason's Spiritual Songs, 1832-33, No. 274; The Psalmist, 1843, and later collections. 24. Tis done, the [important] solemn act is done. Ordination. Appeared in The Psalmist 1843, No. 951, and later hymn-books. 25. Today the Saviour calls. Invitation. First sketch by Dr. Smith, the revised text, as in Hastings and Mason's Spiritual Songs, No. 176, and The Psalmist, No. 453, by Dr. T. Hastings (p. 495, i. 19). 26. Welcome, days of solemn meeting. Special Devotional Services. Written in 1834, and given in Dr. Hatfield's Church Hymn Book, 1872. See No. 8. 27. When shall we meet again ? Parting. This is a cento. The first stanza is from Alaric A. Watts's Poetical Sketches, &c, 1822, p. 158 ; and st. ii.-iv. are by Dr. Smith. In this form it was published in L. Bacon's Supplement to Dwight, 1833, No. 489. It is in several American hymn-books; and also the English Baptist Psalms & Hymns, 1858, &c. 28. When the harvest is past and the summer is gone. Close of Worship. Contributed to Hastings and Mason's Spiritual Songs, 1831, No. 244; and repeated in the Fuller and Jeter Supplement to The Psalmist, 1847, No. 22, and later collections. 29. When thy mortal life is fled. The Judgment. Contributed to Winchell's Additional Hymns, 1832, No. 379, and repeated in The Psalmist, 1843, No. 455, and later hymn-books. Also in Lyra Sacra Americana, 1868. 30. While in this sacred rite of Thine. Holy Baptism. Appeared in The Psalmist, 1843, No. 803: Lyra Sacra Americana, 1868, &c. 31. With willing hearts we tread. Holy Baptism. In The Psalmist, 1843, No. 798; and again in the Baptist Praise Book, 1871. 32. Yes, my native land, I love thee. A Missionary's Farewell. Contributed to Winchell's Additional Hymns, 1832, No. 445, and found in later collections. Also in Lyra Sacra Americana, 1868. [Rev. F. M. Bird, M.A.] --John Julian, Dictionary of Hymnology (1907)

Henry Thomas Smart

1813 - 1879 Person Name: Henry T. Smart Hymnal Number: 149 Composer of "REGENT SQUARE" in Chalice Hymnal Henry Smart (b. Marylebone, London, England, 1813; d. Hampstead, London, 1879), a capable composer of church music who wrote some very fine hymn tunes (REGENT SQUARE, 354, is the best-known). Smart gave up a career in the legal profession for one in music. Although largely self taught, he became proficient in organ playing and composition, and he was a music teacher and critic. Organist in a number of London churches, including St. Luke's, Old Street (1844-1864), and St. Pancras (1864-1869), Smart was famous for his extemporiza­tions and for his accompaniment of congregational singing. He became completely blind at the age of fifty-two, but his remarkable memory enabled him to continue playing the organ. Fascinated by organs as a youth, Smart designed organs for impor­tant places such as St. Andrew Hall in Glasgow and the Town Hall in Leeds. He composed an opera, oratorios, part-songs, some instrumental music, and many hymn tunes, as well as a large number of works for organ and choir. He edited the Choralebook (1858), the English Presbyterian Psalms and Hymns for Divine Worship (1867), and the Scottish Presbyterian Hymnal (1875). Some of his hymn tunes were first published in Hymns Ancient and Modern (1861). Bert Polman