Please give today to support Hymnary.org during one of only two fund drives we run each year. Each month, Hymnary serves more than 1 million users from around the globe, thanks to the generous support of people like you, and we are so grateful.

Tax-deductible donations can be made securely online using this link.

Alternatively, you may write a check to CCEL and mail it to:
Christian Classics Ethereal Library, 3201 Burton SE, Grand Rapids, MI 49546

Search Results

Hymnal, Number:sh1835

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Hymnals

hymnal icon
Published hymn books and other collections
Page scans

The Southern Harmony, and Musical Companion (New ed. thoroughly rev. and much enl.)

Publication Date: 1854 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library Description: Title Page    About    Preface    Introduction by Harry Eskew 25 Most Popular Hymns New Britain Long Sought Home Indian Convert Happy Land O Come, Come Away Rock of Ages Disciple Willoughby Newburgh Pisgah Jerusalem New Haven Sweet Rivers Greenland Green Fields Thorny Desert Ionia Easter Anthem Wondrous Love Coronation Lone Pilgrim Ortonville Resignation Bozrah Alabama Big Singing Recordings Copyright holder: APAD Digital Recordings, used by permission Alabama Bozrah Christian’s Farewell Coronation David’s Lamentation Disciple Easter Anthem Farewell Anthem Green Fields Greenland Happy Land Holy Manna Indian Convert Ionia Jerusalem King of Peace Lone Pilgrim Long Sought Home New Britain New Haven O Come, Come Away Ortonville Pisgah Resignation Rock of Ages Rose of Sharon Sweet Rivers Thorny Desert Willoughby Sacred Harp Singing Convention Recordings Recorded by Alan Lomax and George Pullen Jackson at the 37th annual session of the Alabama Sacred Harp Singing Convention at Birmingham, Ala., August 1942. Ballstown David’s Lamentation Edom Evening Shade Heavenly Vision Mear Mission Montgomery Mount Zion Northfield Sherburne Windham Wondrous Love

Texts

text icon
Text authorities
TextPage scansFlexScoreFlexPresentAudio

How sweet the name of Jesus sounds

Meter: 8.6.8.6 Appears in 1,671 hymnals Lyrics: 1. How sweet the name of Jesus sounds In a believer's ear! It soothes his sorrows, heals his wounds, And drives away his fear. 2. It makes the wounded spirit whole, And calms the troubled breast; 'Tis manna to the hungry soul, And to the weary, rest. 3. Dear name! the rock on which I build, My shield and hiding place; My never failing treasure, filled With boundless stores of grace! 4. Jesus, my Shepherd, Savior, Friend, My Prophet, Priest, and King, My Lord, my Life, my Way, my End, Accept the praise I bring. 5. Weak is the effort of my heart, And cold my warmest thought; But when I see thee as thou art, I'll praise thee as I ought. 5. Till then, I would thy love proclaim With every fleeting breath; And may the music of thy name Refresh my soul in death. Used With Tune: SALEM Text Sources: Dossey's Choice, p. 58
TextPage scansAudio

O Thou in whose presence my soul takes delight

Meter: 11.8 Appears in 502 hymnals Lyrics: 1. O Thou, in whose presence my soul takes delight, On whom in affliction I call, My comfort by day, and my song in the night, My hope, my salvation, my all! 2. Where dost thou at noontide resort with thy sheep, To feed them in pastures of love? For why in the valley of death should I weep, Alone in this wilderness rove? 3. O why should I wander an alien from thee, Or cry in the desert for bread? Thy foes will rejoice when my sorrows they see, And smile at the tears I have shed. 4. Ye daughters of Zion, declare, have you seen The star that on Israel shone? Say, if in your tents my Beloved has been, And where with his flocks he hath gone. 5. This is my beloved, his form is divine, His vestments shed odors around; The locks on his head are as grapes on the vine, When autumn with plenty is crowned. 6. The roses of Sharon, the lilies that grow In vales on the banks of the streams; His cheeks in the beauty of excellence blow, His eye all invitingly beams. 7. His voice, as the sound of a dulcimer sweet, Is heard through the shadow of death, The cedars of Lebanon bow at his feet, The air is perfumed with his breath. 8. His lips as a fountain of righteousness flow, That waters the garden of grace, From which their salvation the gentiles shall know And bask in the smiles of his face. 9. Love sits on his eyelid and scatters delight, Through all the bright mansions on high; Their faces the cherubim veil in his sight, And tremble with fulness of joy. 10. He looks! and ten thousands of angels rejoice, And myriads wait for his word; He speaks! and eternity, filled with his voice, Re-echoes the praise of the her Lord. Used With Tune: DAVIS Text Sources: Baptist Harmony, p. 460
TextPage scansAudio

Do not I love thee, O my Lord?

Meter: 8.6.8.6 Appears in 321 hymnals Lyrics: 1. Do not I love thee, O my Lord? Behold my heart and see: And turn each cursed idol out, That dares to rival thee. 2. Do not I love thee, O my soul? Then let me nothing love; Dead be my heart to every joy, When Jesus cannot move. 3. Is not thy name melodious still To my attentive ear? Doth not each pulse with pleasure bound My Savior's voice to hear? 4. Hast thou a lamb in all thy flock I would disdain to feed? Hast thou a foe, before whose face I fear thy cause to plead? 5. Would not mine ardent spirit vie With angels round the throne, To execute thy sacred will, And make thy glory known? 6. Would not my heart pour forth its blood In honor of thy name, And challenge the cold hand of death To damp the immortal flame? 7. Thou knowest I love thee, dearest Lord, But O, I long to soar Far from the sphere of mortal joys, And learn to love thee more! Used With Tune: DETROIT Text Sources: Baptist Harmony, p. 139

Tunes

tune icon
Tune authorities
Page scansFlexScoreAudio

NEW HAVEN

Meter: 6.6.4.6.6.6.4 Appears in 110 hymnals Composer and/or Arranger: Thomas Hastings Incipit: 11132 12224 32344 Used With Text: Come, thou Almighty king
Page scansFlexScoreAudio

RESIGNATION

Meter: 8.6.8.6 Appears in 111 hymnals Incipit: 13532 35165 31351 Used With Text: My Shepherd will supply my need
Page scansFlexScoreAudio

WONDROUS LOVE

Meter: 12.9.6.6.12.9 Appears in 135 hymnals Composer and/or Arranger: Christopher Incipit: 11724 54211 72576 Used With Text: What Wondrous Love Is This

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals
TextPage scanAudio

Young people all, attention give

Hymnal: SH1835 #1 (1854) Meter: 8.6.8.6 Lyrics: 1. Young people all, attention give, And hear what I shall say; I wish your souls with Christ to live, In everlasting day. Remember you are hast'ning on To death's dark, gloomy shade; Your joys on earth will soon be gone, Your flesh in dust be laid. 2. Death's iron gate you must pass through, Ere long, my dear young friends; With whom then do you think to go, With saints or fiery fiends? Pray meditate before too late, While in a gospel land, Behold King Jesus at the gate, Most lovingly doth stand. 3. Young men, how can you turn your face From such a glorious friend; Will you pursue your dangerous ways? O don't you fear the end? Will you pursue that dangerous road Which leads to death and hell? Will you refuse all peace with God, With devils for to dwell? 4. Young women too, what will you do, If out of Christ you die? From all God's people you must go, To weep, lament, and cry: Where you the least relief can't find, To mitigate your pain; Your good things all be left behind, Your souls in death remain. 5. Young people all, I pray then view The fountain opened wide; The spring of life opened for sin, Which flowed from Jesus' side; There you may drink in endless joy, And reign with Christ your king, In his glad notes your souls employ, And hallelujahs sing. Languages: English Tune Title: LIVERPOOL
TextPage scanAudio

Come, ye sinners, poor and wretched

Hymnal: SH1835 #2 (1854) Meter: 8.7.4 Lyrics: 1. Come, ye sinners, poor and wretched, Weak and wounded, sick and sore; Jesus ready stands to save you, Full of pity, love, and power: He is able, He is willing: doubt no more. 2. Ho! ye thirsty, come and welcome; God's free bounty glorify; True belief and true repentance, Every grace that brings us nigh, Without money, Come to Jesus Christ and buy. 3. Let not conscience make you linger, Nor of fitness fondly dream; All the fitness he requireth Is to feel your need of him: This he gives you; 'Tis the Spirit's rising beam. 4. Come, ye weary heavy laden, Lost and ruined by the fall; If you tarry till you're better, You will never come at all; Not the righteous, Sinners Jesus came to call. 5. View him prostrate in the garden, On the ground your Savior lies; On the bloody tree behold him! Hear him cry before he dies, "It is finished!" Sinners, will not this suffice? 6. Lo! the incarnate God ascending, Pleads the merit of his blood; Venture on him, venture wholly, Let no other trust intrude: None but Jesus Can do helpless sinners good. 7. Saints and angels, joined in concert, Sing the praises of the Lamb; While the blissful seats of heaven Sweetly echo with his name. Hallelujah! Sinners here may sing the same. Languages: English Tune Title: INVITATION (Walker)
TextPage scanAudio

Salvation! O the joyful sound!

Author: Isaac Watts Hymnal: SH1835 #3 (1854) Meter: 8.6.8.6 Lyrics: 1. Salvation! O the joyful sound! 'Tis pleasure to our ears! A sovereign balm for every wound, A cordial for our fears. 2. Buried in sorrow and in sin, At hell's dark door we lay, But we arise by grace divine, To see a heavenly day. 3. Salvation! let the echo fly The spacious earth around, While all the armies of the sky Conspire to raise the sound. Languages: English Tune Title: PRIMROSE

People

person icon
Authors, composers, editors, etc.

Isaac Watts

1674 - 1748 Hymnal Number: 3 Author of "Salvation! O the joyful sound!" in The Southern Harmony, and Musical Companion (New ed. thoroughly rev. and much enl.) Isaac Watts was the son of a schoolmaster, and was born in Southampton, July 17, 1674. He is said to have shown remarkable precocity in childhood, beginning the study of Latin, in his fourth year, and writing respectable verses at the age of seven. At the age of sixteen, he went to London to study in the Academy of the Rev. Thomas Rowe, an Independent minister. In 1698, he became assistant minister of the Independent Church, Berry St., London. In 1702, he became pastor. In 1712, he accepted an invitation to visit Sir Thomas Abney, at his residence of Abney Park, and at Sir Thomas' pressing request, made it his home for the remainder of his life. It was a residence most favourable for his health, and for the prosecution of his literary labours. He did not retire from ministerial duties, but preached as often as his delicate health would permit. The number of Watts' publications is very large. His collected works, first published in 1720, embrace sermons, treatises, poems and hymns. His "Horae Lyricae" was published in December, 1705. His "Hymns" appeared in July, 1707. The first hymn he is said to have composed for religious worship, is "Behold the glories of the Lamb," written at the age of twenty. It is as a writer of psalms and hymns that he is everywhere known. Some of his hymns were written to be sung after his sermons, giving expression to the meaning of the text upon which he had preached. Montgomery calls Watts "the greatest name among hymn-writers," and the honour can hardly be disputed. His published hymns number more than eight hundred. Watts died November 25, 1748, and was buried at Bunhill Fields. A monumental statue was erected in Southampton, his native place, and there is also a monument to his memory in the South Choir of Westminster Abbey. "Happy," says the great contemporary champion of Anglican orthodoxy, "will be that reader whose mind is disposed, by his verses or his prose, to imitate him in all but his non-conformity, to copy his benevolence to men, and his reverence to God." ("Memorials of Westminster Abbey," p. 325.) --Annotations of the Hymnal, Charles Hutchins, M.A., 1872. ================================= Watts, Isaac, D.D. The father of Dr. Watts was a respected Nonconformist, and at the birth of the child, and during its infancy, twice suffered imprisonment for his religious convictions. In his later years he kept a flourishing boarding school at Southampton. Isaac, the eldest of his nine children, was born in that town July 17, 1674. His taste for verse showed itself in early childhood. He was taught Greek, Latin, and Hebrew by Mr. Pinhorn, rector of All Saints, and headmaster of the Grammar School, in Southampton. The splendid promise of the boy induced a physician of the town and other friends to offer him an education at one of the Universities for eventual ordination in the Church of England: but this he refused; and entered a Nonconformist Academy at Stoke Newington in 1690, under the care of Mr. Thomas Rowe, the pastor of the Independent congregation at Girdlers' Hall. Of this congregation he became a member in 1693. Leaving the Academy at the age of twenty, he spent two years at home; and it was then that the bulk of the Hymns and Spiritual Songs (published 1707-9) were written, and sung from manuscripts in the Southampton Chapel. The hymn "Behold the glories of the Lamb" is said to have been the first he composed, and written as an attempt to raise the standard of praise. In answer to requests, others succeeded. The hymn "There is a land of pure delight" is said to have been suggested by the view across Southampton Water. The next six years of Watts's life were again spent at Stoke Newington, in the post of tutor to the son of an eminent Puritan, Sir John Hartopp; and to the intense study of these years must be traced the accumulation of the theological and philosophical materials which he published subsequently, and also the life-long enfeeblement of his constitution. Watts preached his first sermon when he was twenty-four years old. In the next three years he preached frequently; and in 1702 was ordained pastor of the eminent Independent congregation in Mark Lane, over which Caryl and Dr. John Owen had presided, and which numbered Mrs. Bendish, Cromwell's granddaughter, Charles Fleetwood, Charles Desborough, Sir John Hartopp, Lady Haversham, and other distinguished Independents among its members. In this year he removed to the house of Mr. Hollis in the Minories. His health began to fail in the following year, and Mr. Samuel Price was appointed as his assistant in the ministry. In 1712 a fever shattered his constitution, and Mr. Price was then appointed co-pastor of the congregation which had in the meantime removed to a new chapel in Bury Street. It was at this period that he became the guest of Sir Thomas Abney, under whose roof, and after his death (1722) that of his widow, he remained for the rest of his suffering life; residing for the longer portion of these thirty-six years principally at the beautiful country seat of Theobalds in Herts, and for the last thirteen years at Stoke Newington. His degree of D.D. was bestowed on him in 1728, unsolicited, by the University of Edinburgh. His infirmities increased on him up to the peaceful close of his sufferings, Nov. 25, 1748. He was buried in the Puritan restingplace at Bunhill Fields, but a monument was erected to him in Westminster Abbey. His learning and piety, gentleness and largeness of heart have earned him the title of the Melanchthon of his day. Among his friends, churchmen like Bishop Gibson are ranked with Nonconformists such as Doddridge. His theological as well as philosophical fame was considerable. His Speculations on the Human Nature of the Logos, as a contribution to the great controversy on the Holy Trinity, brought on him a charge of Arian opinions. His work on The Improvement of the Mind, published in 1741, is eulogised by Johnson. His Logic was still a valued textbook at Oxford within living memory. The World to Come, published in 1745, was once a favourite devotional work, parts of it being translated into several languages. His Catechisms, Scripture History (1732), as well as The Divine and Moral Songs (1715), were the most popular text-books for religious education fifty years ago. The Hymns and Spiritual Songs were published in 1707-9, though written earlier. The Horae Lyricae, which contains hymns interspersed among the poems, appeared in 1706-9. Some hymns were also appended at the close of the several Sermons preached in London, published in 1721-24. The Psalms were published in 1719. The earliest life of Watts is that by his friend Dr. Gibbons. Johnson has included him in his Lives of the Poets; and Southey has echoed Johnson's warm eulogy. The most interesting modern life is Isaac Watts: his Life and Writings, by E. Paxton Hood. [Rev. H. Leigh Bennett, M.A.] A large mass of Dr. Watts's hymns and paraphrases of the Psalms have no personal history beyond the date of their publication. These we have grouped together here and shall preface the list with the books from which they are taken. (l) Horae Lyricae. Poems chiefly of the Lyric kind. In Three Books Sacred: i.To Devotion and Piety; ii. To Virtue, Honour, and Friendship; iii. To the Memory of the Dead. By I. Watts, 1706. Second edition, 1709. (2) Hymns and Spiritual Songs. In Three Books: i. Collected from the Scriptures; ii. Composed on Divine Subjects; iii. Prepared for the Lord's Supper. By I. Watts, 1707. This contained in Bk i. 78 hymns; Bk. ii. 110; Bk. iii. 22, and 12 doxologies. In the 2nd edition published in 1709, Bk. i. was increased to 150; Bk. ii. to 170; Bk. iii. to 25 and 15 doxologies. (3) Divine and Moral Songs for the Use of Children. By I. Watts, London, 1715. (4) The Psalms of David Imitated in the Language of the New Testament, And apply'd to the Christian State and Worship. By I. Watts. London: Printed by J. Clark, at the Bible and Crown in the Poultry, &c, 1719. (5) Sermons with hymns appended thereto, vol. i., 1721; ii., 1723; iii. 1727. In the 5th ed. of the Sermons the three volumes, in duodecimo, were reduced to two, in octavo. (6) Reliquiae Juveniles: Miscellaneous Thoughts in Prose and Verse, on Natural, Moral, and Divine Subjects; Written chiefly in Younger Years. By I. Watts, D.D., London, 1734. (7) Remnants of Time. London, 1736. 454 Hymns and Versions of the Psalms, in addition to the centos are all in common use at the present time. --Excerpts from John Julian, Dictionary of Hymnology (1907) ================================== Watts, I. , p. 1241, ii. Nearly 100 hymns, additional to those already annotated, are given in some minor hymn-books. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ================= Watts, I. , p. 1236, i. At the time of the publication of this Dictionary in 1892, every copy of the 1707 edition of Watts's Hymns and Spiritual Songs was supposed to have perished, and all notes thereon were based upon references which were found in magazines and old collections of hymns and versions of the Psalms. Recently three copies have been recovered, and by a careful examination of one of these we have been able to give some of the results in the revision of pp. 1-1597, and the rest we now subjoin. i. Hymns in the 1709 ed. of Hymns and Spiritual Songs which previously appeared in the 1707 edition of the same book, but are not so noted in the 1st ed. of this Dictionary:— On pp. 1237, L-1239, ii., Nos. 18, 33, 42, 43, 47, 48, 60, 56, 58, 59, 63, 75, 82, 83, 84, 85, 93, 96, 99, 102, 104, 105, 113, 115, 116, 123, 124, 134, 137, 139, 146, 147, 148, 149, 162, 166, 174, 180, 181, 182, 188, 190, 192, 193, 194, 195, 197, 200, 202. ii. Versions of the Psalms in his Psalms of David, 1719, which previously appeared in his Hymns and Spiritual Songs, 1707:— On pp. 1239, U.-1241, i., Nos. 241, 288, 304, 313, 314, 317, 410, 441. iii. Additional not noted in the revision:— 1. My soul, how lovely is the place; p. 1240, ii. 332. This version of Ps. lxiv. first appeared in the 1707 edition of Hymns & Spiritual Songs, as "Ye saints, how lovely is the place." 2. Shine, mighty God, on Britain shine; p. 1055, ii. In the 1707 edition of Hymns & Spiritual Songs, Bk. i., No. 35, and again in his Psalms of David, 1719. 3. Sing to the Lord with [cheerful] joyful voice, p. 1059, ii. This version of Ps. c. is No. 43 in the Hymns & Spiritual Songs, 1707, Bk. i., from which it passed into the Ps. of David, 1719. A careful collation of the earliest editions of Watts's Horae Lyricae shows that Nos. 1, 7, 9, 10, 11, 12, 14, 16, p. 1237, i., are in the 1706 ed., and that the rest were added in 1709. Of the remaining hymns, Nos. 91 appeared in his Sermons, vol. ii., 1723, and No. 196 in Sermons, vol. i., 1721. No. 199 was added after Watts's death. It must be noted also that the original title of what is usually known as Divine and Moral Songs was Divine Songs only. --John Julian, Dictionary of Hymnology, New Supplement (1907) =========== See also in: Hymn Writers of the Church

C. G. Gläser

1784 - 1829 Person Name: Glaser Hymnal Number: 181 Arranged from of "AZMON" in The Southern Harmony, and Musical Companion (New ed. thoroughly rev. and much enl.) Carl Gotthelf Gläser Germany 1781-1829. Born at Weissenfels, Burgenlandkreis, Sachsen-Anhalt, Germany, he received musical training from his father, after which he attended St. Thomas school in Leipzig. He became an author and composer. At Barmen he taught voice, piano, and violin. He also wrote and conducted chorale music. He died at Barmen. John Perry

Lowell Mason

1792 - 1872 Hymnal Number: 292 Arranged by of "RIPLEY" in The Southern Harmony, and Musical Companion (New ed. thoroughly rev. and much enl.) Dr. Lowell Mason (the degree was conferred by the University of New York) is justly called the father of American church music; and by his labors were founded the germinating principles of national musical intelligence and knowledge, which afforded a soil upon which all higher musical culture has been founded. To him we owe some of our best ideas in religious church music, elementary musical education, music in the schools, the popularization of classical chorus singing, and the art of teaching music upon the Inductive or Pestalozzian plan. More than that, we owe him no small share of the respect which the profession of music enjoys at the present time as contrasted with the contempt in which it was held a century or more ago. In fact, the entire art of music, as now understood and practiced in America, has derived advantage from the work of this great man. Lowell Mason was born in Medfield, Mass., January 8, 1792. From childhood he had manifested an intense love for music, and had devoted all his spare time and effort to improving himself according to such opportunities as were available to him. At the age of twenty he found himself filling a clerkship in a banking house in Savannah, Ga. Here he lost no opportunity of gratifying his passion for musical advancement, and was fortunate to meet for the first time a thoroughly qualified instructor, in the person of F. L. Abel. Applying his spare hours assiduously to the cultivation of the pursuit to which his passion inclined him, he soon acquired a proficiency that enabled him to enter the field of original composition, and his first work of this kind was embodied in the compilation of a collection of church music, which contained many of his own compositions. The manuscript was offered unavailingly to publishers in Philadelphia and in Boston. Fortunately for our musical advancement it finally secured the attention of the Boston Handel and Haydn Society, and by its committee was submitted to Dr. G. K. Jackson, the severest critic in Boston. Dr. Jackson approved most heartily of the work, and added a few of his own compositions to it. Thus enlarged, it was finally published in 1822 as The Handel and Haydn Society Collection of Church Music. Mason's name was omitted from the publication at his own request, which he thus explains, "I was then a bank officer in Savannah, and did not wish to be known as a musical man, as I had not the least thought of ever making music a profession." President Winchester, of the Handel and Haydn Society, sold the copyright for the young man. Mr. Mason went back to Savannah with probably $500 in his pocket as the preliminary result of his Boston visit. The book soon sprang into universal popularity, being at once adopted by the singing schools of New England, and through this means entering into the church choirs, to whom it opened up a higher field of harmonic beauty. Its career of success ran through some seventeen editions. On realizing this success, Mason determined to accept an invitation to come to Boston and enter upon a musical career. This was in 1826. He was made an honorary member of the Handel and Haydn Society, but declined to accept this, and entered the ranks as an active member. He had been invited to come to Boston by President Winchester and other musical friends and was guaranteed an income of $2,000 a year. He was also appointed, by the influence of these friends, director of music at the Hanover, Green, and Park Street churches, to alternate six months with each congregation. Finally he made a permanent arrangement with the Bowdoin Street Church, and gave up the guarantee, but again friendly influence stepped in and procured for him the position of teller at the American Bank. In 1827 Lowell Mason became president and conductor of the Handel and Haydn Society. It was the beginning of a career that was to win for him as has been already stated the title of "The Father of American Church Music." Although this may seem rather a bold claim it is not too much under the circumstances. Mr. Mason might have been in the average ranks of musicianship had he lived in Europe; in America he was well in advance of his surroundings. It was not too high praise (in spite of Mason's very simple style) when Dr. Jackson wrote of his song collection: "It is much the best book I have seen published in this country, and I do not hesitate to give it my most decided approbation," or that the great contrapuntist, Hauptmann, should say the harmonies of the tunes were dignified and churchlike and that the counterpoint was good, plain, singable and melodious. Charles C. Perkins gives a few of the reasons why Lowell Mason was the very man to lead American music as it then existed. He says, "First and foremost, he was not so very much superior to the members as to be unreasonably impatient at their shortcomings. Second, he was a born teacher, who, by hard work, had fitted himself to give instruction in singing. Third, he was one of themselves, a plain, self-made man, who could understand them and be understood of them." The personality of Dr. Mason was of great use to the art and appreciation of music in this country. He was of strong mind, dignified manners, sensitive, yet sweet and engaging. Prof. Horace Mann, one of the great educators of that day, said he would walk fifty miles to see and hear Mr. Mason teach if he could not otherwise have that advantage. Dr. Mason visited a number of the music schools in Europe, studied their methods, and incorporated the best things in his own work. He founded the Boston Academy of Music. The aim of this institution was to reach the masses and introduce music into the public schools. Dr. Mason resided in Boston from 1826 to 1851, when he removed to New York. Not only Boston benefited directly by this enthusiastic teacher's instruction, but he was constantly traveling to other societies in distant cities and helping their work. He had a notable class at North Reading, Mass., and he went in his later years as far as Rochester, where he trained a chorus of five hundred voices, many of them teachers, and some of them coming long distances to study under him. Before 1810 he had developed his idea of "Teachers' Conventions," and, as in these he had representatives from different states, he made musical missionaries for almost the entire country. He left behind him no less than fifty volumes of musical collections, instruction books, and manuals. As a composer of solid, enduring church music. Dr. Mason was one of the most successful this country has introduced. He was a deeply pious man, and was a communicant of the Presbyterian Church. Dr. Mason in 1817 married Miss Abigail Gregory, of Leesborough, Mass. The family consisted of four sons, Daniel Gregory, Lowell, William and Henry. The two former founded the publishing house of Mason Bros., dissolved by the death of the former in 1869. Lowell and Henry were the founders of the great organ manufacturer of Mason & Hamlin. Dr. William Mason was one of the most eminent musicians that America has yet produced. Dr. Lowell Mason died at "Silverspring," a beautiful residence on the side of Orange Mountain, New Jersey, August 11, 1872, bequeathing his great musical library, much of which had been collected abroad, to Yale College. --Hall, J. H. (c1914). Biography of Gospel Song and Hymn Writers. New York: Fleming H. Revell Company.
It looks like you are using an ad-blocker. Ad revenue helps keep us running. Please consider white-listing Hymnary.org or getting Hymnary Pro to eliminate ads entirely and help support Hymnary.org.