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Let all the world in every corner sing
Author: George Herbert, 1593-1633 Meter: 10.4.6.6.6.6.10.4 Appears in 174 hymnals Lyrics: 1 Let all the world in every corner sing,
my God and King.
The heavens are not too high,
his praise may thither fly:
the earth is not too low,
his praises there may grow.
Let all the world in every corner sing,
my God and King.
2 Let all the world in every corner sing,
my God and King.
The church with psalms must shout,
no door can keep them out;
but above all the heart
must bear the longest part.
Let all the world in every corner sing,
my God and King. Topics: Proper 4 Year C Scripture: Acts 16:25 Used With Tune: LUCKINGTON
Let all the world in every corner sing
Through All the World
Author: Bryan Jeffery Leech, b. 1931 Meter: 10.4.6.6.6.6.10.4 Appears in 7 hymnals First Line: Through all the world let every nation sing to God Lyrics: 1
Through all the world let every nation sing to God,
the king!
As Lord may Christ preside where now he is defied,
and sovereign place his throne in lands not yet his
own.
Through all the world let every nation sing to God,
the King!
2
Through all the world let everyone express true
righteousness!
May Christ be now the norm to which we all
conform,
his passion cure the sin that festers from within.
Through all the world let every one express true
righteousness!
3
Through all the world let every one embrace the gift
of grace!
May Christ’s great light consume our cities darkest
gloom;
may Christ’s great love efface hostilities of race.
Through all the world let every one embrace the gift
of grace!
4
If all the world in every part shall hear and God
revere,
we must be moved to care and in his name to share
the liberating Word which must be told abroad.
Then all the world in every part shall hear and God
revere!
Topics: Service Used With Tune: CONRAD
Through All the World
Que a Pátria Inteira Cante em Teu Louvor
Author: João Filson Soares; George Herbert Meter: 10.4.6.6.6.6.10.4 Appears in 1 hymnal First Line: Que a Pátria inteira canta em teu louvor Used With Tune: ALL THE WORLD
Que a Pátria Inteira Cante em Teu Louvor
LUCKINGTON
Meter: 10.4.6.6.6.6.10.4 Appears in 31 hymnals Composer and/or Arranger: Basil Harwood (1859-1949) Tune Key: D Major Incipit: 13511 26543 56271 Used With Text: Let all the world in every corner sing
LUCKINGTON
ALL THE WORLD
Meter: 10.4.6.6.6.6.10.4 Appears in 25 hymnals Composer and/or Arranger: Robert G. McCutchan Tune Key: C Major Incipit: 51765 43234 65313 Used With Text: Let All the World in Every Corner Sing
ALL THE WORLD
Let all the world in every corner sing
Author: George Herbert, 1593-1632 Hymnal: The Hymnal #1 (1956) Meter: 10.4.6.6.6.6.10.4 Lyrics: 1 Let all the world in every corner sing,
My God and King!
The heavens are not too high,
His praise may thither fly;
The earth is not too low,
His praises there may grow.
Let all the world in every corner sing,
My God and King!
2 Let all the world in every corner sing,
My God and King!
The Church with psalms must shout,
No door can keep them out,
But, above all, the heart
Must bear the longest part.
Let all the world in every corner sing.
My God and King!
Topics: The Church; God Our King; Music; Praise; World; Adoration and Praise General Praise Scripture: Psalm 149:1-2 Tune Title: LIVINGSTON
Let all the world in every corner sing
Let All The World In Every Corner Sing
Author: George Herbert, 1593-1632 Hymnal: The Hymn Book of the Anglican Church of Canada and the United Church of Canada #2a (1971) Meter: 10.4.6.6.6.6.10.4 Languages: English Tune Title: LUCKINGTON
Let All The World In Every Corner Sing
Let All The World In Every Corner Sing
Author: George Herbert, 1593-1632 Hymnal: The Hymn Book of the Anglican Church of Canada and the United Church of Canada #2b (1971) Meter: 10.4.6.6.6.6.10.4 Tune Title: ST JAMES, KINGSTON
Let All The World In Every Corner Sing
George Herbert
1593 - 1633 Person Name: George Herbert, 1593-1632 Meter: 10.4.6.6.6.6.10.4 Author of "Let All The World In Every Corner Sing" in The Hymn Book of the Anglican Church of Canada and the United Church of Canada Herbert, George, M.A., the fifth son of Richard Herbert and Magdalen, the daughter of Sir Richard Newport, was born at his father's seat, Montgomery Castle, April 3, 1593. He was educated at Westminster School, and at Trinity College, Cambridge, graduating B.A. in 1611. On March 15, 1615, he became Major Fellow of the College, M.A. the same year, and in 1619 Orator for the University. Favoured by James I., intimate with Lord Bacon, Bishop Andrewes, and other men of influence, and encouraged in other ways, his hopes of Court preferment were somewhat bright until they were dispelled by the deaths of the Duke of Richmond, the Marquis of Hamilton, and then of King James himself. Retiring into Kent, he formed the resolution of taking Holy Orders. He was appointed by the Bishop of Lincoln to the Prebend of Lcighton Ecclesia and to the living of Leighton Bromswold, Hunts, July 15, 1626. He remained until 1629, when an attack of ague obliged him to remove to his brother's, house at Woodford, Essex. Not improving in health at Woodford, he removed to Dantsey, in Wiltshire, and then as Rector to Bemerton, to which he was inducted, April 26, 1630, where he died Feb. 1632. The entry in the register of Bemerton is "Mr. George Herbert, Esq., Parson of Foughleston and Bemerton, was buried 3 day of March 1632."
His life, by Izaak Walton, is well known; another Memoir, by Barnabas Oley, is forgotten. Herbert's prose work, Priest to the Temple, appeared several years after his death: but The Temple, by which he is best known, he delivered to Nicholas Ferrar (q.v.), about three weeks before his death, and authorized him to publish it if he thought fit. This was done iu 1633. The work became popular, and the 13th edition was issued in 1709. It is meditative rather than hymnic in character, and was never intended for use in public worship. In 1697 a selection from The Temple appeared under the title Select Hymns Taken out of Mr. Herbert's Temple & turned into the Common Metre To Be Sung In The Tunes Ordinarily us'd in Churches. London, Parkhurst, 1697. In 1739, J. & C. Wesley made a much more successful attempt to introduce his hymns into public worship by inserting over 40 in a much-altered form in their Hymns & Sacred Poems. As some few of these came into their collection of Psalms & Hymns, 1741, revised 1743, they were long sung by the Methodists, but do not now form part of the Wesleyan Hymn Book. No further attempt seems to have been made to use the Temple poems as hymns until 1853, when some altered and revised by G. Rawson were given in the Leeds Hymn Book of that year. From that time onward more attention was paid to Herbert alike by Churchmen and Nonconformists, and some of his hymns are now widely accepted. Many editions of his works have been published, the most popular being that of the Rev. Robert Aris Wilmott, Lond., Geo. Routledge & Son, 1857; but Dr. Grosart's privately printed edition issued in his Fuller Worthies Library in 1874, in three volumes, is not only the most complete and correct, but included also his psalms not before reprinted, and several poems from a ms. in the Williams Library, and not before published. The Temple has also been pub¬lished in facsimile by Elliott Stock, 1876, with preface by Dr. Grosart; and in ordinary type, 1882, by Wells Gardner, with preface by J. A. Shorthouse.
The quaintness of Herbert's lyrics and the peculiarity of several of their metres have been against their adoption for congregational purposes. The best known are: "Let all the world in every corner sing"; "My stock lies dead, and no increase"; "Throw away Thy rod"; "Sweet day, so cool, so calm"; and "Teach me, my God, and King." [William T. Brooke]
--John Julian, Dictionary of Hymnology (1907)
George Herbert
Anonymous
Person Name: Unknown Meter: 10.4.6.6.6.6.10.4 Author (st. 3) of "Let All the World in Every Corner Sing" in Evangelical Lutheran Hymnary In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
George J. Elvey
1816 - 1893 Person Name: G. J. Elvey, 1816-93 Meter: 10.4.6.6.6.6.10.4 Composer of "UNDIQUE GLORIA" in Evangelical Lutheran Hymnary George Job Elvey (b. Canterbury, England, 1816; d. Windlesham, Surrey, England, 1893) As a young boy, Elvey was a chorister in Canterbury Cathedral. Living and studying with his brother Stephen, he was educated at Oxford and at the Royal Academy of Music. At age nineteen Elvey became organist and master of the boys' choir at St. George Chapel, Windsor, where he remained until his retirement in 1882. He was frequently called upon to provide music for royal ceremonies such as Princess Louise's wedding in 1871 (after which he was knighted). Elvey also composed hymn tunes, anthems, oratorios, and service music.
Bert Polman
George J. Elvey
Christian Classics Ethereal Hymnary
Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library Meter: 10.4.6.6.6.6.10.4
Christian Classics Ethereal Hymnary
Small Church Music
Meter: 10.4.6.6.6.6.10.4 Editors: George Herbert Description:
History
The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling
to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid
1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of
this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset
of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano
with organ versions.
About the Recordings All recordings are in MP3 format.
Churches all around the world use the recordings, with downloads averaging over 60,000 per
month.
The recordings normally have an introduction, several verses and a slowdown on the last verse.
Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) to adjust the MP3 number of verses, tempo and pitch to suit their local needs.
Mobile App
We have partnered with the developer of the popular NetTracks mobile app to offer the Small Church Music collection as a convenient mobile app. Experience the beloved Small Church Music collection through this iOS app featuring nearly 10,000 high-quality hymn recordings that can be organized into custom setlists and downloaded for offline use—ideal for worship services without musicians, congregational practice, and personal devotion. The app requires a small fee to cover maintenance costs. Please note: While Hymnary.org hosts this music collection, technical support for the app is provided exclusively by the app developer, not by Hymnary.org staff.
LicensingCopyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org.
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