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Meter:7.7.7.7.7.7 d

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Texts

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When the Lord in Glory Comes

Author: Timothy Dudley-Smith Meter: 7.7.7.7.7.7 D Appears in 6 hymnals
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In Gethsemane Alone

Author: Samuel E. Reed Meter: 7.7.7.7.7.7 D Appears in 22 hymnals First Line: O what wondrous love I see Refrain First Line: O what love, matchless love Lyrics: 1 Oh, what wondrous love I see, Freely shown for you and me, By the One Who did atone! Just to show His matchless grace, Jesus suffered for the race, In Gethsemane, alone. Refrain: Oh, what love, matchless love, Oh, what love for me was shown! His forever I will be, For the love He gave to me, When He suffered all alone. 2 “Tarry here,” He told the three, “Tarry here and watch for Me,” But they heard no bitter moan; For the three disciples slept While my loving Savior wept In Gethsemane, alone. [Refrain] 3 Long in anguish deep was He, Weeping there for you and me, For our sin to Him was known; We should love Him evermore For the anguish that He bore In Gethsemane, alone. [Refrain] Timeless Truths
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No Surrender!

Author: James R. Murray Meter: 7.7.7.7.7.7 D Appears in 4 hymnals First Line: No surrender to the foe! Lyrics: 1 No surrender to the foe! Shout the cry where’er you go; Falter never! we must win, No surrendering to sin. No surrender! let it be Battle cry for you and me; God will help us, He is near; He is with us, do not fear. No surrender to the foe! Shout the cry where’er you go; Falter never! we must win, No surrendering to sin. 2 No surrender! press along, Tho’ the hosts of sin are strong; We shall more than conquerors be, If we trust, O Lord, in Thee! No surrender! angel bands From the fair and heav’nly lands Haste to help us; more are they Than the foes that bar our way. No surrender! press along, Tho’ the hosts of sin are strong; We shall more than conquerors be, If we trust, O Lord, in Thee! 3 No surrender! then at last, All our conflicts overpast, Glad will be our welcoming To the city of the King. Forward, then! fall into line! Bright the conqueror’s crown will shine; Storm the camp of sin and wrong, Sweet will be the victor’s song. No surrender! then at last, All our conflicts overpast, Glad will be our welcoming To the city of the King. Used With Tune: CHON BURI Text Sources: Murray's Songs for Sunday Schools and Gospel Meetings (Boston: White & Smith, 1876)

Tunes

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MINSK

Meter: 7.7.7.7.7.7 D Appears in 1 hymnal Composer and/or Arranger: William T. Meyer Tune Key: A Flat Major Incipit: 55661 17771 14433 Used With Text: The Bliss Of One Sweet Hour

ST. JOHN'S (Moore)

Meter: 7.7.7.7.7.7 D Appears in 3 hymnals Composer and/or Arranger: Bob Moore Tune Key: f minor Incipit: 15123 45557 5434

GLORIOUS COMING

Meter: 7.7.7.7.7.7 D Appears in 3 hymnals Composer and/or Arranger: Michael Baughen; David G. Wilson Tune Key: C Major Incipit: 11221 23334 43456 Used With Text: When the Lord in Glory Comes

Instances

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Published text-tune combinations (hymns) from specific hymnals
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In Gethsemane Alone

Author: S. E. R. Hymnal: Timeless Truths #227 Meter: 7.7.7.7.7.7 D First Line: Oh, what wondrous love I see Refrain First Line: Oh, what love, matchless love Lyrics: 1 Oh, what wondrous love I see, Freely shown for you and me, By the One Who did atone! Just to show His matchless grace, Jesus suffered for the race, In Gethsemane, alone. Refrain: Oh, what love, matchless love, Oh, what love for me was shown! His forever I will be, For the love He gave to me, When He suffered all alone. 2 “Tarry here,” He told the three, “Tarry here and watch for Me,” But they heard no bitter moan; For the three disciples slept While my loving Savior wept In Gethsemane, alone. [Refrain] 3 Long in anguish deep was He, Weeping there for you and me, For our sin to Him was known; We should love Him evermore For the anguish that He bore In Gethsemane, alone. [Refrain] Scripture: Mark 14:32 Tune Title: [Oh, what wondrous love I see]
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When the Lord in Glory Comes

Author: Timothy Dudley-Smith Hymnal: The Worshiping Church #280 (1990) Meter: 7.7.7.7.7.7 D Lyrics: 1 When the Lord in glory comes, not the trumpets, not the drums, not the anthem, not the psalm, not the thunder, not the calm, not the shout the heavens raise, not the chorus, not the praise, not the silences sublime, not the sounds of space and time, but his voice when he appears shall be music to my ears; but his voice when he appears shall be music to my ears. 2 When the Lord is seen again, not the glories of his reign, not the lightnings thro' the storm, not the radiance of his form, not his pomp and power alone, not the splendors of his throne, not his robe and diadems, not the gold and not the gems, but his face upon my sight shall be darkness into light; but his face upon my sight shall be darkness into light. 3 When the Lord to human eyes shall bestride our narrow skies, not the child of humble birth, not the carpenter of earth, not the man by all denied, not the victim crucified, but the God who died to save, but the victor of the grave, he it is to whom I fall, Jesus Christ, my All in all; he it is to whom I fall, Jesus Christ, my All in all. Topics: Cosmos; Jesus Christ God Incarnate; Cosmos; Jesus Christ God Incarnate; Jesus Christ Presence of; Jesus Christ Return (Coming in Glory); Jesus Christ Final Victory Scripture: Matthew 17:2 Languages: English Tune Title: GLORIOUS COMING

When the Lord in glory comes

Author: Timothy Dudley-Smith Hymnal: Complete Mission Praise #758 (1999) Meter: 7.7.7.7.7.7 D Topics: Seasons of the Christian Year The Return of Christ Languages: English Tune Title: GLORIOUS COMING

People

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Authors, composers, editors, etc.

Michael Baughen

b. 1930 Meter: 7.7.7.7.7.7 D Composer of "GLORIOUS COMING" in The Worshiping Church

Jay Deavereaux

Meter: 7.7.7.7.7.7 D Composer of "MCCHEYNE (Deavereaux)"

James R. Murray

1841 - 1905 Meter: 7.7.7.7.7.7 D Author of "No Surrender" L.P.M. (1905, April 12). Obituary. New Church Messenger, p.209. Murray.--At Cincinnati, March 10, 1905, James Ramsey Murray. Funeral services in the Church of the New Jersualem, March 13th. James R. Murray was widely known in the musical world as the author of many songs and song books, and in the New Church in Chicago and Cincinnati as an affectionate, intelligent, and loyal New Churchman. He was born in Andover (Ballard Vale), Mass., March 17, 1841. In early life he developed musical talent, and composed many minor pieces for local and special occasions. Later at North Reading, Mass., he attended Dr. George F. Root's School of Music, and was associated with William Bradbury and Dr. Lowell Mason. He enlisted in the Fourteenth Regiment of infantry, commonly known as the Essex County Regiment, and afterwards was changed to the First Regiment, Massachusetts Heavy Artillery, which was engaged in most of the battles fought by the Second Army Corps up to the surrender of General Lee. "Daisy Deane," the first and most popular of his early song successes, was composed in 1863 in Virginia while in camp, words by his cousin, Thomas F. Winthrop. This song is known all over the world, and the Salvation Army is using an arrangement of it for one of their war cry songs. In 1868 Mr. Murray married Isabella Maria Taylor of Andover; and they removed to Chicago. Here three children were born to them, two passing early to their heavenly home, the youngest, Winthrop Root Murray, is still living. It was during these first years in Chicago that Mr. and Mrs. Murray became interested in the New Church, while he was engaged with Root and Cady as editor of the Long Visitor, afterwards merged with the Musical Visitor. After the great fire of 1871 Mr. and Mrs. Murray returned East, where he was engaged in teaching in Lawrence and Andover, and as organist at the Old South Church in Andover. In 1881 they removed to Cincinnati and Mr. Murray became the editor of the Musical Viistor [sic] and head of the publication department of the John Church Company. Among the most popular of his books are "Pure Diamonds," "Royal Gems," "The Prize" and "Murray's Sacred Songs." The following titles will recall some of his best loved sacred songs: "At Last," "Calm on the Listening Ear of Night," "I Shall Be Satisfied," "There Shall No Evil Befall Thee," "Thine, O Lord, Is the Greatness," "The Way Was Mine," "How Beautiful Upon the Mountains," "Angels from the Realms of Glory." His last great labor in the publishing department of the John Church Company was the seeing through the press five volumes of Wagner's music dramas, with full score and original German text, and an English translation. The immense and careful labor involved in the preparation of these volumes, with a really smooth and excellent English translation, had perhaps, as it was done under pressure, something to do with Mr. Murray's breakdown. Although for some reason Mr. Murray's name does not appear on the title page of these volumes, his friends knew of the place the work held in his affections and ambition. Mr. Murray was a member of the Church Council of the Cincinnati Society for the last four years and took a deep interest in the building of the New Church, and in the inauguration of services, with all the changes looking to the improvement of the musical part of the service. The vested choir, organized by Mr. and Mrs. Lawson, which Mr. Murray as councilman had urged from the beginning, in their entrance to the church each Sunday singing the processional hymn participated in the funeral service, with a congregation of brethren and friends, all moved by deep love and profound respect for the consistent life and faith of a worthy Churchman and beloved friend. --DNAH Archives =================================== For a discussion of Murray and the tune MUELLER, see: Stulken, M.K. (1981). Hymnal companion to the Lutheran Book of Worship. Philadelphia : Fortress Press, p.170. =================================== Also available in the DNAH Archives: 1. An excerpt from Christie, George A. (1927). New Free Church. In Music in Andover. Papers read at "Fagot Party" of the Andover Natural History Society. 2. Unsourced essay about Murray written soon after his death, likely from Andover, Mass., perhaps authored by Charlotte Helen Abbott.