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Lowell Mason
1792 - 1872 Composer of "URBRIDGE" in Gospel Melodies Dr. Lowell Mason (the degree was conferred by the University of New York) is justly called the father of American church music; and by his labors were founded the germinating principles of national musical intelligence and knowledge, which afforded a soil upon which all higher musical culture has been founded. To him we owe some of our best ideas in religious church music, elementary musical education, music in the schools, the popularization of classical chorus singing, and the art of teaching music upon the Inductive or Pestalozzian plan. More than that, we owe him no small share of the respect which the profession of music enjoys at the present time as contrasted with the contempt in which it was held a century or more ago. In fact, the entire art of music, as now understood and practiced in America, has derived advantage from the work of this great man.
Lowell Mason was born in Medfield, Mass., January 8, 1792. From childhood he had manifested an intense love for music, and had devoted all his spare time and effort to improving himself according to such opportunities as were available to him. At the age of twenty he found himself filling a clerkship in a banking house in Savannah, Ga. Here he lost no opportunity of gratifying his passion for musical advancement, and was fortunate to meet for the first time a thoroughly qualified instructor, in the person of F. L. Abel. Applying his spare hours assiduously to the cultivation of the pursuit to which his passion inclined him, he soon acquired a proficiency that enabled him to enter the field of original composition, and his first work of this kind was embodied in the compilation of a collection of church music, which contained many of his own compositions. The manuscript was offered unavailingly to publishers in Philadelphia and in Boston. Fortunately for our musical advancement it finally secured the attention of the Boston Handel and Haydn Society, and by its committee was submitted to Dr. G. K. Jackson, the severest critic in Boston. Dr. Jackson approved most heartily of the work, and added a few of his own compositions to it. Thus enlarged, it was finally published in 1822 as The Handel and Haydn Society Collection of Church Music. Mason's name was omitted from the publication at his own request, which he thus explains, "I was then a bank officer in Savannah, and did not wish to be known as a musical man, as I had not the least thought of ever making music a profession." President Winchester, of the Handel and Haydn Society, sold the copyright for the young man. Mr. Mason went back to Savannah with probably $500 in his pocket as the preliminary result of his Boston visit.
The book soon sprang into universal popularity, being at once adopted by the singing schools of New England, and through this means entering into the church choirs, to whom it opened up a higher field of harmonic beauty. Its career of success ran through some seventeen editions. On realizing this success, Mason determined to accept an invitation to come to Boston and enter upon a musical career. This was in 1826. He was made an honorary member of the Handel and Haydn Society, but declined to accept this, and entered the ranks as an active member. He had been invited to come to Boston by President Winchester and other musical friends and was guaranteed an income of $2,000 a year. He was also appointed, by the influence of these friends, director of music at the Hanover, Green, and Park Street churches, to alternate six months with each congregation. Finally he made a permanent arrangement with the Bowdoin Street Church, and gave up the guarantee, but again friendly influence stepped in and procured for him the position of teller at the American Bank.
In 1827 Lowell Mason became president and conductor of the Handel and Haydn Society. It was the beginning of a career that was to win for him as has been already stated the title of "The Father of American Church Music." Although this may seem rather a bold claim it is not too much under the circumstances. Mr. Mason might have been in the average ranks of musicianship had he lived in Europe; in America he was well in advance of his surroundings. It was not too high praise (in spite of Mason's very simple style) when Dr. Jackson wrote of his song collection: "It is much the best book I have seen published in this country, and I do not hesitate to give it my most decided approbation," or that the great contrapuntist, Hauptmann, should say the harmonies of the tunes were dignified and churchlike and that the counterpoint was good, plain, singable and melodious.
Charles C. Perkins gives a few of the reasons why Lowell Mason was the very man to lead American music as it then existed. He says, "First and foremost, he was not so very much superior to the members as to be unreasonably impatient at their shortcomings. Second, he was a born teacher, who, by hard work, had fitted himself to give instruction in singing. Third, he was one of themselves, a plain, self-made man, who could understand them and be understood of them."
The personality of Dr. Mason was of great use to the art and appreciation of music in this country. He was of strong mind, dignified manners, sensitive, yet sweet and engaging.
Prof. Horace Mann, one of the great educators of that day, said he would walk fifty miles to see and hear Mr. Mason teach if he could not otherwise have that advantage.
Dr. Mason visited a number of the music schools in Europe, studied their methods, and incorporated the best things in his own work. He founded the Boston Academy of Music. The aim of this institution was to reach the masses and introduce music into the public schools. Dr. Mason resided in Boston from 1826 to 1851, when he removed to New York. Not only Boston benefited directly by this enthusiastic teacher's instruction, but he was constantly traveling to other societies in distant cities and helping their work. He had a notable class at North Reading, Mass., and he went in his later years as far as Rochester, where he trained a chorus of five hundred voices, many of them teachers, and some of them coming long distances to study under him. Before 1810 he had developed his idea of "Teachers' Conventions," and, as in these he had representatives from different states, he made musical missionaries for almost the entire country. He left behind him no less than fifty volumes of musical collections, instruction books, and manuals.
As a composer of solid, enduring church music. Dr. Mason was one of the most successful this country has introduced. He was a deeply pious man, and was a communicant of the Presbyterian Church. Dr. Mason in 1817 married Miss Abigail Gregory, of Leesborough, Mass. The family consisted of four sons, Daniel Gregory, Lowell, William and Henry. The two former founded the publishing house of Mason Bros., dissolved by the death of the former in 1869. Lowell and Henry were the founders of the great organ manufacturer of Mason & Hamlin. Dr. William Mason was one of the most eminent musicians that America has yet produced.
Dr. Lowell Mason died at "Silverspring," a beautiful residence on the side of Orange Mountain, New Jersey, August 11, 1872, bequeathing his great musical library, much of which had been collected abroad, to Yale College.
--Hall, J. H. (c1914). Biography of Gospel Song and Hymn Writers. New York: Fleming H. Revell Company.
Lowell Mason
John Warrington Hatton
1710 - 1793 Person Name: John Hatton Composer of "DUKE STREET" in Carmina Sanctorum John Warrington Hatton (b. Warrington, England, c. 1710; d, St. Helen's, Lancaster, England, 1793) was christened in Warrington, Lancashire, England. He supposedly lived on Duke Street in Lancashire, from where his famous tune name comes. Very little is known about Hatton, but he was most likely a Presbyterian, and the story goes that he was killed in a stagecoach accident.
Bert Polman
John Warrington Hatton
William Bengo Collyer
1782 - 1854 Person Name: W. B. Collyer Author of "Assembled at Thy Great Command" in Sacred Songs and Solos William Bengo Collyer was born at Blackheath Hill, in 1782, and studied at Homerton College. Before completing his twentieth year he became pastor of a Congregational society at Peckham, continuing in that position through his life. He died in 1854. He received the degree of D.D. from the University of Edinburgh in 1808. For many years he was one of the most popular Dissenting ministers in London. He published many hymns and some works on theology.
--Annotations of the Hymnal, Charles Hutchins, M.A. 1872.
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Collyer, William Bengo, D.D., born at Blackheath, April 14, 1782, educated at Homerton College, where, when 16 years old, he was enrolled as a student for the ministry. At 20 he began his ministry at Peckham on Dec. 17, 1801 ordained pastor of a small church consisting of ten communicants. From 1814 to 1826 he was also pastor of a Church meeting in Salters' Hall. On June 17, 1817, a new chapel was opened for him at Peckham. There, from the time of his settlement in 1801, he laboured with great success and honour until Dec. 11, 1853, on which clay he preached for the last time. He died Jan. 8, 1854.
Dr. Collyer was eminent in his day as an eloquent Evangelical preacher, when formalism in worship, and Arianism in doctrine, prevailed. He was a man of amiable disposition, polished manners, and Christian courtesy; popular with rich and poor alike. He was the author of a series of lectures on Divine Revelation, in seven volumes: Scripture Facts, Prophecies, Miracles, Parables, Doctrines, Duties, Comparisons. Dr. Collyer compiled a hymn-book with the title, Hymns partly collected and partly original, designed as a supplement to Dr. Watts's Psalms and Hymns, 1812. It was intended at first for the use of his own congregation only, and was to include many hymns composed by himself, to be sung after sermons which he had preached to them, but he was led to alter the plan. It comprises 979 hymns, 6 choruses, and 4 doxologics, arranged in groups according to their authors, and not subjects. Of this number 57 were written by Dr. Collyer, and are for the most part short descriptive or didactic poems, religious or moral essays in verse, and not hymns addressed to the Creator and Redeemer. Some of them are devoid of Christian truth, and are poems of nature or of sentiment. Some of them were written during the hard and sorrowful times of the wars of Bonaparte, and relate to famine and national calamity. Several were prepared for the public meetings of missionary and benevolent societies, which had their origin in his time. He also published Services suited to the Solemnization of Matrimony, Baptism, &c, 1837, which contained 89 of his hymns, &c.; Hymns for Israel, a Tribute of Love for God's Ancient People, 1848 (41 hymns). In Dr. Leifchild's Original Hymns, 1843, there are also 39 of his compositions. Many of his pieces appeared in the Evangelical Magazine, and were also appended to his numerous published Sermons. A few of his hymns are still in common use, including. "Another fleeting day is gone"; "Assembled at Thy great command"; "O Jesu, in this solemn hour"; "O Thou, the helpless orphan's hope"; "Return, O wanderer, return," and the fine cento, "Great God, what do I see and hear."
[Rev. F. J. Faulding, D.D.]
--John Julian, Dictionary of Hymnology (1907)
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Collyer, William Bengo, p. 243, ii. The following hymns by Dr. Collyer are also in common use:—
1. Another fleeting day is gone. Evening. (1812.)
2. 0 Jesus, in this solemn hour. Reception of Church Officers. (1842.)
3. O Thou, the helpless orphan's hope. On Behalf of Orphans. In the Evangelical Magazine, 1808, p. 48.
4. See the clouds upon the mountain. Sunday Morning. (1842.)
5. Soft be the gently breathing notes. Praise to the Redeemer. (1812.)
6. Softly the shade of evening falls. Evening. (1812.) From this, “Soon shall a darker night descend" is taken.
7. Thou Prince of glory slain for me. Good Friday. (1812.)
The date 1812 is that of his Collection, and 1842 of Leifchild's Original Hymns.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
William Bengo Collyer
Charles Zeuner
1795 - 1857 Person Name: H. C. Zeuner Composer of "MISSIONARY CHANT" in Sacred Songs and Solos Also:
Zeuner, Heinrich Christoph, 1795-1857
Zeuner, Heinrich Christopher, 1795-1857
Charles Zeuner
Heinrich Christoph Zeuner
Person Name: H. C. Zeuner Composer of "MISSIONARY CHANT" in The Revival See Zeuner, Charles, 1795-1857
Heinrich Christoph Zeuner
Samuel Holyoke
1762 - 1820 Composer of "ARNHEIM" in The Cyber Hymnal Samuel Holyoke, American composer and teacher of vocal and instrumental music, was the son of Rev. Elizur Holyoke and Hannah Peabody. He was born on 15 October 1762 in Boxford, Massachusetts, in Essex County, and died on 7 February 1820, Concord, New Hampshire, in Merrimack County. He was a Congregationalist and a Mason, and never married.
After preparatory training at at Phillips Academy, Andover Holyoke matriculated at Harvard College in 1786. The source of his musical training is unknown, but he was composed music before he graduated from Harvard in 1789. In 1789-1790, he contributed four secular compositions to Isaiah Thomas’s Massachusetts Magazine. A prolific composer, he composed some 700 pieces, including psalm tunes and anthems and occasional pieces, some with instrumental accompaniment.
In 1793, Holyoke helped to found Groton Academy in Groton, Massachusetts, where he served as the first headmaster.[citation needed] In 1809–1810 Holyoke served as music instructor at Phillips Academy.[citation needed]
After his death, his music was largely forgotten. His importance to American music was summed up by music historian George Hood: "There was no man of his day that did more for the cause of music than Samuel Holyoke."
Published works
Harmonia Americana (Boston, 1791)
The Massachusetts Compiler (Boston, 1795, with Oliver Holden and Hans Gram)
"Exeter: for Thanksgiving" (Exeter, NH, 1798)
"Hark from the Tombs" and "Beneath the Honors" (Exeter, NH, 1800, in honor of George Washington)
The Instrumental Assistant (Exeter, NH, 1800)
A Dedication Service (Exeter, NH, 1801)
Occasional Music (Exeter, NH, 1802)
The Columbian Repository (Exeter, NH, 1803)
Masonic Music (Exeter, NH, 1803)
A Dedication Service (Salem, MA, 1804; different music from the 1801 publication)
The Christian Harmonist (Salem, MA, 1804)
The Occasional Companion, nos. 1-7) (Exeter, NH, Dedham, MA, and Boston, 1806-after 1810)
The Instrumental Assistant II (Exeter, NH, 1807)
The Vocal Companion (Exeter, NH, 1807)
--en.wikipedia.org
Samuel Holyoke
