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Text Identifier:"^christ_we_come_with_joy_and_gladness$"
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Constance Cherry

b. 1953 Person Name: Constance M. Cherry Author of "Christ, We Come with Joy and Gladness" in Celebrating Grace Hymnal Rev. Dr. Constance Cherry is an experienced professor, worship leader, musician, and pastor, having served in local church ministry and academic teaching positions for more than thirty years. While a young woman she received a life-time vocational call to serve Christ through serving his Church. For many years she served as a full-time minister of music in large churches where she directed multiple types of choral groups and instrumental ensembles, prepared worship services, and provided leadership for the many dimensions of the multi-faceted church music program. Her undergraduate degree in music (Huntington University) and her Master of Music degree (Bowling Green State University) prepared her well for the musical expertise required of such positions. A growing interest in formal worship studies drew her eventually to pursue doctoral studies at Northern Baptist Theological Seminary (Chicago area). There she studied with Robert E. Webber who was not only Constance’s professor but also the supervisor for her doctoral thesis, “Discovering Your Vision for Worship: Teaching Worship in an Interdenominational Seminary Setting.” (see www.tren.com). As a result, her vocational call to ministry expanded into teaching seminary full-time at Winebrenner Theological Seminary, Findlay, Ohio, and serving congregations as pastor. Constance is ordained in the United Methodist Church. Today Constance is Professor of Worship and Pastoral Ministry at Indiana Wesleyan University, Marion, Indiana where she directs the major in Christian Worship. Since 2000 she has served on the faculty of The Robert E. Webber Institute for Worship Studies located in Jacksonville, Florida, traveling twice yearly to teach in the doctoral program of IWS. In addition, she teaches worship at institutions of higher education in several countries, most recently in the Master’s program at the Evangelische Theologische Faculteit (Evangelical Theological Faculty) in Leuven, Belgium (2008 & 2010). Constance is frequently called upon to serve as conference speaker on matters related to worship and church music. She is a published composer (Lorenz, Hope Publishing Company, and Celebrations Unlimited) as well as the author of many hymn texts. She currently has hymns in seven major hymnals. In addition to her three published books, Constance’s other publications include articles in numerous magazines such as Worship Leader, The Hymn, Reformed Worship, Worship Arts, and Creator. A native of Michigan, Constance enjoys traveling, playing the piano, walking, and hanging out with family and friends. --theworshiparchitect.com/

Ludwig van Beethoven

1770 - 1827 Person Name: Ludwig van Beethoven Composer of "HYMN TO JOY" in Celebrating Grace Hymnal A giant in the history of music, Ludwig van Beethoven (b. Bonn, Germany, 1770; d. Vienna, Austria, 1827) progressed from early musical promise to worldwide, lasting fame. By the age of fourteen he was an accomplished viola and organ player, but he became famous primarily because of his compositions, including nine symphonies, eleven overtures, thirty piano sonatas, sixteen string quartets, the Mass in C, and the Missa Solemnis. He wrote no music for congregational use, but various arrangers adapted some of his musical themes as hymn tunes; the most famous of these is ODE TO JOY from the Ninth Symphony. Although it would appear that the great calamity of Beethoven's life was his loss of hearing, which turned to total deafness during the last decade of his life, he composed his greatest works during this period. Bert Polman

Edward Hodges

1796 - 1867 Person Name: Edward Hodges Harmonizer of "HYMN TO JOY" in Celebrating Grace Hymnal Born: Ju­ly 20, 1796, Bris­tol, Eng­land. Died: Sep­tem­ber 1, 1867, Clif­ton, Bris­tol, Eng­land. Buried: Church of St. Mary the Vir­gin, Stan­ton Drew (about eight miles south of Bristol). Hodges’ mu­sic­al gift showed it­self at an ear­ly age; by 1819, he was play­ing the or­gan at St. James’ Church in Bris­tol, and at St. Nicholas’, 1821-1838. He al­so had an in­ter­est­ing me­chan­ic­al bent, and spurred sev­er­al tech­ni­cal im­prove­ments in or­gan de­sign. He com­posed a num­ber of serv­ic­es and an­them piec­es, and Cam­bridge Un­i­ver­si­ty award­ed him a doc­tor­ate in mu­sic in 1825. Hodges event­u­al­ly em­i­grat­ed, ac­cept­ing a post at the ca­thed­ral in To­ron­to, Ca­na­da, in 1838. The next year, he be­came mu­sic di­rect­or at Trin­i­ty Par­ish in New York Ci­ty. He be­came the or­gan­ist at Trin­i­ty Church when it opened in 1846 (the church had its or­gan built to his spe­ci­fi­ca­tions). He re­tired for health rea­sons in 1859, and re­turned to his native Eng­land in 1863. Hodges’ works in­clude: An Apol­o­gy for Church Mu­sic and Mu­sic­al Fes­tiv­als, in Ans­wer…to the Stan­dard and the Re­cord (Lond­on: 1834) Essays on the Ob­jects of Mu­sic­al Study (Bris­tol, Eng­land: 1838) An Es­say on the Cul­ti­va­tion of Church Mu­sic (New York: 1841) Contributions to the Quar­ter­ly Mu­sic­al Mag­a­zine & Mu­sic­al World Trin­i­ty Col­lect­ion of Church Mu­sic (Bos­ton, Mass­a­chu­setts: 1864) (ed­it­or) Music-- BRISTOL GLOUCESTER HABAKKUK HYMN TO JOY --www.hymntime.com/

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