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Topics:admonition+and+invitation

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Is Thy Heart Right With God?

Author: E. A. H. Appears in 253 hymnals Topics: Admonition and Invitation First Line: Have thy affections been nailed to the cross Refrain First Line: Is thy heart right with God Used With Tune: [Have thy affections been nailed to the cross]
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Why Do You Wait?

Author: G. F. R. Appears in 444 hymnals Topics: Admonition and Invitation First Line: Why do you wait, dear brother Refrain First Line: Why not, why not, why not come to Him now Used With Tune: [Why do you wait, dear brother]
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There's a Wideness in God's Mercy

Author: Frederick W. Faber Appears in 925 hymnals Topics: Admonition and Invitation Used With Tune: WELLESLEY

Tunes

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AVON

Appears in 1,058 hymnals Composer and/or Arranger: Hugh Wilson Topics: Admonition and Invitation Incipit: 51651 23213 53213 Used With Text: And Must I Be to Judgment Brought
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[At the feast of Belshazzar]

Appears in 46 hymnals Composer and/or Arranger: Knowles Shaw Topics: Admonition and Invitation Incipit: 34555 55123 23455 Used With Text: The Handwriting On the Wall
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WOODWORTH

Appears in 1,219 hymnals Composer and/or Arranger: W. B. Bradbury, 1816-1868 Topics: Admonition and Invitation Incipit: 12335 43234 355 Used With Text: God Calling Yet ! Shall I Not Hear

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Come to the Feast

Author: Charlotte G. Homer Hymnal: The Baptist Standard Hymnal #241 (1924) Topics: Admonition and Invitation First Line: All things are ready, come to the feast Refrain First Line: Hear the invitation, come whosoever will Languages: English Tune Title: [All things are ready, come to the feast]
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Come, Trembling Sinner

Author: Edmund Jones Hymnal: The Baptist Standard Hymnal #200 (1924) Topics: Admonition and Invitation First Line: Come, trembling sinner, in whose breast Languages: English Tune Title: BALERMA
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Behold a Stranger's At the Door

Author: Joseph Grigg Hymnal: The Baptist Standard Hymnal #202 (1924) Topics: Admonition and Invitation First Line: Behold a Stranger's at the door! Languages: English Tune Title: FEDERAL STREET

People

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Authors, composers, editors, etc.

H. R. Palmer

1834 - 1907 Topics: Admonition and Invitation Composer of "COME, SINNER, COME!" in The Baptist Standard Hymnal Palmer, Horatio Richmond, MUS. DOC, was born April 26, 1834. He is the author of several works on the theory of music; and the editor of some musical editions of hymnbooks. To the latter he contributed numerous tunes, some of which have attained to great popularity, and 5 of which are in I. D. Sankey's Sacred Songs and Solos, London, 1881. His publications include Songs of Love for the Bible School; and Book of Anthems, the combined sale of which has exceeded one million copies. As a hymnwriter he is known by his "Yield not to temptation," which was written in 1868, and published in the National Sunday School Teachers' Magazine, from which it passed, with music by the author, into his Songs of Love, &c, 1874, and other collections. In America its use is extensive. Dr. Palmer's degree was conferred by the University of Chicago in 1880. -- John Julian, Dictionary of Hymnology (1907) =============== Palmer, H. R., p. 877, i. The hymn "Would you gain the best in life" (Steadfastness), in the Congregational Sunday School Supplement, 1891, the Council School Hymn Book, 1905, and others, is by this author. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Mrs. Barbauld

1743 - 1825 Person Name: Anna Laetitia Barbauld Topics: Admonition and Invitation Author of "Come, Says Jesus' Sacred Voice" in The Baptist Standard Hymnal Barbauld, Anna Laetitia, née Aikin, daughter of the Rev. John Ailrin, D.D., a dissenting minister, was b. at Kibworth-Harcourt, Leicestershire, June 20, 1743. In 1753 Dr. Aikin became classical tutor at a dissenting academy at Warrington. During her residence there she contributed five hymns to Dr. W. Enfield's Hymns for Public Worship, &c, Warrington, 1772. In the following year these were included in her Poems, Lond., J. Johnson, 1773. In May, 1774, Miss Aikin was married to the Rev. Rochemont Barbauld, a descendant of a French Protestant family, and a dissenting minister. For some years Mr. Barbauld conducted, in addition to his pastoral work, a boarding school at Palgrave, Suffolk. From this he retired in 1785. In 1786 he undertook the charge of a small congregation at Hampstead, and from thence he passed to the dissenting chapel (formerly Dr. Price's) at Newington Green, in 1802. He d. Nov. 11, 1808. Mrs. Barbauld continued to reside in the neighbourhood until her death, March 9, 1825. In the latter part of the same year her niece published The Works of Anna Laetitia Barbauld, with Memoir, by Lucy Aikin, 2 vols., Lond., Longman, 1825. As a writer of hymns Mrs. Barbauld was eminently successful. Their use, however, with the exception of five contributed to Dr. W. Enfield's collection, is almost exclusively confined to the Unitarian hymnals of Great Britain and America. Including these hymnals, the whole of her hymns are still in common use. These hymns appeared thus:— i. In Dr. W. Enfield's Hymns, &c., 1772. 1. Again the Lord of life and light. Easter. 2. Awake, my soul, lift up thine eyes. Conflict. 3. Behold, where breathing love divine. Christian Charity. 4. Jehovah reigns, let every nation hear. God's Dominion. A part of this was given in Collyer's Sel., 1812, No. 586, as:— 5. This earthly globe, the creature of a day. 6. Praise to God, Immortal praise. Harvest. ii. Poems, 1773 (Preface dated Dec. 1, 1772). The whole of the above, and also:— 7. God of my life and author of my days. To God the Father. This is an “Address to the Deity," in 80 1. It is given in Martineau's Collection, 1840 and 1873. From it the following centos were given in Collyer's Selection> 1812:— 8. God, our kind Master, merciful as just. 9. If friendless in the vale of tears I stray. iii. Poems revised 1792. 10. Come, said [says] Jesus' sacred voice. Invitation. 11. How blest the sacred tie that binds. Christian Fellowship. 12. Lo where a crowd of pilgrims toil. Pilgrimage of Life. From this is taken:— 13. Our country is Immanuel's ground [land]. iv. Leisure Hour Improved (Ironbridge), 1809. 14. Sweet is the scene when virtue dies. Death. v. Supplement to the Unitarian Coll. of Kippis, Bees, and others, 1807. 15. When as returns the solemn day. Sunday. 16. Sleep, sleep to day, tormenting cares. Sunday. 17. How may earth and heaven unite. Worship. vi. Works, with Memoir, 1825. In vol. i. most of the above are reprinted, and the following are added :— 18. Joy to the followers of the Lord. Joy. (c. 1820.) 19. Pure spirit, O where art thou now. Bereavement. This is dated 1808. 20. Salt of the earth, ye virtuous few. Salt of the Earth. 21. When life as opening buds is sweet. Death. This is dated " November, 1814." The more important of these hymns are annotated in this Dictionary under their first lines. Mrs. Barbauld's Hymns in Prose for Children, originally published in 1781, were long popular and have been translated into French, Italian, Spanish, and other languages. -- John Julian, Dictionary of Hymnology (1907) =================== Barbauld, Anna L., p. 113, ii. No. 18 on p. 114, i.,should be dated circa 1820. Another hymn in common use from Mrs. Barbauld's Works, &c, 1825, is, "O Father! though the anxious fear" (E. Taylor, p. 1117, in error). --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) See also in: Hymn Writers of the Church

Hugh Wilson

1766 - 1824 Topics: Admonition and Invitation Composer of "AVON" in The Baptist Standard Hymnal Hugh Wilson (b. Fenwick, Ayrshire, Scotland, c. 1766; d. Duntocher, Scotland, 1824) learned the shoemaker trade from his father. He also studied music and mathematics and became proficient enough in various subjects to become a part-­time teacher to the villagers. Around 1800, he moved to Pollokshaws to work in the cotton mills and later moved to Duntocher, where he became a draftsman in the local mill. He also made sundials and composed hymn tunes as a hobby. Wilson was a member of the Secession Church, which had separated from the Church of Scotland. He served as a manager and precentor in the church in Duntocher and helped found its first Sunday school. It is thought that he composed and adapted a number of psalm tunes, but only two have survived because he gave instructions shortly before his death that all his music manuscripts were to be destroyed. Bert Polman
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