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Hark, the Glad Sound
Author: Philip Doddridge Meter: 8.6.8.6 Appears in 836 hymnals Topics: Advent 4 Year B; Advent 4 Year C First Line: Hark, the glad sound! The Saviour comes Lyrics: 1 Hark, the glad sound! The Saviour comes,
the Saviour promised long:
let every heart prepare a throne;
and every voice a song.
2 He comes, the prisoners to release
in Satan's bondage held;
the gates of brass before him burst,
the iron fetters yield.
3 He comes, the broken heart to bind,
the bleeding soul to cure;
and with the treasures of his grace
to enrich the humble poor.
4 Our glad hosannas, Prince of Peace,
your welcome shall proclaim;
and heaven's eternal arches ring
with your beloved name. Used With Tune: RICHMOND
Hark, the Glad Sound
Once in Royal David's City
Author: Cecil Frances Alexander Meter: 8.7.8.7.7.7 Appears in 425 hymnals Topics: Advent 4 Year A; Advent 4 Year B Lyrics: 1 Once in royal David's city
stood a lowly cattle-shed,
where a mother laid her baby
in a manger for his bed.
Mary was that mother mild,
Jesus Christ her little child.
2 He came down to earth from heaven,
who, with God is over all,
and his shelter was a stable,
and his cradle was a stall.
There among the poor and lowly
lived on earth our Saviour holy.
3 For he is our lifelong pattern;
daily, when on earth he grew;
he was tempted, scorned, rejected,
tears and smiles like us he knew.
Thus he feels for all our sadness,
and he shares in all our gladness.
4 And our eyes at last shall see him,
through his own redeeming love;
for that child who seemed so helpless
is our Lord in heaven above;
and he leads his children on
to the place where he is gone. Used With Tune: IRBY
Once in Royal David's City
At the Name of Jesus
Author: Caroline Maria Noel Meter: 11.11.11.11 Appears in 264 hymnals Topics: Advent 4 Year B First Line: At the name of Jesus every knee shall bow Lyrics: 1 At the Name of Jesus every knee shall bow,
every tongue confess him King of glory now;
'tis our God's great pleasure we should call him Lord,
who from the beginning was the mighty Word.
2 Humbled for a season to receive a name
from the lips of sinners unto whom he came,
faithfully he bore it, spotless to the last,
brought it back victorious when from death he passed.
3 Name him, Christians, name him, with love strong as death,
but with awe and wonder, and with bated breath;
he is God the Saviour, he is Christ the Lord,
ever to be worshipped, trusted, and adored.
4 In your hearts enthrone him; there let him subdue
all that is not holy, all that is not true;
crown him as your Captain in temptation's hour;
let his will enfold you in its light and power.
5 Christians, this Lord Jesus shall return again,
with his Father's glory, with his angel train;
for all wreaths of empire meet upon his brow,
and our hearts confess him King of Glory now.
Used With Tune: KING'S WESTON
At the Name of Jesus
PRAISE HIM
Meter: 12.10.12.10.11.10.12.10 Appears in 294 hymnals Composer and/or Arranger: Chester G. Allen, 1838-1878 Topics: Ascensiontide; Joy, Praise and Thanksgiving; Year A Dedication Festival; Year A Palm Sunday: Liturgy of the Palms; Year B Advent 2; Year B Easter 4; Year B Palm Sunday: Liturgy of the Palms; Year C Lent 3 Tune Key: G Major Incipit: 35132 32176 51351 Used With Text: Praise him, praise him
PRAISE HIM
OPEN MY EYES
Meter: 8.8.9.8 with refrain Appears in 231 hymnals Composer and/or Arranger: Clara H. Scott Topics: Holy Spirit Praise and Invocation; Choruses and Refrains; Commitment; Discipleship and Service; Guidance; Holy Spirit; Holy Spirit Illumination; Service Music Prayer for Illumination; Service Music Invitation to Prayer; Surrender; Witness; Advent 3 Year A; Lent 4 Year A; Easter 5 Year B; Proper 4 Year B; Proper 25 Year B; Epiphany Last/Transfig. Year C; All Saints Year C Tune Key: A Flat Major Incipit: 17656 65527 65765 Used With Text: Open My Eyes, That I May See
OPEN MY EYES
O come, O come, Emmanuel (Oh, viens Jésus, oh, viens Emmauel)
Author: John Mason Neale; Pierre-Yves Emery Hymnal: Voices United #1 (1996) Meter: 8.8.8.8 with refrain Topics: Advent 4 Year A; Advent 4 Year C First Line: O come, O come, Emmanuel (Oh! viens Jésus, oh! viens Emmauel) Refrain First Line: Rejoice! Rejoice! ( Chantez! chantez!) Languages: English; French Tune Title: VENI EMMANUEL
O come, O come, Emmanuel (Oh, viens Jésus, oh, viens Emmauel)
Come, Thou Long-Expected Jesus
Author: Charles Wesley Hymnal: Voices United #2 (1996) Meter: 8.7.8.7 Topics: Advent 4 Year B; Advent 4 Year C Lyrics: 1 Come, thou long-expected Jesus
born to set thy people free;
from our fears and sins release us,
let us find our rest in thee.
2 Israel's strength and consolation,
hope of all the earth thou art,
dear desire of every nation,
joy of every longing heart.
3 Born thy people to deliver,
born a child and yet a King,
born to reign in us forever,
now thy gracious kingdom bring.
4 By thine own eternal Spirit
rule in all our hearts alone;
by thine all-sufficient merit,
raise us to thy glorious throne.
Languages: English Tune Title: STUTTGART
Come, Thou Long-Expected Jesus
Psalm 80: The Vineyard of the Lord (Lord, Make Us Turn to You)
Hymnal: Journeysongs (2nd ed.) #58 (2003) Topics: Advent 4 Year C; Advent 4 Year C; Advent 4 Year C First Line: A vine from Egypt you transplanted (O shepherd of Israel, hearken) Refrain First Line: The vineyard of the Lord (Lord, make us turn to you) Scripture: Psalm 80:2-4 Languages: English Tune Title: [A vine from Egypt you transplanted]
Psalm 80: The Vineyard of the Lord (Lord, Make Us Turn to You)
C. G. Gläser
1784 - 1829 Person Name: Carl Gotthelf Gläser Topics: Advent 4 Year A Composer of "AZMON" in Voices United Carl Gotthelf Gläser Germany 1781-1829. Born at Weissenfels, Burgenlandkreis, Sachsen-Anhalt, Germany, he received musical training from his father, after which he attended St. Thomas school in Leipzig. He became an author and composer. At Barmen he taught voice, piano, and violin. He also wrote and conducted chorale music. He died at Barmen.
John Perry
C. G. Gläser
Lowell Mason
1792 - 1872 Topics: Advent 4 Year A Adapter and Harmonizer of "AZMON" in Voices United Dr. Lowell Mason (the degree was conferred by the University of New York) is justly called the father of American church music; and by his labors were founded the germinating principles of national musical intelligence and knowledge, which afforded a soil upon which all higher musical culture has been founded. To him we owe some of our best ideas in religious church music, elementary musical education, music in the schools, the popularization of classical chorus singing, and the art of teaching music upon the Inductive or Pestalozzian plan. More than that, we owe him no small share of the respect which the profession of music enjoys at the present time as contrasted with the contempt in which it was held a century or more ago. In fact, the entire art of music, as now understood and practiced in America, has derived advantage from the work of this great man.
Lowell Mason was born in Medfield, Mass., January 8, 1792. From childhood he had manifested an intense love for music, and had devoted all his spare time and effort to improving himself according to such opportunities as were available to him. At the age of twenty he found himself filling a clerkship in a banking house in Savannah, Ga. Here he lost no opportunity of gratifying his passion for musical advancement, and was fortunate to meet for the first time a thoroughly qualified instructor, in the person of F. L. Abel. Applying his spare hours assiduously to the cultivation of the pursuit to which his passion inclined him, he soon acquired a proficiency that enabled him to enter the field of original composition, and his first work of this kind was embodied in the compilation of a collection of church music, which contained many of his own compositions. The manuscript was offered unavailingly to publishers in Philadelphia and in Boston. Fortunately for our musical advancement it finally secured the attention of the Boston Handel and Haydn Society, and by its committee was submitted to Dr. G. K. Jackson, the severest critic in Boston. Dr. Jackson approved most heartily of the work, and added a few of his own compositions to it. Thus enlarged, it was finally published in 1822 as The Handel and Haydn Society Collection of Church Music. Mason's name was omitted from the publication at his own request, which he thus explains, "I was then a bank officer in Savannah, and did not wish to be known as a musical man, as I had not the least thought of ever making music a profession." President Winchester, of the Handel and Haydn Society, sold the copyright for the young man. Mr. Mason went back to Savannah with probably $500 in his pocket as the preliminary result of his Boston visit.
The book soon sprang into universal popularity, being at once adopted by the singing schools of New England, and through this means entering into the church choirs, to whom it opened up a higher field of harmonic beauty. Its career of success ran through some seventeen editions. On realizing this success, Mason determined to accept an invitation to come to Boston and enter upon a musical career. This was in 1826. He was made an honorary member of the Handel and Haydn Society, but declined to accept this, and entered the ranks as an active member. He had been invited to come to Boston by President Winchester and other musical friends and was guaranteed an income of $2,000 a year. He was also appointed, by the influence of these friends, director of music at the Hanover, Green, and Park Street churches, to alternate six months with each congregation. Finally he made a permanent arrangement with the Bowdoin Street Church, and gave up the guarantee, but again friendly influence stepped in and procured for him the position of teller at the American Bank.
In 1827 Lowell Mason became president and conductor of the Handel and Haydn Society. It was the beginning of a career that was to win for him as has been already stated the title of "The Father of American Church Music." Although this may seem rather a bold claim it is not too much under the circumstances. Mr. Mason might have been in the average ranks of musicianship had he lived in Europe; in America he was well in advance of his surroundings. It was not too high praise (in spite of Mason's very simple style) when Dr. Jackson wrote of his song collection: "It is much the best book I have seen published in this country, and I do not hesitate to give it my most decided approbation," or that the great contrapuntist, Hauptmann, should say the harmonies of the tunes were dignified and churchlike and that the counterpoint was good, plain, singable and melodious.
Charles C. Perkins gives a few of the reasons why Lowell Mason was the very man to lead American music as it then existed. He says, "First and foremost, he was not so very much superior to the members as to be unreasonably impatient at their shortcomings. Second, he was a born teacher, who, by hard work, had fitted himself to give instruction in singing. Third, he was one of themselves, a plain, self-made man, who could understand them and be understood of them."
The personality of Dr. Mason was of great use to the art and appreciation of music in this country. He was of strong mind, dignified manners, sensitive, yet sweet and engaging.
Prof. Horace Mann, one of the great educators of that day, said he would walk fifty miles to see and hear Mr. Mason teach if he could not otherwise have that advantage.
Dr. Mason visited a number of the music schools in Europe, studied their methods, and incorporated the best things in his own work. He founded the Boston Academy of Music. The aim of this institution was to reach the masses and introduce music into the public schools. Dr. Mason resided in Boston from 1826 to 1851, when he removed to New York. Not only Boston benefited directly by this enthusiastic teacher's instruction, but he was constantly traveling to other societies in distant cities and helping their work. He had a notable class at North Reading, Mass., and he went in his later years as far as Rochester, where he trained a chorus of five hundred voices, many of them teachers, and some of them coming long distances to study under him. Before 1810 he had developed his idea of "Teachers' Conventions," and, as in these he had representatives from different states, he made musical missionaries for almost the entire country. He left behind him no less than fifty volumes of musical collections, instruction books, and manuals.
As a composer of solid, enduring church music. Dr. Mason was one of the most successful this country has introduced. He was a deeply pious man, and was a communicant of the Presbyterian Church. Dr. Mason in 1817 married Miss Abigail Gregory, of Leesborough, Mass. The family consisted of four sons, Daniel Gregory, Lowell, William and Henry. The two former founded the publishing house of Mason Bros., dissolved by the death of the former in 1869. Lowell and Henry were the founders of the great organ manufacturer of Mason & Hamlin. Dr. William Mason was one of the most eminent musicians that America has yet produced.
Dr. Lowell Mason died at "Silverspring," a beautiful residence on the side of Orange Mountain, New Jersey, August 11, 1872, bequeathing his great musical library, much of which had been collected abroad, to Yale College.
--Hall, J. H. (c1914). Biography of Gospel Song and Hymn Writers. New York: Fleming H. Revell Company.
Lowell Mason
John Warrington Hatton
1710 - 1793 Topics: Jesus Christ Praise and Thanksgiving; The Christian Year Advent; Adoration and Praise; Christian Year Epiphany; Church Permanence; Commitment; Freedom; Hope; Jesus Christ Adoration and Praise; Jesus Christ Ascension and Reign; Jesus Christ Kingship, Conqueror; Jesus Christ Love For; Jesus Christ name; Jesus Christ Praise; Jesus Christ Reign; Jesus Christ Youth; Kingdom of God; Morning; Music and Singing; Prisoner(s); Processionals (Opening of Worship); Proclamation; Recessionals; Rest; Testimony; Vision/Dream; Worship; Advent 2 Year A; Advent 3 Year A; Epiphany Year A; Baptism of Jesus Year A; Ascension Year A; Easter 7 Year A; Proper 9 Year A; Reign of Christ Year A; Epiphany Year B; Lent 5 Year B; Easter 7 Year B; Reign of Christ Year B; Epiphany Year C; Epiphany 3 Year C; Epiphany 3 Year C; Ascension Year C; Proper 4 Year C; Proper 6 Year C; Reign of Christ Year C Composer (attributed to) of "DUKE STREET" in Voices United John Warrington Hatton (b. Warrington, England, c. 1710; d, St. Helen's, Lancaster, England, 1793) was christened in Warrington, Lancashire, England. He supposedly lived on Duke Street in Lancashire, from where his famous tune name comes. Very little is known about Hatton, but he was most likely a Presbyterian, and the story goes that he was killed in a stagecoach accident.
Bert Polman
John Warrington Hatton
