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Texts

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Text authorities

On your right stands the Queen in garments of gold

Appears in 1 hymnal Topics: Responsorial Psalms and Canticles Scripture: Psalm 45:10-17 Used With Tune: [On your right stands the Queen in garments of gold] Text Sources: Common Worship, 2000

Some seed fell in rich soil

Appears in 1 hymnal Topics: Responsorial Psalms and Canticles Scripture: Psalm 65:8-13 Used With Tune: [Some seed fell in rich soil] Text Sources: Common Worship, 2000

The praise of the Lord endures forever

Appears in 1 hymnal Topics: Responsorial Psalms and Canticles Scripture: Psalm 111 Used With Tune: [The praise of the Lord endures for ever] Text Sources: Common Worship, 2000

Tunes

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Tune authorities

[All nations shall fall before you]

Appears in 1 hymnal Composer and/or Arranger: Laurence Bevenot, 1901-90 Topics: Responsorial Psalms and Canticles Tune Key: e minor Incipit: 55554 341 Used With Text: All nations shall fall before you

[O give thanks to the Lord for he is good]

Appears in 1 hymnal Composer and/or Arranger: Joseph Gelineau, SJ, b. 1920 Topics: Responsorial Psalms and Canticles Tune Key: B Flat Major Incipit: 56116 12323 12127 Used With Text: O give thanks to the Lord for he is good

[My help comes from the Lord]

Appears in 1 hymnal Topics: Responsorial Psalms and Canticles Tune Key: e minor Incipit: 56543 2 Used With Text: My help comes from the Lord

Instances

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Published text-tune combinations (hymns) from specific hymnals

Canticle of the Lamb

Hymnal: New English Praise #693 (2006) Topics: Responsorial Psalms and Canticles First Line: Salvation and glory and power belong to our God Refrain First Line: The Lord our God almighty, is king Scripture: Revelation 19:1-7 Languages: English Tune Title: [The Lord, our God, almighty is king]

The Lord is king, with majesty enrobed

Hymnal: New English Praise #680 (2006) Topics: Responsorial Psalms and Canticles Scripture: Psalm 93 Languages: English Tune Title: [The Lord is king, with majesty enrobed]

How great is your name, O Lord our God

Author: Joseph Gelineau, SJ, b. 1920; The Grail Hymnal: New English Praise #668 (2006) Topics: Responsorial Psalms and Canticles Scripture: Psalm 8 Languages: English Tune Title: [How great is your name, O Lord our God]

People

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Authors, composers, editors, etc.

Sydney H. Nicholson

1875 - 1947 Person Name: Sydney Hugo Nicholson, 1875-1947 Topics: Responsorial Psalms and Canticles Composer (Tone) of "[Alelluya! Alleluya! We will praise the name of the Lord]" in New English Praise Sydney H. Nicholson, (b. St. Marylebone, London, England, 1875; d. Ashford, Kent, England, 1947) was an organist and church music educator who greatly influenced English hymnody. Educated at Oxford's New College, the Royal College of Music in London, and in Frankfurt, Germany, he became organist at several famous cathedrals, including Westminster Abbey (1919-1928). Nicholson founded and administered the School of English Church Music at Chislehurst in 1927; this important institution, with branches throughout the English-speaking world, was renamed the Royal School of Church Music in 1945. Located in Canterbury after World War II, its headquarters were moved to Addington Palace, Croydon, in 1954. Nicholson was music adviser for the 1916 Supplement of Hymns Ancient and Modern and prepared the way for its 1950 edition. He wrote Church Music: a Practical Handbook (1920) and Quires and Places Where They Sing (1932) and composed operettas, anthems, and hymn tunes. In 1938 he was knighted for his contributions to church music. Bert Polman

Joseph Gelineau

1920 - 2008 Person Name: Joseph Gelineau, SJ, b. 1920 Topics: Responsorial Psalms and Canticles Author (Antiphon) of "How great is your name, O Lord our God" in New English Praise Joseph Gelineau (1920-2008) Gelineau's translation and musical settings of the psalms have achieved nearly universal usage in the Christian church of the Western world. These psalms faithfully recapture the Hebrew poetic structure and images. To accommodate this structure his psalm tones were designed to express the asymmetrical three-line/four-line design of the psalm texts. He collaborated with R. Tournay and R. Schwab and reworked the Jerusalem Bible Psalter. Their joint effort produced the Psautier de la Bible de Jerusalem and recording Psaumes, which won the Gran Prix de L' Academie Charles Cros in 1953. The musical settings followed four years later. Shortly after, the Gregorian Institute of America published Twenty-four Psalms and Canticles, which was the premier issue of his psalms in the United States. Certainly, his text and his settings have provided a feasible and beautiful solution to the singing of the psalms that the 1963 reforms envisioned. Parishes, their cantors, and choirs were well-equipped to sing the psalms when they embarked on the Gelineau psalmody. Gelineau was active in liturgical development from the very time of his ordination in 1951. He taught at the Institut Catholique de Paris and was active in several movements leading toward Vatican II. His influence in the United States as well in Europe (he was one of the founding organizers of Universa Laus, the international church music association) is as far reaching as it is broad. Proof of that is the number of times "My shepherd is the Lord" has been reprinted and reprinted in numerous funeral worship leaflets, collections, and hymnals. His prolific career includes hundreds of compositions ranging from litanies to responsories. His setting of Psalm 106/107, "The Love of the Lord," for assembly, organ, and orchestra premiƩred at the 1989 National Association of Pastoral Musicians convention in Long Beach, California. --www.giamusic.com

Gregory Murray

1905 - 1992 Person Name: Anthony Gregory Murray, 1905-92 Topics: Responsorial Psalms and Canticles Composer (Tone) of "[The Lord will bless his people with peace]" in New English Praise
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