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James R. Murray

1841 - 1905 Person Name: J. R. Murray Composer of "[I always go to Jesus]" in Gospel Light L.P.M. (1905, April 12). Obituary. New Church Messenger, p.209. Murray.--At Cincinnati, March 10, 1905, James Ramsey Murray. Funeral services in the Church of the New Jersualem, March 13th. James R. Murray was widely known in the musical world as the author of many songs and song books, and in the New Church in Chicago and Cincinnati as an affectionate, intelligent, and loyal New Churchman. He was born in Andover (Ballard Vale), Mass., March 17, 1841. In early life he developed musical talent, and composed many minor pieces for local and special occasions. Later at North Reading, Mass., he attended Dr. George F. Root's School of Music, and was associated with William Bradbury and Dr. Lowell Mason. He enlisted in the Fourteenth Regiment of infantry, commonly known as the Essex County Regiment, and afterwards was changed to the First Regiment, Massachusetts Heavy Artillery, which was engaged in most of the battles fought by the Second Army Corps up to the surrender of General Lee. "Daisy Deane," the first and most popular of his early song successes, was composed in 1863 in Virginia while in camp, words by his cousin, Thomas F. Winthrop. This song is known all over the world, and the Salvation Army is using an arrangement of it for one of their war cry songs. In 1868 Mr. Murray married Isabella Maria Taylor of Andover; and they removed to Chicago. Here three children were born to them, two passing early to their heavenly home, the youngest, Winthrop Root Murray, is still living. It was during these first years in Chicago that Mr. and Mrs. Murray became interested in the New Church, while he was engaged with Root and Cady as editor of the Long Visitor, afterwards merged with the Musical Visitor. After the great fire of 1871 Mr. and Mrs. Murray returned East, where he was engaged in teaching in Lawrence and Andover, and as organist at the Old South Church in Andover. In 1881 they removed to Cincinnati and Mr. Murray became the editor of the Musical Viistor [sic] and head of the publication department of the John Church Company. Among the most popular of his books are "Pure Diamonds," "Royal Gems," "The Prize" and "Murray's Sacred Songs." The following titles will recall some of his best loved sacred songs: "At Last," "Calm on the Listening Ear of Night," "I Shall Be Satisfied," "There Shall No Evil Befall Thee," "Thine, O Lord, Is the Greatness," "The Way Was Mine," "How Beautiful Upon the Mountains," "Angels from the Realms of Glory." His last great labor in the publishing department of the John Church Company was the seeing through the press five volumes of Wagner's music dramas, with full score and original German text, and an English translation. The immense and careful labor involved in the preparation of these volumes, with a really smooth and excellent English translation, had perhaps, as it was done under pressure, something to do with Mr. Murray's breakdown. Although for some reason Mr. Murray's name does not appear on the title page of these volumes, his friends knew of the place the work held in his affections and ambition. Mr. Murray was a member of the Church Council of the Cincinnati Society for the last four years and took a deep interest in the building of the New Church, and in the inauguration of services, with all the changes looking to the improvement of the musical part of the service. The vested choir, organized by Mr. and Mrs. Lawson, which Mr. Murray as councilman had urged from the beginning, in their entrance to the church each Sunday singing the processional hymn participated in the funeral service, with a congregation of brethren and friends, all moved by deep love and profound respect for the consistent life and faith of a worthy Churchman and beloved friend. --DNAH Archives =================================== For a discussion of Murray and the tune MUELLER, see: Stulken, M.K. (1981). Hymnal companion to the Lutheran Book of Worship. Philadelphia : Fortress Press, p.170. =================================== Also available in the DNAH Archives: 1. An excerpt from Christie, George A. (1927). New Free Church. In Music in Andover. Papers read at "Fagot Party" of the Andover Natural History Society. 2. Unsourced essay about Murray written soon after his death, likely from Andover, Mass., perhaps authored by Charlotte Helen Abbott.

E. A. Hoffman

1839 - 1929 Person Name: Rev. Elisha A. Hoffman Author of "I Always Go to Jesus" in Royal Gems Elisha Hoffman (1839-1929) after graduating from Union Seminary in Pennsylvania was ordained in 1868. As a minister he was appointed to the circuit in Napoleon, Ohio in 1872. He worked with the Evangelical Association's publishing arm in Cleveland for eleven years. He served in many chapels and churches in Cleveland and in Grafton in the 1880s, among them Bethel Home for Sailors and Seamen, Chestnut Ridge Union Chapel, Grace Congregational Church and Rockport Congregational Church. In his lifetime he wrote more than 2,000 gospel songs including"Leaning on the everlasting arms" (1894). The fifty song books he edited include Pentecostal Hymns No. 1 and The Evergreen, 1873. Mary Louise VanDyke ============ Hoffman, Elisha Albright, author of "Have you been to Jesus for the cleansing power?" (Holiness desired), in I. D. Sankey's Sacred Songs and Solos, 1881, was born in Pennsylvania, May 7, 1839. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ==============

Gottfried Wilhelm Sacer

1635 - 1699 Person Name: Dr. Friedr. Wilh. Sacer Author of "Durch Trauern und durch Plagen" in Gesangbuch mit Noten Sacer, Gottfried Wilhelm, son of Andreas Sacer, senior burgomaster of Naumburg, in Saxony, was born atNaumburg, July 11, 1635. He entered the University of Jena in 1653, and remained there for four years as a student of law. He was thereafter for two years secretary to Geheimrath von Platen, in Berlin; and then tutor, first to a son of the Swedish Regierungsrath von Pohlen, and then to the sons of the Saxon Landhauptmann von Bünau. In 1665 he entered the military service under Herr von Mollison, commandant at Lüneberg, at first as regimental secretary, and afterwards as ensign. Soon tiring of this he went to Kiel in 1667, in order to graduate LL.D., but before doing so undertook a tour in Holland and Denmark with some young noblemen from Holstein. In 1670 he settled down as advocate at the appeal and chancery courts in Brunswick (graduating LL.D. at Kiel in 1671), and in 1683 removed to Wolfenbüttel as Kammer-und Amts-advocat, receiving the title of Kammer-Consulent in 1690. He died at Wolfenbüttel, Sept. 8 [18], 1699. (Weizel, iii. p. i.; Koch, iii. 398, iv. 562, &c.) Sacer began early to write poetry, was admitted by Rist, in 1660, as one of his poetical order of Elbe Swans, and in hisNützliche Erinnerungen wegen der teutschen Poeterey, Altenstettin, 1661 [Wolfenbüttel Library], already described himself as " Kayserlicher Poët," i.e. as having been crowned as a poet by the Emperor of Austria. His hymns are among the best of the period immediately succeeding Gerhardt. They have a considerable measure of poetic glow, and sometimes of dramatic force, and are Scriptural and good in style. His earliest hymns seem to have appeared in hisBluttriefende, siegende und triumphirende Jesus, 1661, but no copy of this work is now known. Many are included in pt. ii. 1665, of the Stralsund Gesang-Buch (Ander Theil des erneuerten Gesang-Buchs), and in the other hymn-books of the period. They were collected and published by his son-in-law as his Geistliche, liebliche Lieder, at Gotha, 1714. Those of Sacer's hymns which have passed into English are:— i. Durch Trauera und durch Plagen. New Year. Included in 1665 as above, pt. ii. p. 35, in 7 stanzas of 8 lines; repeated 1714, p. 3, entitled "On the New Year." It is also in the Berlin Geistliche Lieder ed. 1863, No. 191. The translation in common use is:— Through many changeful morrows. This is a good tr. by Dr. F. W. Gotch, in the Baptist Magazine, Jan. 1857, p. 19, repeated in the 1880 Supplement to the Baptist Psalms & Hymns. ii. Gott fähret auf gen Himmel. Ascension. Founded on Ps. xlvii. 6-7. Included in 1665, as above, pt. ii. p. 147, in 7 st. of 8 1., and repeated 1714, p. 27, entitled "On the Ascension of Christ." It is also in the Berlin Geistliche Lieder, ed. 1863, No. 336. In the Württemberg Gesang-Buch, 1842, it begins, "Der Herr faint auf." The translations in common use are:— 1. Lo! God to heaven ascendeth. This is a good tr., omitting st. vi., by Miss Cox, in her Sacred Hymns from the German, 1841, p. 39 (Hymns from the German, 1864, p. 63). Repeated, abridged, in Alford's Psalms & Hymns, 1844, and his Year of Praise, 1867; in Dale's English Hymn Book, 1874, &c. 2. While up to Heaven God goeth. A spirited version, omitting st. vi., by W. J. Blew, printed as a leaflet for choir use in 1846, and included in his Church Hymn & Tune Book, 1852 ; in Rice's Selection from Blew, 1870, No. 67, and in Lyra Messianica, 1864, p. 3fr2. Other hymns by Sacer are:— iii. Gott, der du aller Himmel Heer. For those at Sea. Included in J. Crülger's Erneuerte Gesangbüchlein ...von Peter Sohren , Frankfurt am Main, 1670, No. 878, in 10 st., and repeated, 1714, p. 75, in 11 St., entitled “Hymn for Seafarers." Recently in Knapp's Evangelischer Lieder-Schatz 1837 and 1865. Translated as, "Thou who hast stretched the heaven's blue sky." In L. Rehfuess's Church at Sea, 1868, p. 34. iv. Lass mich nicht in Irrthum fallen. Christ for all. Included, 1714, as above, p. 53, in 10 st. of 8 1., founded on Ps. li. 13, and repeated in the Hannover Gesang-Buch, 1740, No. 848. Tr. as "Lord, forbid that e'er such error." By Dr. J. Guthrie, 1869, p. 117. v. 0 dass ich könnte Thränen gnug vergiessen. Passiontide. Included in 1665 as above, pt. ii. p. 60, in 16 st. of 4 1., and repeated, 1714, p. 20, entitled "Contemplation of the piteous death of Jesus Christ." In the Berlin Gesang-Buch, 1829, st. xiv.-xvi. altered and beginning, “Mein Herr und Heiland, lass mirs gehn zu Herzen," are included as No. 189. This form is tr. as, “Lord, touch my heart with that great Consummation," by N. L. Frothingham, 1870, p. 143. vi. So hab' ich obgesieget. Funeral of a Child. Included in 1665 as above, pt. ii. p. 665, in 13 st. of 8 1., st. i.-xii. being given as spoken by the child in Paradise, and xiii. as the answer of the bereaved parents. Re¬peated,in 1714, p. 91, entitled "Comfort from the de¬parted to those left behind," the 13th stanza being entitled “Farewell of the sorrowing ones." Recently as No. 855 in the Evangelischer Lieder-Schatz, 1851. Translated as (1) "Lo! now the victory's gain'd me," by Miss Cox, 1841, p. 77. In her edition of 1864, p. 87, it is altered and begins, "My race is now completed." (2) "Then I have conquer'd; then at last," by Miss Winkworth, 1855, p. 243. (3) "My course is run; in glory," by Dr. J. Guthrie, 1869, p. 105. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)