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Cuán firme cimiento se ha dado a la fe

Translator: Vicente Mendoza

Born: De­cem­ber 24, 1875, Guad­a­la­ja­ra, Mex­i­co. Died: 1955, Mex­i­co Ci­ty, Mex­i­co. Buried: Mex­i­co Ci­ty, Mex­i­co. Mendoza stu­died in­i­tial­ly un­der Don Au­re­lio Or­te­ga. At age of 11 he went to work in a Pro­test­ant print shop in Mex­i­co Ci­ty and helped pro­duce El Evan­gel­is­ta Mex­i­ca­no (The Mex­i­can Evan­gel­ist) for the Meth­od­ist Church of the South; he rose to be­come its di­rect­or for 17 years. Look­ing to im­prove him­self, Men­do­za en­tered a night school for work­ers, but lat­er feel­ing the call to preach the Gos­pel, he en­tered the Pres­by­ter­i­an Sem­in­a­ry in Mex­i­co Ci­ty. When the sem­in­a­ry closed temp­o­rar­i­ly… Go to person page >

Author: K

In John Rippon's A Selection of Hymns (1787, plus numerous subsequent editions), "How Firm a Foundation" (no. 128) is attributed simply to "K—". Two other hymns in the collection bear the same mark, "In songs of sublime adoration and praise," and "The Bible is justly esteemed." The author of the hymn has never been definitively identified, but the most common candidates are listed below. I. Robert Keen(e) The most likely possibility is Robert Keene, who served as precentor at Rippon's church. The evidence for connecting K with Keene comes (1) from his close acquaintance with Rippon, (2) Rippon's tune book, and (3) the testimony (of sorts) of Thomas Walker. After Rippon started publishing a tune book, A Selection of Psalm and Hymn T… Go to person page >

Tune

FOUNDATION

The anonymous tune FOUNDATION first appeared in Joseph Funk's A Compilation of Genuine Church Music (1832) as a setting for this text (there it was called PROTECTION). The tune was also published with the text in Southern Harmony and Sacred Harp. The ancestors of Joseph Funk (b. Lancaster County, PA…

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ADESTE FIDELES


Timeline

Instances

Instances (1 - 3 of 3)

Cáliz de Bendiciones #256

Mil Voces para Celebrar #256

Praise y Adoración #287b

Include 3 pre-1979 instances
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