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In Dir ist Freude In allem Leide

Full Text

1 In Dir ist Freude,
in allem Leide,
Du süßer Jesu Christ:
durch Dich wir haben
himmlische Gaben,
der Du wahrer Heiland bist.
Hilfest von Schanden,
rettest von Banden;
wer Dir vertrauert,
hat wohl gebauet,
wird ewig bleiben,
Hallelujah!
Ist Deiner Güte
steht uns'r Gemüthe,
an Dir wir kleben
iim tod und Leben,
nichts kann uns scheiden,
Hallelujah!

2 Wenn wir Dich haben,
kann uns nicht schaden
Teufel, Welt, Sünd' oder Tod.
Du hast's in Händen,
kannst alles wenden,
wie nur heißen mag die Noth,
Drum wir Dich ehren,
Dein Lob vermehren
mit hellem Schalle,
freuen uns alle
zu dieser Stunde,
Hallelujah!
Wir jubiliren
und triumphiren,
rühmen und leben
Dein' Macht dort oben,
mit Herz und Munde,
Hallelujah!



Source: Evangelisch-Lutherisches Gesang-Buch: worin die gebräuchlichsten alten Kirchen-Lieder Dr. M.Lutheri und anderer reinen lehrer und zeugen Gottes, zur Befoederung der wahren ... (2. verm. Aus.) #56

Author: Johann Lindemann

Lindemann, Johann, son of Nicolaus Lindemann, burgess at Gotha, was born at Gotha c. 1550. He attended the Gymnasium at Gotha, and apparently thereafter studied and graduated M.A. at Jena. He appears to have become cantor at Gotha in 1571 or 1572, and retired from this post, on a pension, in 1631. In 1634 he Was a member of the new Council at Gotha. The date of his death is unknown. (Monatshefte für Musikgeschichte, 1878, p. 73; manuscript from Superintendent Dr. Otto Dreyer, of Gotha, &c. The extant register of births at Gotha only goes back to 1566, that of deaths only to 1659.) Lindemann's Decades Amorum Filii Dei seem to have been published at Erfurt, 1594 and 1596. The ed. of 1598 [Royal Library, Berlin] is entitled Amorum Filii De… Go to person page >

Text Information

First Line: In Dir ist Freude In allem Leide
Author: Johann Lindemann
Language: German
Copyright: Public Domain

Tune

IN DIR IST FREUDE

IN DIR IST FREUDE is one of many balletti (dance-like songs) written by Giovanni G. Gastoldi, a priest and composer from Mantua, Italy. It was originally published in his Balleti a cinque voce (1591 ), where it was set to "Alieta vi.a, Amor ciinuita", which like so many balletti had a "fa-la-la" ref…

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