1 Meet and right it is to sing,
In every time and place,
Glory to our heavenly King,
The God of truth and grace.
Join we then with sweet accord,
All in one thanksgiving join!
Holy, holy, holy Lord,
Eternal praise be thine!
2 Thee, the first-born sons of light,
In choral symphonies,
Praise by day, day without night,
And never, never cease;
Angels and archangels, all
Praise the mystic Three in One;
Sing, and stop, and gaze, and fall,
O'erwhelmed before thy throne!
3 Father, God, thy love we praise,
Which gave thy Son to die;
Jesus, full of truth and grace,
Alike we glorify;
Spirit, Comforter divine.
Praise by all to thee be given,
Till we in full chorus join,
And earth is turned to heaven.
Source: The Voice of Praise: a collection of hymns for the use of the Methodist Church #106
First Line: | Meet and right it is to sing, In every time and place |
Author: | Charles Wesley |
Meter: | 7.6.7.6.7.7.7.6 |
Language: | English |
Copyright: | Public Domain |
Meet and right it is to sing, At every time and place. C.Wesley. [Watchnight. Choral Festivals.] Published in Hymns and Sacred Poems, 1749, vol. ii., No. 97, in 4 stanzas of 8 lines. It is No. 14 of 19 "Hymns for the Watchnight"; and together with others from the same Watchnight hymns was frequently reprinted in a separate form (Poetical Works, 1868-72, vol. v. p. 279). It was included, with slight alterations, in the Wesleyan Hymn Book, 1780, No. 212, and has been repeated in several collections in Great Britain and America. Although originally written as a Watchnight hymn it can be easily adapted for Choral Festivals, and as such it would be a hymn of great merit.
--John Julian, Dictionary of Hymnology (1907)
Meet and right it is to sing; Glory to our God and King. C. Wesley. [Holy Communion.] This paraphrase of the words of "The Order for the Administration of the Lord's Supper," &c, in the Book of Common Prayer, " It is very meet, right, and our bounden duty," &c. was published in Hymns and Sacred Poems, 1740, in 7 stanzas of 4 lines (Poetical Works, 1868-72, vol. i. p. 286). In 1753 G. Whitefield gave stanzas i.-iii. and vi. in an altered form in his Collection of Hymns, as No. 61. This form was repeated by M. Madan in his Psalms & Hymns, 1760, and again by several others, including Bickersteth, in his Christian Psalmody, 1833, (in 3 stanzas), and thus came into use in the Church of England.
--John Julian, Dictionary of Hymnology (1907)