O for an overcoming faith

Representative Text

O for an overcoming faith
To cheer my dying hours;
To triumph o'er the monster Death,
And all his frightful powers!

Joyful with all the strength I have
My quiv'ring lips should sing-
Where is thy boasted vict'ry, Grave?
And where the monster's sting?

If sin be pardoned, I'm secure,
Death hath no sting beside;
The law gives sin its damning power;
But Christ, my ransom, died.

Now to the God of victory
Immortal thanks be paid,
Who makes us conquerors while we die,
Through Christ our living head.



Source: The Psalms and Hymns of Dr. Watts #651

Author: Isaac Watts

Isaac Watts was the son of a schoolmaster, and was born in Southampton, July 17, 1674. He is said to have shown remarkable precocity in childhood, beginning the study of Latin, in his fourth year, and writing respectable verses at the age of seven. At the age of sixteen, he went to London to study in the Academy of the Rev. Thomas Rowe, an Independent minister. In 1698, he became assistant minister of the Independent Church, Berry St., London. In 1702, he became pastor. In 1712, he accepted an invitation to visit Sir Thomas Abney, at his residence of Abney Park, and at Sir Thomas' pressing request, made it his home for the remainder of his life. It was a residence most favourable for his health, and for the prosecution of his literary… Go to person page >

Text Information

First Line: O for an overcoming faith
Author: Isaac Watts
Meter: 8.6.8.6
Place of Origin: Great Britain
Language: English

Notes

O for an overcoming faith. J. Watts. [Second Advent]. First published in his Hymns and Spiritual Songs, 1707 (2nd edition 1709, Book i. 17), in 4 stanzas of 4 lines. It is based on 1 Cor. xv. 55-58, and in included in several hymn-books in Great Britain and America. Another form is that given to it as No. 41 in the Draft Scottish Translations and Paraphrases, 1745, beginning, "When the last trumpet's awful voice." It is in 7 stanzas of 4 lines, of which i.-iii. and vii. are new, and stanzas iv.-vi. are stanzas ii.-iv. of this hymn by Watts. It was rewritten in the public worship edition of the Translations and Paraphrses, issued by the Church of Scotland in 1781 and still in common use; stanza iii., 11. 3, 4, being altered from the 1745 text, and stanza vii. rewritten as stanzas vii. and viii. The text of 1745 is ascribed by the eldest daughter of W. Cameron to Thomas Randall (an opinion not shared in by the other authorities); and the alterations in 1781 to W. Cameron. This form of the text is in common use outside of the Trs. and Paraphrases, both in Great Britain and America. Sometimes stanzas iii.—vi. are slightly altered as, "Behold what heavenly prophets sung." This form is in the Edinburgh Diocesan Selection of 1830, No. 23, and again in the Scottish Episcopal Collection, 1858, No. 126. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

Tune

ST. ANDREW (Tans'ur)


LOBT GOTT IHR CHRISTEN


AZMON

Lowell Mason (PHH 96) adapted AZMON from a melody composed by Carl G. Gläser in 1828. Mason published a duple-meter version in his Modern Psalmist (1839) but changed it to triple meter in his later publications. Mason used (often obscure) biblical names for his tune titles; Azmon, a city south of C…

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A Choice Selection of Hymns. 2nd ed. #d156

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Church Psalmody #612

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Hymns for Social Worship, Compiled for the Use of Canadian Baptist Churches #d207

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Psalms and Hymns for the Worship of God #d568

Text

Psalms and Hymns of Isaac Watts, The #I.17

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