Desiring Full Salvation

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What now is my object and aim?

Author: Charles Wesley
Published in 68 hymnals

Piano/Organ
	EARLY AMERICAN FOLK HYMNS FOR ORGAN (A C…

Representative Text

1 What now is my object and aim?
What now is my hope and desire?
To follow the heavenly Lamb,
And after his image aspire;
My hope is all centered in thee:
I trust to recover thy love;
On earth thy salvation to see,
And then to enjoy thee above.

2 I thirst for a life-giving God;
A God that on Calvary dy'd;
A fountain of water and blood,
Which gush'd from Immanuel's side!
I gasp for the stream of thy love,
The spirit if rapture unknown;
And then to redrink it above,
Eternally fresh from the throne.

Source: Christian's Duty, exhibited in a series of hymns: collected from various authors, designed for the worship of God, and for the edification of Christians, recommended to the serious..(4th ed. improved) #S131

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Author: Charles Wesley

Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepene… Go to person page >

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First Line:	What now is my object and aim?
Title:	Desiring Full Salvation
Author:	Charles Wesley
Meter:	8.8.8.8 D
Language:	English
Copyright:	Public Domain

Revelation 14:4
(hymns)

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Tune

VERNON (51712)

CONTRAST (German)

The tune most commonly known as CONTRAST is a German folk tune. In American shape-note tradition the tune is known as GREEN FIELDS or GREENFIELDS. J. S. Bach quoted it in his "Peasant Cantata," but he did not compose it. It has also been misattributed to Maria DeFleury and to Lewis Edson. Edson wrot…

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MASSASOIT

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