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Why should we start, and fear to die

Full Text

1. Why should we start and fear to die? What tim’rous worms we mortals are! Death is the gate to endless joy, And yet we dread to enter there. 2. The pains, the groans, the dying strife, Fright our approaching souls away; And we shrink back again to life, Fond of our prison and our clay. 3. Oh if my Lord would come and meet, My soul would stretch her wings in haste, Fly fearless through death’s iron gate, Nor feel the terrors as she passed. 4. Jesus can make a dying bed Feel soft as downy pillows are; While on His breast I lean my head, And breathe my life out sweetly there.

Source: The Sacred Harp: the best collection of sacred songs, hymns, odes, and anthems ever offered the singing public for general use (1991 rev.) #30b

Author: Isaac Watts

Isaac Watts was the son of a schoolmaster, and was born in Southampton, July 17, 1674. He is said to have shown remarkable precocity in childhood, beginning the study of Latin, in his fourth year, and writing respectable verses at the age of seven. At the age of sixteen, he went to London to study in the Academy of the Rev. Thomas Rowe, an Independent minister. In 1698, he became assistant minister of the Independent Church, Berry St., London. In 1702, he became pastor. In 1712, he accepted an invitation to visit Sir Thomas Abney, at his residence of Abney Park, and at Sir Thomas' pressing request, made it his home for the remainder of his life. It was a residence most favourable for his health, and for the prosecution of his literary… Go to person page >

Text Information

Timeline

Instances

Instances (1 - 6 of 6)Text InfoTune InfoTextScoreFlexScoreAudioPage Scan
The Baptist Hymnal: for use in the church and home #620
The Cyber Hymnal #7670TextScoreAudio
The New Harp of Columbia, Restored Edition #15
The Sacred Harp (Rev. Cooper Ed.) #30b
The Sacred Harp: the best collection of sacred songs, hymns, odes, and anthems ever offered the singing public for general use (1991 rev.) #30bText
The Sacred Harp: the best collection of sacred songs, hymns, odes, and anthems ever offered the singing public for general use (1991 rev.) #111b
Include 388 pre-1979 instances
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