We ask for donations here just twice a year, and this is one of those times. So, before you hit the "close" button on this box, would you consider a donation to keep Hymnary.org going? Even small amounts help, and they also let us know you're behind us and support what we do.
Last month, our Hymnary website had almost 1 million visitors from around the world: people like you who love hymns. To serve our users well takes money, and we have limited sources of revenue. This fund drive is one such source.
You can make your tax-deductible contribution by sending a check to Hymnary.org at 3201 Burton SE, Grand Rapids, MI 49546, or you can click the Donate button below. From the entire Hymnary.org team, our grateful thanks.
Charles F. Gounod (b. Paris, France, 1818; d. St. Cloud, France, 1893) was taught initially by his pianist mother. Later he studied at the Paris Conservatory, won the "Grand Prix de Rome" in 1839, and continued his musical training in Vienna, Berlin, and Leipzig. Though probably most famous for his opera Faust (1859) and other instrumental music (including his Meditation sur le Prelude de Bach, to which someone added the Ave Maria text for soprano solo), Gounod also composed church music-four Masses, three Requiems, and a Magnificat. His smaller works for church use were published as Chants Sacres. When he lived in England (1870-1875), Gounod became familiar with British cathedral music and served as conductor of what later became the Royal… Go to person page >