541. Christ Shall Have Dominion
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Text Information |
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First Line: |
Christ shall have dominion |
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Title: |
Christ Shall Have Dominion |
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Meter: |
65 65 D |
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Language: |
English |
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Publication Date: |
1987 |
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Scripture: |
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Topic: |
Doxologies; Praise & Adoration; Church and Mission; Kingdom; Mercy; Missions (3 more...) |
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Source: |
Psalter, 1912 |
Text Information:Scripture References:
st. 1 = Ps. 72:8-11
st. 2 = Ps. 72:12-14
st. 3 = Ps. 72:15-17
st. 4 = Ps. 72:18-19
Found in the 1912 Psalter and in every edition of the Psalter Hymnal, this mission hymn is based on Psalm 72:8-19 (for comments on Psalm 72 see PHH 72).
The paraphrase in New Testament language proclaims the worldwide rule of Christ over all peoples and kingdoms (st. 1, vv. 8-11); his saving mercy to the needy and oppressed (st. 2, vv. 12-14); and the blessings of his endless reign (st. 3, vv. 15-17). The final stanza is a doxology (originally the doxology that ended Book II of the psalms; see Psalm 72:19). This beloved royal psalm has several settings in the Psalter Hymnal (72, 359,412, and 630).
Liturgical Use:
This great messianic psalm is appropriate for Advent, Epiphany, and Ascension; useful in missions services, ecumenical gatherings, and church festivals such as Worldwide Communion, All Nations Sunday, and All Saints Day or Reformation.
--Psalter Hymnal Handbook
Tune Information:Albert Piersma (b. Friesland, the Netherlands, 1901; d. Grand Rapids, MI, 1960) composed KING OF GLORY in 1933 as a setting for Caroline M. Noel's "At the Name of Jesus" (467), which has "King of Glory" in its final stanza–thus the tune's title. The tune was published with Noel's text in the 1934 and 1959 editions of the Psalter Hymnal. Piersma lived in Grandville, Michigan, where he worked for the Kindle Bed Furniture Company. He was the senior organist of Grandville Avenue Christian Reformed Church for over thirty years. In addition to hymn tunes, Piersma wrote several poems, which were published in The Banner.
KING OF GLORY is a stately tune that builds to a solid climax in its final line. Sing the first three stanzas in parts but sing in unison on stanza 4. That stanza also needs a descant; if the accompanist cannot compose one, try having the sopranos sing the tenor line an octave higher. Use your best mixture or reed stop on the organ. For festive occasions add brass instruments.
--Psalter Hymnal Handbook