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Matthias Loy

1828 - 1915 Person Name: Rev. Matthias Loy, D. D. Translator of "To Thee, O Lord, will I sing praises" in Evangelical Lutheran hymnal Loy, M., President of the Capital University, Columbus, Ohio, contributed several original hymns, and translations from the German, to the Evangelical Lutheran Hymnal. Published by Order of the Evangelical Lutheran Joint Synod of Ohio and Other States. Columbus, Ohio, 1880. The translations may be found through the Index of Authors, &c.; the original hymns are the following:— 1. An awful mystery is here. Holy Communion. 2. At Jesus' feet our infant sweet. Holy Baptism. 3. Come, humble soul, receive the food. Holy Communion. 4. Give me, 0 Lord, a spirit lowly. Humility desired. 5. God gave His word to holy men. Inspiration of Holy Scripture. 6. God of grace, Whose word is sure. Faithfulness. 7. How matchless is our Saviour's grace. Holy Baptism. 8. I thank Thee, Saviour, for the grief. Lent. 9. Jesus took the lambs and blest them. Holy Baptism. 10. Jesus, Thou art mine for ever. Jesus, All and in All. 11. Launch out into the deep. Call to Duty. 12. Listen to those happy voices. Christmas. 13. O Great High Priest, forget not me. Confirmation. 14. O Lord, Who hast my place assigned. Daily Duties. 15. Our Shepherd of His ransomed flock. Holy Communion. 16. The gospel shows the Father's grace. Holy Scripture. 17. The law of God is good and wise. Holy Scripture. 18. Though angels bright escape our eight. St. Michael and All Angels. 19. When Rome had shrouded earth in night. The Reformation. 20. When souls draw near the holy wave. Confirmation. Several of these hymns, together with some of his translations, previously appeared in the Ohio Synod's preceding Collection of Hymns (3rd ed., 1858; 4th, 1863). --John Julian, Dictionary of Hymnology (1907) ==================== Loy, Matthias, D.D., p. 700, i. Dr. Loy was born in Cumberland County, Pennsylvania, March 17, 1828. He studied at the Evangelical Lutheran Theological Seminary at Columbus, Ohio, of which he became Professor of Theology in 1365. He was appointed President of the Capital University in 1880. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ================== See also in: Wikipedia

Johann Anastasius Freylinghausen

1670 - 1739 Person Name: Freylinghausen Composer of "[Dir, dir, Jehovah, will ich singen]" in Deutsches Liederbuch Freylinghausen, Johann Anastasius, son of Dietrich Freylinghausen, merchant and burgomaster at Gandersheim, Brunswick, was born at Gandersheim, Dec. 2, 1670. He entered the University of Jena at Easter, 1689. Attracted by the preaching of A. H. Francke and J. J. Breithaupt, he removed to Erfurt in 1691, and at Easter, 1692, followed them to Halle. About the end of 1693 he returned to Gandersheim, and employed himself as a private tutor. In 1695 he went to Glaucha as assistant to Francke; and when Francke became pastor of St. Ulrich's, in Halle,1715, Freylinghausen became his colleague, and in the same year married his only daughter. In 1723 he became also sub-director of the Paedagogium and the Orphanage; and after Francke's death in 1727, succeeded him as pastor of St. Ulrich's and director of the Francke Institutions. Under his fostering care these Institutions attained their highest development. From a stroke of paralysis in 1728, and a second in 1730, he recovered in great measure, but a third in 1737 crippled his right side, while the last, in Nov., 1738, left him almost helpless. He died on Feb. 12, 1739, and was buried beside Francke (Koch, vi. 322-334; Allgemine Deutsche Biographie, vii. 370-71; Bode, pp. 69-70; Grote's Introduction, &c.) Almost all Freylinghausen's hymns appeared in his own hymnbook, which was the standard collection of the Halle school, uniting the best productions of Pietism with a good representation of the older "classical" hymns. This work, which greatly influenced later collections, and was the source from which many editors drew not only the hymns of Pietism, but also the current forms of the earlier hymns (as well as the new "Halle" melodies, a number of which are ascribed to Freylinghausen himself) appeared in two parts, viz.:— i. Geistreiches Gesang-Buch, den Kern alter und neuer Lieder...in sich haltend &c, Halle. Gedrucktund verlegt im Waysen-Hause, 1704 [Hamburg], with 683 hymns and 173 melodies. To the second edition, 1705 [Rostock University], an Appendix was added with Hymns 684-758, and 21 melodies. Editions 3-18 are practically the same so far as the hymns are concerned, save that in ed. 11, 1719 [Berlin], and later issues, four hymns, written by J. J. Rambach at Freylinghausen's request, replaced four of those in eds. 1-10. ii. Neues Geistreiches Gesangbuch,&c, Halle . . . 1714 [Berlin], with 815 hymns and 154 melodies. In the 2nd edition, 1719 [Rostock University], Hymns 816-818, with one melody, were added. In 1741 these two parts were combined by G. A. Francke, seven hymns being added, all but one taken from the first edition, 1718, of the so-called Auszug, which was compiled for congregational use mainly from the original two parts: and this reached a second, and last, edition in 1771. So far as the melodies are concerned, the edition of 1771 is the most complete, containing some 600 to 1582 hymns. (Further details of these editions in the Blätter für Hymnologie, 1883, pp. 44-46, 106-109; 1885, pp. 13-14.) A little volume of notes on the hymns and hymnwriters of the 1771 edition, compiled by J. H. Grischow and completed by J. G. Kirchner, and occasionally referred to in these pages, appeared as Kurzgefasste Nachricht von ältern und ncuern Liederverfassern at Halle, 1771. As a hymnwriter Freylinghausen ranks not only as the best of the Pietistic school, but as the first among his contemporaries. His finest productions are distinguished by a sound and robust piety, warmth of feeling depth of Christian experience, scripturalness, clearness and variety of style, which gained for them wide acceptance, and have kept them still in popular use. A complete edition of his 44 hymns, with a biographical introduction by Ludwig Grote, appeared as his Geistliche Lieder, at Halle, 1855. A number of them, including No. v., are said to have been written during severe attacks of toothache. Two (“Auf, auf, weil der Tag erschienen"; "Der Tag ist hin") are noted under their own first lines. i. Hymns in English common use: -- i. Monarche aller Ding. God's Majesty. 1714, as above, No. 139, in 11 stanzas of 6 lines, repeated in Grote, 1855, p. 88, and as No. 38 in the Berlin Geistliche Lieder, ed. 1863. A fine hymn of Praise, on the majesty and love of God. Translated as:— Monarch of all, with lowly fear, by J. Wesley, in Hymns & Sacred Poems, 1739 (P. Works, 1868-1872, vol. i. p. 104), in 8 stanzas of 4 lines, from st. i., ii., v.-vii., ix.-xi. Repeated in full in the Moravian Hymnbook, 1754, pt. i., No. 456 (1886, No. 176); and in J. A. Latrobe's Collection, 1841. The following forms of this translation are also in common use:-- (1) To Thee, 0 Lord, with humble fear, being Wesley's st. i., iii.-v., vii., viii. altered as No. 156 in Dr. Martineau's Hymns for Christian Church & Home, 1840, and repeated in Miss Courtauld's Psalms, Hymns & Anthems, 1860, and in America in the Cheshire Association Unitarian Collection, 1844. (2) Thou, Lord, of all the parent art, Wesley's, st. iii.-v., vii. altered in the College Hymnal, N. Y., 1876. (3) Thou, Lord, art Light; Thy native ray, Wesley's st. iv., v., vii., in Hymns of the Spirit, 1864. ii. 0 reines Wesen, lautre Quelle. Penitence. Founded on Psalm li. 12, 1714, as above, No. 321, in 7 stanzas of 8 lines, repeated in Grote, 1855, p. 41, and in Bunsen's Versuch, 1833, No. 777 (ed. 1881, No. 435). The only translation in common use is:— Pure Essence: Spotless Fount of Light. A good and full translation by Miss Winkworth in the first series of her Lyra Germanica, 1855, p. 43, and in her Chorale Book for England, 1863, No. 113. iii. Wer ist wohl wie du. Names and offices of Christ. One of his noblest and most beautiful hymns, a mirror of his inner life, and one of the finest of the German "Jesus Hymns." 1704, as above, No. 66, in 14 st. of 6 l., repeated in Grote, 1855, p. 33, and is No. 96 in the Berlin Geistliche Lieder, ed. 1863. The translations in common use are: 1. 0 Jesu, source of calm repose, by J. Wesley, being a free translation of st. i., iii., v., viii., xiii. First published in his Psalms & Hymns, Charlestown, 1737 (Poetical Works, 1868-1872, vol. i. p. 161). Repeated in full as No. 462 in pt. i. of the Moravian Hymnbook, 1754. In the 1826 and later editions (1886, No. 233) it begins, "Jesus, Thou source." The original form was included as No. 49 in the Wesley Hymns & Spiritual Songs , 1753, and, as No. 343, in the Wesley Hymnbook, 1780 (1875, No. 353). Varying centos under the original first line are found in Mercer's Church Psalter & Hymn Book, 1855-1864; Kennedy , 1863; Irish Church Hymnal, 1869-1873; J. L. Porter's Collection, 1876, &c. It has also furnished the following centos:— (1) Messiah! Lord! rejoicing still, being Wesley's st. iv.-vi. altered in Dr. Martineau's Collection of Hymns for Christian Worship, 1840. (2) Lord over all, sent to fulfil, Wesley's st. iv., iii., v., vi. in the American Methodist Episcopal Hymnbook, 1849. 2. Who is like Thee, Who? a translation of st. i., ii., v., vii., x., xiii., as No. 687, in pt. i. of the Moravian Hymnbook, 1754. Translations of st. xi., xiv. were added in 1789, and the first line altered in 1801(1886, No. 234), to "Jesus, who with Thee." The translations of st. i., ii., x., xiv., from the 1801, altered and beginning, "Jesus, who can be," are included in America in the Dutch Reformed Hymns of the Church, 1869; Hymns & Songs of Praise, N. Y., 1874; and Richards's Collection, N.Y., 1881. 3. Who is there like Thee, a good translation of st. i., ii., viii., xiv., by J. S. Stallybrass, as No. 234 in Curwen's Sabbath Hymnbook, 1859, repeated in the Irish Church Hymnal, 1873, and in W. F. Stevenson's Hymns for Church & Home, 1873. 4. Who is, Jesus blest, a translation of stanzas i., ii., v., vi., xii., xiv., by M. Loy, in the Ohio Lutheran Hymnal, 1880. 5. Who, as Thou, makes blest, a good translation, omitting st. vii., ix., x., contributed by Dr. F. W Gotch to the Baptist Magazine, 1857. Repeated in the 1880 Supplement to the Baptist Psalms & Hymns, 1858. The translations not in common use are: — (1) "Whither shall we flee," by Miss Dunn, 1857, p. 55. (2) "Who has worth like Thine," in the U. P. Juvenile Miss. Magazine, 1857, p. 217. (3) "Thou art First and Best," by Miss Winkworth, 1869, p. 267. ii. Hymns translated into English but not in common use:— iv. Herr und Gott der Tag und Nächte. Evening. 1705, as above, No. 755, in 6 stanzas, Grote, p. 105. Translated by H. J. Buckoll, 1842, p. 106, beginning with stanza. ii. v. Mein Herz, gieb dioh rufrieden. Cross and Consolation. First in the Halle Stadt Gesangbuch, 1711, No. 503, in 11 stanzas; repeated 1714, No. 450, and in Grote, p. 71. Translated by Dr. G. Walker, 1860, p. 86. vi. 0 Lamm, das keine Sünde je beflecket. Passiontide. 1714, No. 85, in 19 stanzas, Grote, p. 14. Translated as, (1) "Lamb, for Thy boundless love I praises offer," of st. xii. as stanza i. of No. 1023 in the Supplement of 1808 to the Moravian Hymn Book, 1801 (1849, No. 121). (2) "O Lamb, whom never spot of sin defiled," in the British Magazine, June, 1838, p. 625. vii. 0 Lamm, das meine Sündenlast getragen. Easter Eve. 1714, No. 95, in 8 stanzas; Grote, p. 23. Translated as "Christ Jesus is that precious grain," a translation of st. v. by F. W. Foster, as No. 71 in the Moravian Hymnbook, 1789 (1886, No. 921). viii. Zu dir, Herr Jesu, komme ich. Penitence. Founded on St. Matthew xi. 28-30. 1714, as above, No. 306, in 4 stanzas; Grote, p. 39. Translated by Dr. H. Mills, 1845 (1856, p. 80). [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

Anonymous

Person Name: Anon. Composer of "[Wach' auf, du Geist der ersten Zeugen]" in Evangeliums-Lieder 1 und 2 (Gospel Hymns) In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Salīm Kassāb

1841 - 1907 Person Name: سليم كساب Author of "أنت ابتهاجي منيتي قصدي" in كتاب الترانيم الروحية للكنائس الإنجيلية Saleem Ibn Elias Kassab سليم بن إلياس كساب

Johann Gottfried Hermann

1707 - 1791 Person Name: Dr. J. G. Herrmann Author of "Geht hin, ihr gläubigen Gedanken" in Gesangbuch mit Noten Herrmann, Johann Gottfried, D.D., son of Gottfried Herrmann, pastor at Altjessnitz, near Bitterfeld, Saxony, was born at Altjessnitz, Oct. 12, 1707. After studying at the University of Leipzig (M.A. in 1731), he was appointed in 1731 diaconus at Ranis, near Neustadt on the Orla; in 1734 diaconus at Pegau, near Leipzig; in 1738 superintendent at Plauen; and in 1746 chief Court preacher at Dresden, and oberconsistorialrath. He died at Dresden, July 30, 1791 (Koch, v. 503-505). The only hymn by him translated into English appeared in the Privilegirte neue und vollständige Voigtländische Gesang Buch, Plauen, 1742, which he edited while Superintendent at Plauen. It is: Gent hin, ihr glaubigen Gedanken. The Love of God. A fine hymn, founded on Eph. i. 3-12, on Faith produced and nourished by the everlasting love of God. 1st pub. 1742 as above (ed. 1751, No. 843), in 14 stanzas of 6 lines, entitled "On the Everlasting Love of God." Included as No. 413 in the Unverfälschter Liedersegen 1851. The only translation in common use is:— On wings of faith, ye thoughts, fly hence. A good tr., omitting stanza viii., by Miss Winkworth, in the 1st Ser. of her Lyra Germanica, 1855, p. 121. Her translation of lines 1-4 of stanzas v., xii., x., xi. beginning "Ah! happy hours! whene'er upsprings," with a 5th stanza not from Herrmann, added to complete the hymn, were included as No. 646 in the American Sabbath Hymn Book 1858. Another arrangement, consisting of lines 1-4 of stanzas ii.-iv., vii., xiii., appeared as No. 233 in the Sabbath Hymn Book, 1858, and is repeated in several American collections. It begins:—"Ere earth's foundations yet were laid." [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology

Friedrich Christian Heyder

1677 - 1754 Person Name: Friedrich C. Heyder, 1677-1745 Author of "Your Body, Given for Me, O Savior" in Christian Worship Born: 1677, Merseburg, Germany. Heyder was a deacon in Merseburg, and in 1706 became pastor in Zörbig (near Halle), where he served 35 years. --www.hymntime.com/tch

Bartholomäus Gesius

1555 - 1613 Author of "A ti, Senhor, cantar queremos" in Hinário Luterano Bartholomaeus Gesius; b. 1555, Muencheberg, near Frankfort; d. 1613 or 14, Wittenberg Evangelical Lutheran Hymnal, 1908

Karoline Straube

Person Name: Straube Author of "Du, Vater, riefst dies Kind ins Leben" in Evangelisches Gesangbuch mit vierstimmigen Melodien

Arvid August Afzelius

1785 - 1871 Person Name: Arivd August Afzelius Author of "Unto the Lord of All Creation" in The Hymnal and Order of Service Arvid August Afzelius (Swedish pronunciation: [ˌaɹːvid ˌɑu̯ɡɵst ˈafseːliɵs]; 8 October 1785 in Fjällåkra – 2 September 1871 in Enköping) was a Swedish pastor, poet, historian and mythologist. See also in: Wikipedia

John J. Overholt

1918 - 2000 Translator of "Awake, Thou Spirit of the Martyrs" in The Christian Hymnary John J. Overholt was born to an Amish family of limited means in the state of Ohio in 1918. As a child he was soon introduced to his father's personal collection of gospel songs and hymns, which was to have a marked influence on his later life. With his twin brother Joe, he early was exposed to the Amish-Mennonite tradition hymn-singing and praising worship. An early career in Christian service led to a two-year period of relief work in the country of Poland following World War II. During that interim he began to gather many European songs and hymns as a personal hobby, not realizing that these selections would become invaluable to The Christian Hymnary which was begun in 1960 and completed twelve years later in 1972, with a compilation of 1000 songs, hymns and chorales. (The largest Menn. hymnal). A second hymnal was begun simultaneously in the German language entitled Erweckungs Lieder Nr.1 which was brought to completion in 1986. This hymnal has a total of 200 selections with a small addendum of English hymns. Mr. Overholt married in 1965 to an accomplished soprano Vera Marie Sommers, who was not to be outdone by her husband's creativity and compiled a hymnal of 156 selections entitled Be Glad and Sing, directed to children and youth and first printed in 1986. During this later career of hymn publishing, Mr. Overholt also found time for Gospel team work throughout Europe. At this writing he is preparing for a 5th consecutive tour which he arranges and guides. The countries visited will be Belgium, Switzerland, France, Germany, Poland, USSR and Romania. Mr. Overholt was called to the Christian ministry in 1957 and resides at Sarasota, Florida where he is co-minister of a Beachy Amish-Mennonite Church. Five children were born to this family and all enjoy worship in song. --Letter from Hannah Joanna Overholt to Mary Louise VanDyke, 10 October 1990, DNAH Archives. Photo enclosed.

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