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Eliza S. Alderson

1818 - 1889 Person Name: Mrs. E. S. Alderson Hymnal Number: 886 Author of "Lord of glory! Thou hast bought us" in The New Laudes Domini Alderson, Eliza Sibbald, née Dykes, granddaughter of the Rev. Thomas Dykes, of Hull, and sister of the Rev. Dr. Dykes, born in 1818, and married, in 1850, to the Rev. W. T. Alderson, some time chaplain to the West Riding House of Correction, Wakefield. Mrs. Alderson is the author of the following hymns, the first of which is likely to attain a commanding position:— 1. And now, beloved Lord, Thy soul resigning. [Passiontide.] A hymn of more than usual merit, in 6 stanzas of 4 lines, written in 1868 at the request of Dr. Dykes. In 1875, stanzas i., ii., v. and vi., were given in the revised edition of Hymns Ancient & Modern, No. 121, with a special tune Commendation by Dr. Dykes. The full original text is restored in Thring's Collection, 1882, No. 170. 2. Lord of glory, Who hast bought us. [Almsgiving.] Written in 1864, in 5 stanzas of 8 lines, and published in the Appendix to Hymns Ancient & Modern, 1868, No. 372, and repeated in the revised edition 1875, No. 367, Mrs. Alderson says, "It was the very strong feeling that a tithe of our income was a solemn debt to God and His poor, which inspired it." Dr. Dykes’s tune "Charitas" was composed for this hymn. --John Julian, Dictionary of Hymnology (1907) ===================== Alderson, Eliza S., p. 38, i. She was born Aug. 16, 1818, and died at Kirkthorpe, Yorkshire, Mar. 18, 1889. --John Julian, Dictionary of Hymnology, New Supplement (1907)

John Darwall

1732 - 1789 Person Name: J. Darwall Hymnal Number: 59 Composer of "DARWALL" in The New Laudes Domini John Darwall (b. Haughton, Staffordshire, England, 1731; d. Walsall, Staffordshire, England, 1789) The son of a pastor, he attended Manchester Grammar School and Brasenose College, Oxford, England (1752-1756). He became the curate and later the vicar of St. Matthew's Parish Church in Walsall, where he remained until his death. Darwall was a poet and amateur musician. He composed a soprano tune and bass line for each of the 150 psalm versifications in the Tate and Brady New Version of the Psalms of David (l696). In an organ dedication speech in 1773 Darwall advocated singing the "Psalm tunes in quicker time than common [in order that] six verses might be sung in the same space of time that four generally are." Bert Polman

Henry Lahee

1826 - 1912 Hymnal Number: 334 Composer of "VICTORIA" in The New Laudes Domini Born: April 11, 1826, Chelsea, London, England. Died: April 29, 1912, London, England. Lahee studied under John Goss and William Sterndale Bennett. He played the organ at several churches, including Holy Trinity Church, Brompton (1847-74). He won prizes for his compositions in Bristol, Manchester, Glasgow, and London, and set to music poems by Edgar Allen Poe ("The Bells"), Henry Wadsworth Longfellow ("Building of the Ship") and Alfred Tennyson ("Sleeping Beauty"). His works include: Metrical Psalter, with William Irons, 1855 Famous Singers of Today and Yesterday, 1898 One Hundred Hymn Tunes Sources: Frost, p. 680 CS Concordance, pp. 246-47 Nutter, p. 460 --www.hymntime.com/tch

John Rippon

1751 - 1836 Hymnal Number: 459 Author of "All hail the power of Jesus' name" in The New Laudes Domini Rippon, John, D.D., was born at Tiverton, Devon, April 29, 1751, and was educated for the ministry at the Baptist College, Bristol. In 1773 he became Pastor of the Baptist church in Carter Lane, Tooley Street (afterwards removed to New Park Street), London, and over this church he continued to preside until his death, on Dec. 17, 1836. The degree of D.D. was conferred on him in 1792 by the Baptist College, Providence, Rhode Island. Dr. Rippon was one of the most popular and influential Dissenting ministers of his time. From 1790 to 1802 he issued the Baptist Annual Register, a periodical containing an account of the most important events in the history of the Baptist Denomination in Great Britain and America during that period, and very valuable now as a book of reference. But his most famous work is his Selection of hymns for public worship, which appeared in 1787. The full title of the first edition is A selection of Hymns from the best authors, intended as an Appendix to Dr. Watts's Psalms and Hymns. In 1791 he published a Selection of Psalm and Hymn Tunes from the Best Authors, adapted to Dr. Watts's Psalms and Hymns, and to his own Selection, and from that time the names of tunes were prefixed to the hymns in the successive editions of his hymn-book. In 1800 he published the 10th ed. of his Selections, containing more than sixty additional hymns. In 1827 it was still further enlarged, and in 1844, after his death, appeared The Comprehensive Edition, commonly known as The Comprehensive Rippon, containing most of the additional hymns, with about 400 then first added, making in all upwards of 1170, in 100 metres. A rival to the Comprehensive was also afterwards published under the old title, somewhat enlarged. In the preparation of the original book, and its subsequent improvement, Dr. Rippon performed an important service to Baptist Hymnody, and also, it is said, gained for himself "an estate" through its immense sale. In the preface to the tenth edition lie claims for himself the authorship of some of the hymns, but as he refrained from affixing his name to any of the hymns it is impossible now to say with certainty which ought to be ascribed to him. There can, however, be no reasonable doubt that hymn 535, 3rd part, "The day has dawned, Jehovah comes" (q.v.), is one of his compositions. Other hymns, probably by him, are, "Amid the splendours of Thy state" (Love of God), 1800; and "There is joy in heaven, and joy on earth" (Joy over the Repenting Sinner), 1787. He also altered the texts of and made additions to several of the older hymns. Some of these altered texts are still in common use. In 1830 the additions given in the 27th ed., 1827, of Rippon's Selections were reprinted, with notes by Dr. Slater, as:— Hymns Original and Selected; interspersed in the Twenty-seventh edition of the Selection, with Numerous Doxologies, in the Usual, the Peculiar, and in the less Common metres. By John Rippon, D.D. A second edition of this pamphlet of 82 hymns and doxologies appeared in 1832. [Rev. W. R. Stevenson, M.A.] --John Julian, Dictionary of Hymnology (1907)

Robert Brown-Borthwick

1840 - 1894 Person Name: R. B. Borthwick Hymnal Number: 63 Composer of "GRANGE" in The New Laudes Domini Brown-Borthwick, Robert, born at Aberdeen, May 18, 1840, and educated at St. Mary Hall, Oxford. Taking Holy Orders in 1865, he has been Curate of Sudeley (and Chaplain of the Winchcombs Union), Gloucestershire, 1865-6, and Evesham, 1866-8; Assistant Minister of Quebec Chapel, London, 1868-9; and Incumbent of Holy Trinity, Grange, near Keswick, 1869. He is now (1886) Vicar of All Saints, Scarborough. His publications, in addition to his prose works, are:— Supplemental Hymn and Tune Book, 1867 (4th edition, 1871); Sixteen Hymns for Church and Home, 1870; Select Hymns for Church and Home, 1871; and various Kyries, Hymn Tunes, Chants, &c. In addition he has rendered good service as one of the four Editors of the Society for Promoting Christian Knowledge Church Hymns. In this last work three of his best hymns are found: “Come, O Jesu, to Thy Table"; "O Holy Jesu, Prince of Peace”; "Let us raise our grateful voices." Canon Westcott in his Paragraph Psalter acknowledges Mr. Brown-Borthwick's assistance in preparing that work for the press as of great value thereto. He died March 17, 1894. Of Mr. Brown-Borthwick's hymns the following appeared in his Sixteen Hymns, &c, 1870:— 1. Come, O Jesus, to Thy Table. Holy Communion. 2. Lord, in the watches of the night. Midnight. 3. O Holy Jesu, Prince of Peace. Holy Communion. The author's note to this hymn is, "This is not a congregational hymn, but a meditation, to be read while non-communicants are retiring, or to be sung by the choir alone, anthem-wise, kneeling." These hymns were repeated in his Select Hymns, &c, 1871-85. The following is also in that collection:— 4. Let us raise our grateful [gladsome] voices . Flower Services, or Thanksgiving. "Written in Borrowdale, on a summer morning in 1870," and published in the S. P. C. K. Church Hymns, 1871, &c. -- John Julian, Dictionary of Hymnology (1907)

John Pierpont

1785 - 1866 Hymnal Number: 73 Author of "God almighty and all seeing" in The New Laudes Domini Pierpont, John, son of James Pierpont, of Litchfield, Connecticut, was born at Litchfield, April 6, 1785, and educated at Yale College, where he graduated in 1804. After fulfilling engagements as a Tutor in New Haven, and in Charlestown, South Carolina, he was admitted to the Bar in 1812. Shortly after he retired and went into business, only to leave it also, and to pass on to Harvard College as a student in theology. In 1819 he succeeded Dr. Holley as the pastor of the Unitarian congregation in Hollis Street, Boston. At length his zeal against intemperance and slavery caused him to resign his charge in 1840 [sic. 1845] (see Lothrop's Proceedings of an Eccl. Council in the case of the Hollis Street Meeting and the Rev. J. Pierpont). At this date he published his Poems & Hymns, including his anti-slavery and temperance poems and songs. In 1845 he became the pastor of an Unitarian congregation at Troy, New York. This he vacated for another at Medford, Massachusetts, in 1849. That he resigned in 1859. When over 70 years of age he became Chaplain in the United States Army (1862), and was finally a Government clerk in the Treasury Department at Washington. He died suddenly at Medford, Aug. 27, 1866. Pierpont's publications include Airs of Palestine, 1816, some school books, and his Poems & Hymns, 1840 and 1854. His hymns in common use include:— 1. Another day its course hath run. Evening. Appeared in Hymns for Children, Boston, 1825; in Greenwood's Chapel Liturgy, 1827; and in the author's Poems & Hymns, 1840. 2. Break forth in song, ye trees. Public Thanksgiving. Written for the Second Centennial Celebration of the Settlement of Boston, Sept. 17, 1830, and included in the Poems & Hymns, 1840. 3. Break the bread and pour the wine. Holy Communion. In Harris's Hymns for the Lord's Supper, 1820. 4. Father, while we break the bread. Holy Communion. 5. God Almighty and All-seeing. Greatness of the Father. Contributed to Elias Nason's Congregational Hymn Book, Boston, 1857. 6. God of mercy, do Thou never. Ordination. Written for the Ordination of John B. P. Storer at Walpole, Nov. 15, 1826; and published in the author's Poems, &c, 1840. 7. God of our fathers, in Whose sight. Love of Truth desired. This hymn is composed of st. ix., x. of a hymn written for the Charlestown Centennial, June 17, 1830. In this form it was given in the Boston Hymns of the Spirit, 1864, and others. 8. Gone are those great and good. Burial. Written in 1830. Part of No. 2 above. 9. I cannot make him dead. Gone Before. "A part of an exquisitely touching and beautiful poem of ten stanzas, originally printed in the Monthly Miscellany, Oct. 1840." 10. Let the still air rejoice. Praise. 11. Mighty One, Whose name is Holy. Charitable Institutions. Written for the anniversary of the Howard Benevolent Society, Dec. 1826, and included in the author's Poems, &c, 1840. 12. My [0] God, I thank Thee that the night. Morning. Appeared in his Poems, &c, 1840. In Martineau's Hymns, &c, 1873, it begins "O God, I thank Thee," &c. 13. 0 bow Thine ear, eternal One. Opening of Divine Service. This is dated 1823, but was not included in the author's Poems, &c, 1840, although one of his best productions. 14. 0 Thou to Whom in ancient time. Universal Worship. “Written for the opening of the Independent Congregational Church in Barton Square, Salem, Massachusetts, Dec. 7, 1824," and printed at the close of the sermon preached by Henry Colman on that day. It was given in Pierpont's Poems, &c, 1840, and is found in several collections in Great Britain and America. It is widely known. 15. 0 Thou Who art above all height. Ordination. “Written for the Ordination of Mr. William Ware, as Pastor of the First Congregational Church in New York, Dec. 18, 1821," and included in his Poems, &c, 1840. 16. 0 Thou Who on the whirlwind rides. Dedication of a Place of Worship. Written for the opening of the Seamen's Bethel in Boston, Sept. 11, 1833. Sometimes given as “Thou Who on the," &c. 17. O'er Kedron's stream, and Salem's height. Gethsemane. One of eight hymns contributed to Dr. T. M. Harris's Hymns for the Lord's Supper, 1820. It is in Martineau's Hymns, &c, London, 1873, and others. 18. On this stone, now laid with prayer. Foundation-stone Laying. Written for the laying of the cornerstone of Suffolk Street Chapel, Boston, for the Ministry of the Poor, May 23, 1839. 19. With Thy pure dews and rain. Against Slavery. Written for the African Colonization Society, and included in Cheever's American Common Place Book, 1831. Not in the author's Poems, &c, 1840. Pierpont's talents as a hymn-writer, as in other fields, were respectable rather than commanding, but so energetically employed as to make their mark. Thus, although he never wrote a single hymn that can be called a great lyric, yet he has attained to a prominent position in American hymnody. [Rev. F. M. Bird, M.A.] -- John Julian, Dictionary of Hymnology (1907)

Stephen Jenks

1772 - 1856 Person Name: S. Jenks Hymnal Number: 787 Composer of "BARTIMEUS" in The New Laudes Domini Born: March 17, 1772, Glocester, Rhode Island. Died: June 3, 1856, Thompson, Ohio. Buried: Maple Grove Cemetery, Thompson, Ohio. During his life, Jenks moved from town to town, living in Ridgefield and New Canaan, Connecticut; Pound Ridge, New York; and Providence, Rhode Island; finally settling in Thompson, Ohio, in 1829. After moving to Ohio, he became a farmer and a maker of percussion instruments. His works include: The New-England Harmonist (Danbury, Connecticut, 1799) The Musical Harmonist (New Haven, Connecticut, 1800. The American Compiler, with Elijah Griswold (Northampton, Massachusetts, 1803) The Delights of Harmony (New Haven, Connecticut, 1804) The Delights of Harmony; or, Norfolk Compiler (Dedham, Massachusetts: 1805) Additional Music, to the Delights of Harmony The Delights of Harmony; or, Union Compiler, 1806 The Jovial Songster (Dedham, Massachusetts: 1806) The Hartford Collection of Sacred Harmony, with Elijah Griswold and John C. Frisbie (Hartford, Connecticut: 1807) The Royal Harmony of Zion (Dedham, Massachusetts: 1810) The Christian Harmony (Dedham, Massachusetts: 1811) The Harmony of Zion; or, Union Compiler (Dedham, Massachusetts: 1811) The Whistle (Dedham, Massachusetts: 1811) --www.hymntime.com/tch

Thomas Baldwin

1753 - 1825 Hymnal Number: 1012 Author of "Come, happy souls, adore the Lamb" in The New Laudes Domini Baldwin, Thomas. (Bozrah, Connecticut, December 23, 1753--August 29, 1825, Waterville, Maine). Following the death of his father and his mother's remarriage, he moved at age sixteen to Canaan, New Hampshire. He was married in 1775, and while a young man was elected to represent Canaan in the legislature and was repeatedly reelected. Following his conversion he was baptized in 1781. He then abandoned his legal studies and began to preach in 1782, being ordained in the following year and then serving for seven years as an evangelist. In 1790 he became pastor of the Second Baptist Church of Boston. He published a number of books and was the first editor of the Massachusetts Baptist Missionary Magazine, beginning in 1803. For many years he was chosen chaplain of the General Court of Massachusetts, delivering the annual sermon on the general election day in 1802. He was given the M.A. from Brown University in 1794 and the D.D. from Union College in 1803. His death occurred during a visit he made as a trustee to the annual commencement of Waterville College. See: Chessman, Daniel. (1826). Memoir of Rev. Thomas Baldwin. (Boston). --Harry Eskew, DNAH Archives ====================================== Baldwin, Thomas, D.D., born at Bozrah, or Norwich, Connecticut, 1753, was representative for some time of his native State in the Legislature. In 1783 he was ordained to the Baptist ministry, and from 1790 till his death, in 1825, he was Pastor of the Second Baptist Church, Boston. His best known hymns are:— 1. Almighty Saviour, here we stand. Holy Baptism. This hymn "For Immersion " was contributed to a Collection of Sacred and Devotional Hymns, Boston, 1808, from whence it has passed into later Collections, including the Baptist Praise Book, N. Y., 1871, and others. 2. From whence does this union rise? Communion of Saints. First found in J. Asplund's New Collection, Baltimore, 1793, beginning, "O whence does this union rise." Formerly very popular, and still in use as in the Baptist Hymn [and Tune] Book, Phila., 1871, No. 638. In the Church Pastorals, Boston, 1864, No. 981, it is altered to "From whence doth this union arise.” 3. Ye happy saints, the Lamb adore. Holy Baptism. For Immersion, first appeared in a Collection of Sacred and Devotional Hymns, Boston, 1808, from whence it passed in an altered form as:—"Come, happy souls, adore the Lamb," into Winchell's Supplement to Watts, 1819. It is found in Spurgeon's Our Own Hymn Book, 1866, and many modern American Baptist collections. [Rev. F. M. Bird, M.A.] -- John Julian, Dictionary of Hymnology (1907) ============================

Adelaide Anne Procter

1825 - 1864 Person Name: Adelaide A. Procter Hymnal Number: 123 Author of "The shadows of the evening hours" in The New Laudes Domini Not to be confused with Adelaide A. Pollard. Adelaide Anne Proctor was born in London, in 1825. Her father, Brian W. Proctor, is well known by his literary nom de guerre of Barry Cornwall. In 1853, Miss Proctor became a contributor to Dickens' "Household Words." Her reputation as a poet was secured by the publication of her first volume of "Legends and Lyrics," in 1858. A second volume was added in 1860. She also published other compositions in poetry and prose. She died in 1864. She was a member of the Roman Catholic Church. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. =============== Procter, Adelaide Anne, daughter of Bryan Waller Procter (Barry Cornwall), was born in Bedford Square, London, Oct. 30, 1825. In 1851 she entered the Roman communion, and died in London, Feb. 2, 1864. Miss Procter displayed more than usual intellectual powers at an early age. In later years she was skilled in music and languages. Her poetical gifts have been widely appreciated. Her Legends and Lyrics, A Book of Verse, was published in 1858. Of this an enlarged edition was published in 1862. Her hymns in common use from these two editions are:— 1. I do not ask, 0 Lord, that life may be. Resignation. In her Legends, &c., 1862. It is one of the most widely used of Miss Procter's hymns. 2. I thank Thee, 0 my God, Who made. Thankfulness. In her Legends, &c., 1858, p. 207, in 6 stanzas of 6 lines. In several collections, including the Hymnal Companion, it begins in an altered form, "My God, I thank Thee, Who hast made;" and in others, "Our God, we thank Thee, Who hast made." Bishop Bickersteth in his note on this hymn in the Hymnal Companion, 1816, says, "This most beautiful hymn by A. A. Procter (1858), touches the chord of thankfulness in trial, as perhaps no other hymn does, and is thus most useful for the visitation of the sick." 3. One by one the sands are going [flowing]. The links of Life. In her Legends, &c., 1858, p. 20, in 8 stanzas of 4 lines. 4. Rise, for the day is passing. Redeem the Time. In her Legends, &c., 1858. Sometimes given as "Arise, for the day is passing," as in Holy Song, 1869. 5. Strive; yet I do not promise. Strive, Wait, Pray. In her Legends, &c., 1858, p. 103, in 3 stanzas of 8 lines. 6. The way is long and dreary. Life a Pilgrimage. In her Legends, &c., 1858, p. 136, in 3 stanzas of 8 lines and a refrain. 7. The shadows of the evening hours. Evening. In her Legends, &c., 1862. 8. We ask for peace, 0 Lord. Peace with God. In her Legends, &c., 1858, p. 214, in 4 stanzas of 9 lines. --John Julian, Dictionary of Hymnology (1907)