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Scripture:John 18
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John R. Van Maanen

Person Name: John R. Van Maanen, 1958- Scripture: John 18:33-37 Composer of "CHRISTUS PARADOX" in Common Praise (1998) John Van Maanen has been a member of Arcady since its founding and often sings as a baritone soloist in performances of Handel's Messiah. He sings in the choir of his home congregation and sometimes serves as a substitute organist in local churches. John’s first hymn tune, (Christus) Paradox (1984), is in three Canadian denominational hymnals: Voices United (1996), The Book of Praise (1997) and Common Praise (1998). Common Praise (1998) also has his tune, Phos Hilaron, written in 1990. John’s arrangement of the hymn Let All Mortal Flesh Keep Silence was published by Oxford University Press in 2007. He continues to enjoy composing: most of his works are for choir with organ accompaniment. John Van Maanen

Michael Saward

1932 - 2015 Person Name: Michael Saward, b. 1932 Scripture: John 18:33-37 Author of "Yours the glory and the crown" in Singing the Faith Michael John Saward (b. Blackheath, Kent, England, 1932) was residentiary Canon of St. Paul's Cathedral, London, and a church commissioner and member of the general synod of the Church of England. Educated at Eltham College, Bristol University, and Tyndale Hall, he was ordained in the Church of England in 1956. Saward served in several congregations and was radio and television officer for the Church Information Office (1967-1972). His publications include Leisure (1963), Couldn’t Care Less (1966), Don't Miss the Party (1974), and All Change (1983). Associated with the Jubilate Group for a number of years, he has written some sixty hymns and served as text editor for Hymns for Today's Church (1982). Bert Polman

John Barnard

b. 1948 Person Name: John Barnard, b. 1948 Scripture: John 18:33-37 Composer of "GUITING POWER" in Singing the Faith

Judith O'Neill

1930 - 2006 Person Name: Judith Beatrice O'Neill, b. 1930 Scripture: John 18:33-37 Author of "We praise you, Lord, for Jesus Christ" in Singing the Faith

Norman Wallwork

b. 1946 Person Name: Norman Wallwork, b. 1946 Scripture: John 18:33-37 Adapter of "We praise you, Lord, for Jesus Christ" in Singing the Faith

Vicente P. Mendoza

1875 - 1955 Person Name: V. Mendoza Scripture: John 18:26 Author of "A Solas con Jesús" in Himnos de Gloria Vicente Mendoza Born: De­cem­ber 24, 1875, Guad­a­la­ja­ra, Mex­i­co. Died: 1955, Mex­i­co Ci­ty, Mex­i­co. Mendoza stu­died in­i­tial­ly un­der Don Au­re­lio Or­te­ga. At age of 11 he went to work in a Pro­test­ant print shop in Mex­i­co Ci­ty and helped pro­duce El Evan­gel­is­ta Mex­i­ca­no (The Mex­i­can Evan­gel­ist) for the Meth­od­ist Church of the South; he rose to be­come its di­rect­or for 17 years. Look­ing to im­prove him­self, Men­do­za en­tered a night school for work­ers, but lat­er feel­ing the call to preach the Gos­pel, he en­tered the Pres­by­ter­i­an Sem­in­a­ry in Mex­i­co Ci­ty. When the sem­in­a­ry closed temp­o­rar­i­ly, Men­do­za en­tered the Meth­od­ist In­sti­tute of Pueb­la, where he fin­ished the course in the­ol­o­gy. In 1898 he be­came a mem­ber of the An­nu­al Con­fer­ence of the Mex­i­can Meth­od­ist Church. From 1915 to 1917, he be­longed to the South­ern Meth­od­ist Con­fer­ence of Cal­i­for­nia. Men­do­za worked on sev­er­al per­i­od­i­cals, in­clud­ing El Mun­do Crist­i­a­no (The Chris­tian World), El Abo­ga­do Crist­i­a­no (The Chris­tian Ad­vo­cate), and El Evan­gel­is­ta Crist­i­a­no (The Chris­tian Evan­gel­ist). © The Cyber Hymnal™ (hymntime.com/tch)

Neil Dougall

1776 - 1862 Person Name: Neill Dougall, 1776-1862 Scripture: John 18:33-37 Composer of "KILMARNOCK" in Singing the Faith Born: De­cem­ber 9, 1776, Green­ock, Ren­frew­shire, Scot­land. Died: Oc­to­ber 1, 1862, Green­ock, Scot­land. Buried: Green­ock, Scot­land. Neil’s fa­ther, wheel­wright Neill Dou­gall, was draft­ed in­to the ar­my, and died in Cey­lon (now Sri Lanka) when his son was on­ly four years old. At age 15, Neil be­came an ap­pren­tice on the ship Bri­tan­nia. In 1795, while he was load­ing a gun to fire the se­cond vol­ley of a sa­lute to com­mem­o­rate Lord Howe’s vic­to­ry over the French, an ex­plo­sion blind­ed him and took his arm. Af­ter re­cov­er­ing, he be­gan his mu­sic­al ca­reer. In 1798, he at­tend­ed a sing­ing class un­der Ro­bert Dun­can, and in the fall of the next year opened his own class, which he ran un­til 1844. He gave an­nu­al con­certs in Green­ock from 1800 [sic, Frost] to 1860. --www.hymntime.com/tch

Joseph Gelineau

1920 - 2008 Person Name: Joseph Gelineau, SJ, b. 1920 Scripture: John 18:11 Composer of "LE CÉNACLE" in Worship (3rd ed.) Joseph Gelineau (1920-2008) Gelineau's translation and musical settings of the psalms have achieved nearly universal usage in the Christian church of the Western world. These psalms faithfully recapture the Hebrew poetic structure and images. To accommodate this structure his psalm tones were designed to express the asymmetrical three-line/four-line design of the psalm texts. He collaborated with R. Tournay and R. Schwab and reworked the Jerusalem Bible Psalter. Their joint effort produced the Psautier de la Bible de Jerusalem and recording Psaumes, which won the Gran Prix de L' Academie Charles Cros in 1953. The musical settings followed four years later. Shortly after, the Gregorian Institute of America published Twenty-four Psalms and Canticles, which was the premier issue of his psalms in the United States. Certainly, his text and his settings have provided a feasible and beautiful solution to the singing of the psalms that the 1963 reforms envisioned. Parishes, their cantors, and choirs were well-equipped to sing the psalms when they embarked on the Gelineau psalmody. Gelineau was active in liturgical development from the very time of his ordination in 1951. He taught at the Institut Catholique de Paris and was active in several movements leading toward Vatican II. His influence in the United States as well in Europe (he was one of the founding organizers of Universa Laus, the international church music association) is as far reaching as it is broad. Proof of that is the number of times "My shepherd is the Lord" has been reprinted and reprinted in numerous funeral worship leaflets, collections, and hymnals. His prolific career includes hundreds of compositions ranging from litanies to responsories. His setting of Psalm 106/107, "The Love of the Lord," for assembly, organ, and orchestra premiéred at the 1989 National Association of Pastoral Musicians convention in Long Beach, California. --www.giamusic.com

Geoffrey Ainger

1925 - 2013 Person Name: Geoffrey Ainger (1925-) Scripture: John 18:33-37 Author of "Born in the Night, Mary's Child" in Common Praise (1998)

Richard D. Wetzel

b. 1935 Scripture: John 18:33-37 Harmonizer of "MARY'S CHILD" in Common Praise (1998) Richard D. Wetzel (b. 1935) received the Ph.D. in Musicology from the University of Pittsburgh, studying under D�nes Bartha, Theodore Finney, and Robert Snow. He joined the faculty of Ohio University in 1970. Dr. Wetzel's area of emphasis is American Music, and he is published in The New Grove Dictionary of American Music and American National Biography. His book, Frontier Musicians, is a definitive work on German-American music of the 18th and 19th centuries. Wetzel is also a composer and hymnologist, and his liturgical music is found in numerous denominational hymnals, including those published by the Episcopal and Presbyterian churches and the United Church of Christ. Professor Wetzel was the recipient of Ohio University's Outstanding University Professor Award and is currently Chair of Graduate Studies in the School of Music. His arrangement of Geoffrey Ainger's tune, MARY'S CHILD, can be found in the Worship & Rejoice hymnal. http://www.hopepublishing.com

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